The Second Disc

Expanded and Remastered Music News

The Finer-er Things

with 7 comments

As many of our readers know, Island released a new-ish Steve Winwood box set, Revolutions: The Very Best of Steve Winwood. I say “new-ish” because the offerings weren’t terribly different from the last expansive anthology of Winwood material, 1995’s The Finer Things. Predictably, the set didn’t do terribly well – a shame because Winwood is a solid, enjoyable performer to listen to, but simultaneously not a shame since it doesn’t offer enough new stuff for catalogue enthusiasts to savor.

But the single-disc version of the set is actually pretty darn good for the budding Winwood fan. There aren’t many single-disc anthologies of the man’s entire career; 1987’s Chronicles only focused on the past decade of solo Winwood, an entry in Universal’s 20th Century Masters series covered Winwood’s best work with The Spencer Davis Group, Blind Faith and Traffic but nothing else, and the U.K. import The Ultimate Collection, while comprehensive, was three discs. You might as well buy one of the box sets if that’s your alternative.

So what would one compare the Revolutions disc to? Your catalogue correspondent has but one answer, and it’s not a common one. When The Finer Things was released in 1994, Island and Chronicles (now Universal Music Enterprises) issued a promo disc taking the best of the box and distilling it to a single disc. It may be unfair to compare a public compilation to a non-commercial promo, but it’s not terribly hard to find on the secondary market. Thus, The Second Disc shall now attempt to answer which of these sets the budding Winwood fan should seek. All shall be revealed after the jump.

What songs are on both discs?

Technically, nine of the 15 tracks on The Finer Things promo appear on Revolutions. Not all of them are the same length or mix, but we’l get to that. The Spencer Davis Group’s classic “Gimme Some Lovin'” appears on both sets, as does Blind Faith’s “Can’t Find My Way Home.” Traffic cuts make up the majority of The Finer Things promo; three of those tunes (“Dear Mr. Fantasy,” “Forty Thousand Headmen,” “The Low Spark of High-Heeled Boys”) appear on both sets. All four solo hits on the promo disc (“While You See a Chance,” “Higher Love,” “Back in the High Life Again,” “Roll with It”) appear on Revolutions as well.

What vault content is there?

Each disc has what counts as one new (or then-new) track. The Finer Things promo disc had an electric version of Blind Faith’s “Can’t Find My Way Home” (later released on the deluxe edition of the Blind Faith album), while Revolutions offers a rootsy new recording of “Spanish Dancer.” Frustratingly, both tracks are edited on these discs (but not on the box sets, of course).

Any different mixes or edits?

While most of the tracks on the promo disc use album versions, Revolutions uses a couple single versions that aren’t always common on CD. “Back in the High Life Again” and “Roll with It” are radio edits on both discs, but the new compilation offers the original single edit of “While You See a Chance” (which is nice to have on CD, even if the edit is hilariously, noticeably terrible) and the radio edits of “The Finer Things” and “Dirty City,” from Winwood’s Nine Lives (2008). The single mix of “Don’t You Know What the Night Can Do?” is also present.

Noticeable, unusual mix/edit details: “Valerie,” present on Revolutions, uses the original LP version and not the overdubbed version from Chronicles that was a U.S. Top 10 hit. There’s an eight-second difference between each disc’s version of “Low Spark,” but these middling ears can’t tell much of a difference. (There has been talk that Revolutions has an alternate mix. Furthermore, the packaging of Revolutions lists this version as an edit – if that’s the case, there’s not much to be had there.)

What’s the packaging like?

This author’s version of the promo came in a glossy, book-sized paper sleeve with promotional info about The Finer Things box and a few notes on the intended marketing of the album, which is neat if you’re into that sort of thing. Revolutions has a concise essay and an admittedly neat design, with various Winwood-related ephemera spilling around the edge of the pages of the booklet like someone’s record collection fell out of a box. Note that there’s a pic toward the end of the booklet of Winwood with a young-ish Michael Jackson! (Although a bit of a gripe with both sets – particularly Revolutions – for missing a few edit/mix notes here and there.)

How’s the remastering?

This isn’t your correspondent’s strong suit, but Revolutions works out like most catalogue projects nowadays – could be better, could be worse (i.e.: not as compressed as one might think but not terribly loud).

Final thoughts: If you’re just starting out with a Winwood collection or looking for a few harder-to-find single versions, go for Revolutions. The Finer promo, when you can find it on eBay or Amazon, will satiate you a bit more as a throwback road mix, leaning more on Traffic and before than the slick, synth-soul-pop of Winwood’s solo career. If you have enough of the albums – or The Finer Things box itself – just download “Spanish Dancer 2010” and call it a day.

Written by Mike Duquette

July 1, 2010 at 15:31

7 Responses

Subscribe to comments with RSS.

  1. It’s not a shame that the Revolutions box didn’t do well…it’s a victory! It tells me most fans already own “The Finer Things” and didn’t feel as if they needed to be re-served the same product again.

    Maybe it’ll make the labels and artists think twice about taking perfectly fine boxed sets out of circulation (do you hear me, Bee Gees?) and putting out the same ol’ same ol’, only louder, in its place.


    July 1, 2010 at 16:01

    • It’s only a shame in the sense that somewhere, a younger, budding fan could have picked up a well-made, new box set/comp in a store (or heck, even online) and became a fan as a result.

      The thing the catalogue biz will suffer from – and I’m not even part of said business, and it worries me – is that it’ll risk collapsing under newer, lesser sets like Revolutions instead of figuring out a way to generate revenue between multiple generations off of classy product that satisfies new and old fans. Obscurer reissues and boxes, while great for us, won’t attract my fellow twentysomethings to buy more catalogue music.

      Also: sorry in advance if I assumed all my readers are older than me.

      Mike Duquette

      July 1, 2010 at 16:10

      • Lots of interesting points, Mike. I can’t imagine a twentysomething Steve Winwood fan would necessarily be disappointed with the new box set, at least on the face of it; it does offer some 58 tracks in one place for about 25 bucks. (It’s a better deal than iTunes, as I wish more retailers would point out to potential CD-buying customers!) Not everybody owned The Finer Things; I, believe it or not, didn’t, and so I picked up the new set. But its execution is unbelievably poor. The liner notes include no discographical information whatsoever; that young fan getting into Winwood would have no idea where to go next, or where his favorite tracks originated. (And all but the cover of my included booklet is upside-down in my copy; I’m hoping this was an error unique to mine and not indicative of the entire run?) The business of including different edits, and indeed one phenomenally big hit, on the highlights disc and not on the box itself, is also just pure lunacy.

        Surely there’s a happy medium between a box set aimed at a newbie and a box set aimed at a collector. Revolutions, unfortunately, isn’t it…

        Joe Marchese

        July 1, 2010 at 18:17

    • I’m hoping that the two surviving Bee Gees get the message, and that the pointless “Mythology” box is never released. As for boxes like the recent Steve Winwood set(with no unreleased songs),bluesman John Mayall has just pulled a similar stunt, with a pointless box set through UK Universal.
      The people who want a “Greatest Hits” don’t buy 4-CD box sets, and the people who do buy box sets insist on rarities and vault material. Get the message, music moguls?

      Phil Cohen

      July 1, 2010 at 16:21

  2. Anyone looking for essential Winwood needs to pick up the Blind Faith single disc and John Barleycorn Must Die. From there, the first Traffic album and any compilation that includes “The Low Spark Of High-Heeled Boys”. If they really need ’80s stuff, Chronicles will suffice.


    July 1, 2010 at 22:34

  3. Why can’t they release a compilation with only his solo hits? I’ve already got Blind Faith and Traffic.


    July 2, 2010 at 08:50

  4. Wardo, why not the Low Spark of High Heeled Boys album itself? That’s my favorite of all the Traffic albums… Plus, the remaster from a few years ago has that awesome long version of “Rock & Roll Stew” on it. The two live traffic albums, On the Road and Welcome to the Canteen, are also gems. That said, I’d like to see an expanded version of “Canteen” someday.

    Oh, and while the single disc Blind Faith is an unquestioned classic if you can still find the two disc Deluxe Edition that is definitely the way to go. Amazing jams on there… The recent Eric Clapton/Steve Winwood double live album is also well worth it.


    July 2, 2010 at 22:13

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: