Archive for March 8th, 2012
Soundtrackus Maximus: “Ben-Hur” Gets Five-Disc Expansion by FSM
UPDATE: After selling through its initial pressing of 2,000 in two weeks, Film Score Monthly has pressed another 2,000. As label head Lukas Kendall cheekily explained, “I NEED THE MONEY!”
Original post: One of Hollywood’s greatest film scores and one of the catalogue world’s greatest soundtrack labels have finally, excitedly joined forces to produce a definitive box set edition of the Oscar-winning soundtrack William Wyler’s classic Ben-Hur.
Metro-Goldwyn-Mayer’s Ben-Hur, released in 1959 (and recently released on Blu-Ray), was Hollywood’s second adaptation (after a 1925 silent film) of the novel of the same name by Lew Wallace. Charlton Heston, no stranger to massive, timeless roles, plays the titular Judah Ben-Hur, a wealthy prince and prominent Jewish merchant betrayed by his friend Messala (Stephen Boyd), the charismatic leader of a Roman garrison in Jerusalem. Having lost his fortune and his freedom, Ben-Hur must rely on his human strength and his faith in the divine to survive, culminating in an adventurous tale that travels from the galley of a Roman flagship to the crucifixion of Jesus Christ.
Film Score Monthly’s latest title – their 246th, leaving four to go before the label signs off – is an exhaustively thorough, five-disc edition of Miklós Rózsa’s lush, romantic, heroic score, not only one of the best written for a Hollywood epic but the longest score ever penned for a film, with over three hours of music written. No stranger to sprawling epics like Ben-Hur, having scored The Four Feathers, The Thief of Baghdad andQuo Vadis? in the decade’s before the film’s 1959 release, Rózsa drew heavily on years of research of ancient Greco-Roman musical styles while retaining a modern, thematic feel. From the film’s sweeping love themes to its boisterous chariot race fanfares, the score to Ben-Hur has more than earned its place in film music history.
This five-disc set includes all the music heard in the film, lovingly preserved from the original six-track master recordings, as well as bonus material well beyond Rhino’s lavish box set presentation of the score in 1996. (Doug Schwartz, who participated in the mastering on that set, assisted assemblers Mike Matessino and Neil S. Bulk in the same capacity on this release.) As a special treat, all three of the official re-recording LPs, conducted by Carlos Savina and Erich Kloss and released on the MGM and Lion labels, are also included in the set, one of which makes its debut on CD. Liner notes by Jeff Bond and Frank K. DeWald, part of which are included in the set’s 28-page booklet but are included in full online, extensively cover the making of the film and score in addition to providing track-by-track commentary and preserving the liner notes of the original LPs.
Ben-Hur, one of the crown jewels of Hollywood music and now one of the final crown jewels of Film Score Monthly’s decades-long history, is limited to 2,000 copies and is yours to order after the jump.
Miklós Rózsa, Ben-Hur: Complete Soundtrack Collection (Film Score Monthly Vol. 15, No. 1, 2012 – original film released 1959)
Disc 1: Original score
- Overture
- Anno Domini
- Star of Bethlehem/Adoration of the Magi
- Shofar Call
- Fanfare to Prelude/Prelude/Marcia Romana
- Spirit and Sword
- Salute for Messala
- Friendship
- The House of Hur
- Conflict
- Esther
- The Unknown Future (Outtake)
- Love Theme/Ring for Freedom
- Salute for Gratus
- Gratus’ Entry to Jerusalem
- Arrest (Outtake)
- Reminiscences
- Condemned (Outtake)
- Escape (Outtake)
- Vengeance
- The Prison—Part One/The Prison—Part Two (Partial Outtake)
- The Desert/Exhaustion/The Prince of Peace/Roman Galley
- Salute for Arrius
- Quintus Arrius
- Roman Fleet (Partial Outtake)
- The Galley
- Rest
- Battle Preparations/The Pirate Fleet/Attack!/Ramming Speed/Battle/Rescue
- Roman Sails
- The Rowers
- Victory Parade
- Victory Finale
Disc 2: Original score, continued
- Fertility Dance
- Arrius’ Party
- Nostalgia/Farewell to Rome
- A Barren Coast (Outtake)
- Judea/Balthazar
- Balthazar’s World
- Homecoming
- Memories/Hatred
- Lepers
- Return/Promise
- Sorrow and Intermission
- Entr’Acte
- Panem et Circenses (Version I)
- Circus Fanfares Nos. 1-4
- Panem et Circenses (Version II)
- New Fanfare for Circus Parade (Parade of the Charioteers)
- Circus Fanfare No. 6 (Fanfare for Start of Race)
- Panem et Circenses (Version III)
- Circus Fanfare No. 7 (Ben-Hur Crowned)
- Bitter Triumph
- Aftermath
- Valley of Lepers/The Search
- The Uncleans
- Road of Sorrow
- The Mount/The Sermon
- Frustration
- Valley of the Dead/Tirzah Saved
- The Procession to Calvary/The Bearing of the Cross/Recognition
- Aftermath (Crucifixion)
- Golgotha
- Shadow of a Storm (Outtake)
- The Miracle/Finale
Disc 3: Savina LP and Act I Alternates
- Prelude
- Adoration of the Magi
- Roman March
- Friendship
- Love Theme of Ben-Hur
- The Burning Desert
- The Rowing of the Galley Slaves
- Naval Battle
- Return to Judea
- Victory Parade
- The Mother’s Love
- The Lepers’ Search for the Christ
- The Procession to Calvary
- The Miracle and Finale
- Star of Bethlehem (Alternate Chorus)
- Adoration of the Magi (Alternate Chorus)
- Prelude (Alternate Take)
- Spirit and Sword (Alternate I)
- Revenge (Outtake)
- The Desert/Exhaustion/The Prince of Peace/Roman Galley (Alternate Sequence)
- Roman Fleet (Alternate)
- The Galley (Alternate)
- Rest (Alternate)
- Battle Preparations—Part Two (Alternate)
- Roman Sails (Alternate)
- Victory Parade (Short Version)
- Fertility Dance (Orchestra Only)
- Arrius’ Party (Long Version)
- Judea (Alternate)
- Homecoming (Alternate)
- Sorrow (Alternate I)
- Intermission (Alternate I)
Disc 4: First Kloss LP and Act II alternates
- Prelude
- The Adoration of the Magi
- Roman March
- Friendship
- Love Theme of Ben-Hur
- The Burning Desert
- The Rowing of the Galley Slaves
- Naval Battle
- Return to Judea
- Victory Parade
- The Mother’s Love
- The Lepers’ Search for the Christ
- The Procession to Calvary
- The Miracle and Finale
- Entr’Acte (Alternate)
- Panem et Circenses (Complete Version)
- Circus Parade (Parade of the Charioteers) (Film Edit)
- Aftermath (Alternate I)
- The Search (Alternate)
- Road of Sorrow (Alternate)
- The Sermon (Alternate I)
- Valley of the Dead/Tirzah Saved (Alternate)
- The Procession to Calvary/The Bearing of the Cross/Recognition (Alternate Sequence)
- Aftermath (Alternate II)
- Golgotha (Alternate I)
- The Miracle/Finale
- Entr’Acte (Original Version)
Disc 5: Second Kloss LP and additional alternates and bonus tracks
- Overture
- Star of Bethlehem
- Gratus’ Entry Into Jerusalem
- The House of Hur
- Messala’s Revenge
- Fertility Dance
- Farewell to Rome
- Arrius’ Party
- Parade of the Charioteers
- Bread and Circus March
- Death of Messala
- Memories
- Sermon on the Mount
- Valley of the Dead
- Golgotha
- The Christ Theme from Ben-Hur (Alleluia)
- Star of Bethlehem/Adoration of the Magi (Orchestra Only)
- Star of Bethlehem (Chorus Only—Alternate Version)
- Adoration of the Magi (Chorus Only—Alternate II)
- Adoration of the Magi (Chorus Only—Alternate III)
- Spirit and Sword (Alternate II)
- Gratus’ Entry to Jerusalem (Long Version)
- Revenge (Alternate)
- Arrius’ Party (Fragments)
- Sorrow (Alternate II)
- Intermission (Alternate II)
- Entr’Acte (Original Version—Alternate Ttake)
- Aftermath (Alternate III)
- Aftermath (Alternate IV)
- The Sermon (Alternate II)
- The Sermon (Alternate III)
- The Sermon (Alternate IV)
- The Sermon (Alternate V)
- Golgotha (Alternate II)
- Miracle (Alternate II)
- Finale (Chorus Only—Alternate I)
- Finale (Chorus Only—Alternate I)
- Finale (chorus only—alternate I)
- Love Theme (Demo)
- Harun al Rozsad
- Quo Vadis Prelude (with Chimes)/Drums (Appian Way)
Portions of this set were previously released as Rhino R2 72197, 1996.
Disc 3, Tracks 1-14 released as MGM LP S1-E1, 1959. Recorded by Carlos Savina and The Symphony Orchestra of Rome and Singers of the Roman Basilicas.
Disc 4, Tracks 1-14 released as Lion LP S-70123, 1959. Recorded by Erich Kloss and The Frankenland State Orchestra. Previously unreleased on CD.
Disc 5, Tracks 1-16 released as MGM LP SE-3900, 1961. Recorded by Erich Kloss and The Frankenland State Orchestra.
Eight More ICON Sets for You to Briefly Consider
What you will see after the jump are eight more of Universal’s generic ICON titles, released this past Tuesday. There are two country acts, two Motown acts, two Motown compilations, one from Dean Martin and one from pop/rock band Fall Out Boy. A stranger collection you’ll rarely find. I’d give a halfhearted recommendation to the Motown ones if you want to spend a little money on someone who has the distinct displeasure of never having heard any Motown song, ever. If you have more money to spend, though, get a box set or something. You won’t regret it. Trust me.
Follow the jump for order links (the single-disc Motown Classics did not appear on Amazon; we’ve used a Barnes & Noble link instead.)
Carefree Highway: Rhino Offers Rare “Moments” With Gordon Lightfoot
Gordon Lightfoot’s stands at Toronto’s Massey Hall have become a cherished tradition over the past forty years, with the Canadian troubadour having taken the stage more times than any other artist in the Hall’s 117 year history. Last May 25, 2011, Lightfoot performed his 150th concert there, and as he prepares for this year’s stand in November, Rhino Records is reminding fans of his rich legacy there with the April 17 release of Massey Hall Moments – All Live. Why not just plain Live? Lightfoot has stressed that the recordings, selected from performances between 1998 and 2001, “have not been technically altered and are authentic live mixes” with each song heard exactly as the audience would have heard it.
Charles S. Cutts, President and CEO of the Massey Hall corporation, stated in the press release, “The contribution that Mr. Lightfoot has made to Toronto is immense and it’s only fitting that he would share some of these moments with the rest of the world with the release of Massey Hall Moments – All Live. Great halls need great performances from the greatest performers. Gordon Lightfoot is part of the Massey Hall legacy and we’re proud to welcome him back year after year. We always look forward to it. Welcome home Gordon!” This new set is also a timely reminder of Lightfoot’s contribution as a songwriter, featuring many of his most beloved compositions like “If You Could Read My Mind,” “Early Morning Rain,” “Sundown,” “Carefree Highway” and, of course, “The Wreck of the Edmund Fitzgerald.” On Thursday, June 14, 2012, Lightfoot will be feted in New York City when he is inducted into the prestigious Songwriters Hall Of Fame in New York City alongside luminaries Bob Seger, Don Schlitz, Harvey Schmidt, Tom Jones and Jim Steinman.
Hit the jump for more on Massey Hall Moments – All Live including the full track listing with performance dates!
Reissue Theory: Tears for Fears, “Big Ideas: The Singles 1982-1993”
Welcome to another installment of Reissue Theory, where we focus on notable albums and the reissues they may someday see. In honor of a recent milestone for one of the ’80s’ best synthpop bands, we present the idea of something their catalogue doesn’t have but could totally need: a box set.
Our friends at Slicing Up Eyeballs reminded us yesterday that March 7, 1983 was the day that Phonogram Records (and Mercury in the U.S.) released The Hurting, the debut album by British synth-rockers Tears for Fears. Anchored by singer/guitarist Roland Orzabal and singer/bassist Curt Smith, a pair of boyhood friends from the small English town of Bath, TFF would gain major worldwide success by the middle of the decade and enjoy a brief, deserved critical resurgence in the early 2000s for their early hits, as utilized in film and television projects.
The TFF catalogue has been generally well served on CD in the past decade or so. In 1996, after Orzabal (who had parted ways with Smith in the early ’90s) left Mercury for Epic, their parent company PolyGram issued a great B-sides compilation, Saturnine Martial and Lunatic; three years later, the Orzabal/Smith albums – The Hurting, Songs from the Big Chair (1985) and The Seeds of Love (1989) – were remastered and expanded. Big Chair received a double-disc expansion in 2006, and the sole Epic album, 1995’s Raoul and the Kings of Spain, received a great expansion by Cherry Pop Records in 2009. (That’s not even counting the many compilations released by Polygram and later Universal Music Group.)
But one catalogue accolade has eluded them for years: a proper, career-spanning box set.