Archive for September 25th, 2012
Love Is (Still) The Message: MFSB Classic Expanded and Remastered by Big Break
There was clear irony in Bart Forbes’ cover artwork for MFSB’s Love is the Message. The 1973 album showed off Philadelphia International Records’ hallowed house band at its smoothest, espousing the gospels of peace, love, tolerance and unity. The cover illustration, however, depicts a skull clad in a military helmet, a mushroom cloud, a swastika, death, a howling dog, a Klansman and a grief-stricken man among its disturbing images. This was heady stuff, but then again, Kenneth Gamble and Leon Huff’s label never shied away from serious subjects even if they were presented palatably and accessibly. Clearly, Gamble and Huff hoped love would win out over society’s all-too-real ills, and if music be the food of love, the team played on with the beautiful sounds on this album, newly remastered and expanded by Big Break Records.
Love is the Message was the sophomore outing for MFSB. That’s “Mother, Father, Sister, Brother,” although some less familial variations exist, too! Though brief at just 35 minutes, the album showcases the many sides of the orchestra thanks to the arrangements from stalwarts Bobby Martin, Jack Faith and Vince Montana. (Montana would later decamp for Salsoul Records, taking most of the original MFSB line-up with him to form The Salsoul Orchestra.) Though not individually credited on the album, with Gamble and Huff preferring to let the mighty initials speak for themselves, musicians included Leon “Zack” Zachary (saxophone), Bobby Eli, Roland Chambers and Norman Harris (guitars), Ronnie Baker (bass), Larry Washington (percussion), Lenny Pakula (piano), Vince Montana (vibes) and Earl Young (drums). Don Renaldo, as always, provided the strings. Gamble and Huff produced most of the tracks, handing off “My One and Only Love” to its arranger, Vince Montana, and “Bitter Sweet” to its co-writers, Bruce Hawes and Jack Faith (who did arrangement duty, as well).
Without a doubt, the album’s pièce de résistanceis “T.S.O.P. (The Sound of Philadelphia),” also known as the theme from Don Cornelius’ Soul Train. In Bobby Martin’s potent and slick arrangement, “T.S.O.P.” distills all of the ingredients for Philadelphia soul into three-and-a-half minutes of musical bliss that anticipated disco. Earl Young’s distinctive drum patterns anchor the large and lush orchestral sound, with ample spotlights for the bass and guitar, plus the sweet, smooth and soulful vocals (from the Three Degrees!). The catchy and danceable melody, of course, is as irresistible as any, and the track crossed over to score mightily with listeners looking for pop, soul/R&B, funk and dance music. The single version went to No. 1 Pop and R&B in the U.S., and propelled the album to a No. 4 Pop/No. 1 R&B showing, as well.
But that’s not the only track to recommend Love is the Message. Read more after the jump! Read the rest of this entry »
In Case You Missed It: Edsel’s Mega-Release Slate
The recent release slate from U.K. super-reissue label Edsel is what we at Second Disc HQ like to call “an embarrassment of riches.” You’ve seen our giveaways over the past few weeks highlighting some of the best expanded discographies Edsel’s had to offer this year: Suede, The Beat, Sugar, Everything But the Girl and Jimmy Somerville, to name just five. Then there’ve been other expansions, like the recent Aztec Camera reissues, and neat compilations on the Music Club Deluxe sister label.
Can it get any better? We say yes!
In this post, you’ll find a comprehensive breakdown of all the major discographical overhauls announced and released by Edsel in the past month or two. Some are welcome straight reissues of underappreciated albums, but most are exhaustively(!) thorough expansions of some of the best alternative bands and artists to grace the United Kingdom during the 1980s and 1990s.
Let’s just cut right to the chase after the jump!