Archive for November 13th, 2012
Holiday Gift Guide Review: Creedence Clearwater Revival, “Ultimate CCR: Greatest Hits and All-Time Classics”
Did John Fogerty write “Proud Mary,” or did it come to the Creedence Clearwater Revival frontman by some kind of divine inspiration? After all, the modern folk song has become such a part of the American cultural tapestry that it’s hard to believe the song’s origins were so, well, ordinary: Fogerty cobbled together a spontaneously-improvised riff at San Francisco’s Avalon Ballroom with lyrics inspired by diverse sources and experiences to create the song that anchored the band’s sophomore album and became a No. 2 hit single. Since that original version, it’s been recorded or performed by artists running the gamut. Bruce Springsteen, Elvis Presley, Neil Sedaka, Solomon Burke, Ed Ames, Leonard Nimoy and even The Chipettes (!) have all brought something to the tune about the guy who hitched a ride on a “riverboat queen.” And that’s not even mentioning the transformative rendition by Ike and Tina Turner, who worked the chooglin’, laid-back rhythm into a high-energy frenzy as only they could have done, complete with Tina’s unique choreography. Yes, like Proud Mary herself, the big wheel of Creedence Clearwater Revival has kept on turnin’, kept on burnin’, still rollin’ on that immortal river.
Yet John Fogerty, Tom Fogerty, Doug Clifford and Stu Cook have hardly been in harmony since the band’s acrimonious split in October, 1972 after a brief run that began under the Creedence name in 1967. (The four members had actually played together since the early part of the decade.) A true reunion, of course, is precluded by Tom’s death in 1990, and even a recent and tentative (and well-publicized) extension of the olive branch by John has been spurned by Clifford and Cook. Yet forty years after the break-up, the music that quartet created together remains a spellbinding, beguiling brew of swamp rock, funk, blues, folk and R&B. 52 such examples have just been compiled by Fantasy Records, the group’s original label now part of the Concord Music Group umbrella, as Ultimate Creedence Clearwater Revival: Greatest Hits and All-Time Classics (Fantasy FAN-34162, 2012).
When a group only has a limited amount of material such as CCR’s seven albums, the challenge over time becomes to repackage that small treasure trove in new formats and editions. Sometimes the result is a retread and frustrating to longtime fans; other times, a compilation becomes an illuminating look back. As for CCR, the band’s entire catalogue has been remastered numerous times (including most recently in anniversary editions with bonus tracks) and has even been collected in a “complete” box set. So Ultimate CCR, then, is likely aimed at those who don’t already own the individual albums and aren’t interested in a pricey box set, but want more than a single-disc comp (a number of which are already available). This companion of sorts to 2009’s excellent The Singles Collection succeeds, then, in distilling the essence of the group both onstage and in the studio in a budget-priced 3-CD set released just in time for the holiday season. There’s no unheard material, alas. But what’s here is well-curated, with the overall package a well-designed one.
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