Archive for April 29th, 2013
U.K. Indie Pop Act The Primitives to Reissue Debut Album for 25th Anniversary
If you don’t slow down, you’re gonna crash into the news that Cherry Red is expanding The Primitives’ debut LP for its 25th anniversary.
Formed in the British city of Coventry, the indie pop group earned a following through several singles on their own Lazy Records imprint before signing to RCA for Lovely, their first studio LP. The band (at the time consisting of Paul Court on guitar, Steve Dullaghan on bass, Tig Williams on drums and vocalist Tracy Cattell – known as “Tracy Tracy”) combined the guitar-based sensibilities of other indie acts like The Jesus & Mary Chain and Primal Scream, while adding a distinct audiovisual flair thanks to Cattell’s distinctive vocals and bottle-blonde hairstyle. (Alongside U.K. acts Transvision Vamp and The Darling Buds, they were briefly credited with kickstarting the niche indie subgenre of “blonde pop.”)
Lazy became a hit thanks to the catchy lead single “Crash,” a Top 10 hit in the band’s native country and a No. 3 Modern Rock hit in America. (Years later, it was remixed and featured prominently on the soundtrack for the Jim Carrey-Jeff Daniels comedy Dumb & Dumber.) Much of the rest of the album features re-recorded versions of songs the band had previously released as singles.
Cherry Red’s new edition of Lovely, to be released in the U.K. on June 10, features a bonus disc full of single-only material. The band, which split in 1992 but reunited in 2009 after the death of Dullaghan, will tour Europe starting with dates in Spain next month. In September, the band will perform several U.K. dates specifically for the 25th anniversary of Lovely, featuring guest DJ sets by Mike Joyce, former drummer of The Smiths.
This release also calls to attention a new compilation of the band’s early indie material which was released by Cherry Red earlier this spring. You can read more about that title after the jump!
Stage and Screen Bonanza: “World of Suzie Wong,” “Elephant Steps” and Gene Kelly’s “Clownaround” Coming Soon
More treats are on the way for fans and collectors of rare cast albums and film soundtracks thanks to the ongoing work of the Masterworks Broadway and Kritzerland labels.
As part of its ongoing digital/CD-on-demand program, Masterworks is offering two of the most unexpected cast recordings from the label’s considerable library. On May 7, Stanley Silverman and Richard Foreman’s Elephant Steps: A Fearful Radio Show makes its digital/CD(-R) debut, while on June 4, Moose Charlap and Alvin Cooperman’s Clownaround also receives its first-ever reissue.
Elephant Steps, from composer Stanley Silverman and lyricist/librettist/director Richard Foreman, was first produced at the Tanglewood music festival in 1968, the same year avant-garde pioneer Foreman founded his Ontological-Hysteric Theater. Billed as “Multi-Media Pop-Opera Extravaganza with Pop Singers, Opera Singers, Orchestra, Rock Band, Electronic Tape, Raga Group, Tape Recorder, Gypsy Ensemble, and Elephants all under the direction of Michael Tilson Thomas,” Elephant Steps told the tale of Hartman. The liner notes to the original LP release described it as follows: “Hartman is looking for enlightenment. He has a mysterious guru by the name of Reinhardt. The reactionary factions keep warning him to stop seeing Reinhardt, but Hartman persists. After visiting Nighttown, and then being abducted and grilled in a radio station, where he dreams of returning to his childhood, he finally climbs a ladder, looks in the window of Reinhardt’s house, and what he sees brings him illumination.”
The production was well-received upon its debut. It was Foreman’s first major directing experience (“except my little play at the Cinematheque,” he once wrote) as well as Tilson Thomas’ first time at the podium. Time opined that it “sounded like a giant radio with its dials spinning crazily…. It had a cohesive rhythm of its own and succeeded in gripping the attention of the Tanglewood audience through its sheer theatrical flair.” New York pronounced it “The best piece of new music I’ve heard in concert all year.”
Paul Simon was among the music-theatre piece’s fans. Simon had taken guitar lessons from Stanley Silverman (with whom he would work many years later on his own musical, The Capeman) and Foreman recalled the singer-songwriter asking him, “Richard, if all your dreams came true, what would happen with Elephant Steps?” Simon apparently lost interest after receiving Foreman’s reply, which the director deemed “pretentious” in retrospect: “There are three or four people in New York whose opinions I really respect. If those people liked it, that would be enough for me.” Foreman added somewhat ruefully when writing of the conversation, “If I’d said ‘I think this could be as big as The Beatles,’ we probably would have had a major production on Broadway.”
The psychedelic, mixed-means theatre of Elephant Steps – blending “sound and light, language and music, images and movement, graphics and films, incense and machinery, props and performers” – finally made it to New York in 1970, albeit not on Broadway. Foreman and Silverman went on to collaborate on numerous occasions, and of course, Tilson Thomas went on to further conducting triumphs. Actress Marilyn Sokol and chorus member Patti Austin both also achieved fame. The Columbia Records 1974 cast recording of Elephant Steps – with orchestrations by Harold Wheeler of Dreamgirls and Dancing with the Stars fame – will be released exclusively for purchase via MasterworksBroadway.com on May 7 in a limited quantity of physical CD-Rs as well as digital download. The CD will be available via Manufacture-On-Demand through Arkiv Music on June 4th, and downloads through digital service providers will be made available at that time, too.
After the jump: details on Clownaround and The World of Suzie Wong! Read the rest of this entry »
Big Break Watch: Shalamar, Isley Brothers Lead Recent Reissue Slate
A host of ’80s R&B titles are out in the U.K. this week from Cherry Red’s Big Break offshoot. They include a double-disc expansion of one of Shalamar’s best-loved albums, plus expanded editions of a few LPs by the likes of The Isley Brothers, The Gap Band and Billy Paul.
While 1982 was the year of Michael Jackson’s Thriller, U.K. R&B enthusiasts also count another album as influential to the genre that year: Shalamar’s Friends. After a string of hits around the world for the trio comprised of Jody Watley, Jeffrey Daniel and Howard Hewitt, Friends was their most successful album in England, owing to a seminal performance on Top of the Pops where Daniel demonstrated popping, locking and even (a year before Jackson did it on American television) moonwalking. “A Night to Remember,” “There It Is” and “I Can Make You Feel Good” were all Top 10 hits, with the title track peaking at No. 12. Daniel and Watley left the group after 1983’s The Look (with Watley enjoying worldwide solo success in the late ’80s, and Daniel working with Jackson in choreographing several music videos for singles from Bad in 1987 and 1988), making this one of the last and most iconic examples of the “classic” lineup of this revered trio.
The deluxe Friends includes three “outtakes” from the Friends era that were released on 1981’s Go for It album (a quickly-released LP from the band’s label, Solar Records’, transition from major-label distributors), as well as a bonus disc of single edits and remixes. A deluxe liner notes booklet features a new interview with Watley, adding insight into the era of Shalamar as U.K. hitmakers.
And what else is being released by BBR today? Hit the jump to find out!