The Second Disc

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Starbucks Serves “Self-Portraits” of Bob Dylan, James Taylor, Joni Mitchell, Randy Newman and Others

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Starbucks Self-PortraitsSome of the music featured on Starbucks Entertainment’s latest compilation album, Self-Portraits, is a bit atypical for a coffeehouse setting: Warren Zevon, Judee Sill, Randy Newman, John Prine, Loudon Wainwright III.  The songs on Self-Portraits, by and large, demand attention, as all are drawn from the realm of the singer-songwriter with an emphasis on confessional or first-person songs.  The 16-track CD focuses on the 1970s (with just one track from 1969), and although there are a few unquestionably familiar, oft-anthologized songs, there are also a few that might make this disc worth perusing.

The hit singles come first on Self-Portraits.  Carole King’s “I Feel the Earth Move” kicks off the disc, as it did King’s 1971 sophomore solo album Tapestry.  That was, of course, the album that ignited King’s career as a solo artist, and the same could be said for James Taylor’s second long-player.  “I Feel the Earth Move” is followed by “Fire and Rain,” from the troubadour’s 1970 Sweet Baby James, which featured (you guessed it) Carole King on piano.  Though Judy Collins had the hit single of Joni Mitchell’s “Both Sides Now,” Self-Portraits includes Mitchell’s version from her 1969 album Clouds, and then segues to British piano man Elton John for a track off his second album: the ubiquitous “Your Song.”

Following “Your Song,” the disc – as curated by Starbucks’ Steven Stolder – veers off in interesting directions.  Leon Russell, whose style was an influence on budding artist John’s, is represented with his piano-pounding “Tight Rope.”  Like Leon Russell (a key player in the Los Angeles “Wrecking Crew” of session musicians), Jimmy Webb spent his formative years behind-the-scenes.  In Webb’s  case, he was a songwriting prodigy with hits like “Up, Up and Away,” “By the Time I Get to Phoenix” and “Wichita Lineman” under his belt by the time he began his proper solo career with 1970’s “Words and Music.”  From that album, Self-Portraits draws “P.F. Sloan,” Webb’s remarkable, multi-layered ode to a songwriting colleague.  Any discussion of popular songwriters would be incomplete without a mention of Bob Dylan, and his “If You See Her, Say Hello” from his singer-songwriter masterwork Blood on the Tracks is the choice here.  Perhaps the least-known songwriter here is Judee Sill, the troubled Lady of the Canyon whose small discography yielded touching and unusual gems like “The Kiss.”

Self-Portraits also includes tracks from artists with more explicitly folk leanings than, say, King, Webb and Taylor.   Both Loudon Wainwright III (whose only hit single remains “Dead Skunk,” alas) and his wife Kate McGarrigle are heard here; Kate is joined by her sister Anna for “Talk to Me of Mendocino” from their eponymous album.  Another folk hero, John Prine, gets a spot with “Sabu Visits the Twin Cities Alone,” with which Prine draws comparisons between the Indian actor’s life and his own.  From the Brit-folk scene, Richard and Linda Thompson (“Dimming of the Day”) and Nick Drake (“Northern Sky”) appear.

After the jump: we have much more on the new comp, including the full track listing and an order link!

In addition to Wainwright, three more artists on Self-Portraits are known for their ability to blend incisive humor and emotional truth into their compositions.  Harry Nilsson’s “Don’t Forget Me” is one of his most touching songs, but he still couldn’t help but throw some of his trademark humor into it.  Warren Zevon’s elegant “Desperadoes Under the Eaves” likewise makes acerbic observations in its darkness, narrated by a barfly at the Hollywood Hawaiian Hotel.  (Only Zevon would have made music of the air conditioner’s hum in his narrator’s drab existence.)  Perhaps the most famous singer-songwriter to give voice to the “unreliable” narrator is Randy Newman, whose “Last Night I Had a Dream” is deliciously nightmarish.

A 26-page booklet with track-by-track notes from Stolder is also part of the package.  A number of artist photographs have also been included.  These sixteen Self-Portraits of some of the best practitioners of the “confessional” style of songwriting are available now on CD from Starbucks Entertainment and can be ordered below!

Various Artists, Self-Portraits (Starbucks Entertainment OPCD-8685. 2013)

  1. I Feel the Earth Move – Carole King
  2. Fire and Rain – James Taylor
  3. Both Sides Now – Joni Mitchell
  4. Your Song – Elton John
  5. Tight Rope – Leon Russell
  6. P.F. Sloan – Jimmy Webb
  7. The Swimming Song – Loudon Wainwright III
  8. Talk to Me of Mendocino – Kate and Anna McGarrigle
  9. Dimming of the Day – Richard and Linda Thompson
  10. Northern Sky – Nick Drake
  11. If You See Her, Say Hello – Bob Dylan
  12. Sabu Visits the Twin Cities Alone – John Prine
  13. Last Night I Had a Dream – Randy Newman
  14. Don’t Forget Me – Harry Nilsson
  15. The Kiss – Judee Sill
  16. Desperadoes Under the Eaves – Warren Zevon

Track 1 from Tapestry, Ode, 1971
Track 2 from Sweet Baby James, Warner Bros., 1970
Track 3 from Clouds, Reprise, 1969
Track 4 from Elton John, DJM/Uni, 1970
Track 5 from Carney, Shelter, 1972
Track 6 from Words and Music, Reprise, 1970
Track 7 from Attempted Mustache, Columbia, 1973
Track 8 from Kate and Anna McGarrigle, Warner Bros., 1975
Track 9 from Pour Down Like Silver, Island, 1975
Track 10 from Bryter Later, Island, 1970
Track 11 from Blood on the Tracks, Columbia, 1975
Track 12 from Bruised Orange, Asylum, 1978
Track 13 from Sail Away, Reprise, 1972
Track 14 from Pussy Cats, RCA, 1974
Track 15 from Heart Food, Asylum, 1973
Track 16 from Warren Zevon, Asylum, 1976

7 Responses

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  1. What have things come to when a bloody coffee shop is putting out albums….?!*@!?&!&(!

    Simon

    May 1, 2013 at 19:16

  2. I’ve got this….pretty solid collection. Starbucks has put out a few collections recently (including a ’90s-based “mix tape” compilation) that are impressively deep in their song selection.

    Matt

    May 2, 2013 at 10:12

  3. This compilation may have merit for its inclusions of a few cult artists that most people who pick it up won’t be familiar with – you’ll notice the CD is front-loaded with some of the most overplayed songs in pop radio history, before moving into slightly (and I do mean slightly) more esoteric choices. I’m not going to fault any CD bothering to include Judee Sill or less-known works by Randy Newman and Harry Nilsson, but the fact of the matter is that anyone who ares about this stuff is going to have all of it they like – there’s nothing rare or unavailable elsewhere here. This is music as background music – mostly quite enjoyable and worthy of being played in your nice car stereo as you drive to work with your latte, especially if your taste is a bit shallow but you want to at least pretend to be familiar with something beyond what’s on soft rock radio.

    But I’m surprised this is given the space it’s been given here. The writing here is top-notch, but there’s really nothing to be said about half the tracks here that hasn’t been said ad nauseum, and there’s a lot of brilliant reissue material (*) being released that deserves and needs coverage which is not getting it. This Starbuck’s CD is pure “product,” and while it may contain some fine music by fine musicians, it’s designed for exactly the people who aren’t really ever reading The Second Disc.

    * And by that I mean material as good as much of that which has been reissued recently and will still be denied even a single online review . . . reams and reams have been written about every artist on here – entire books on at least three-quarters of them.

    John

    May 2, 2013 at 11:16

    • Hey John,

      Thanks for reading, and thanks, too, for your kind words.

      I know what you’re getting at, but I don’t believe a release such as this is any less worthy of our attention for a news item than any other. My rule of thumb here is simple: if it’s of interest to me, it will likely be of interest to some of our readership. Based on the traffic this article has generated over the past two days, it’s been of interest to a great many of our readers. As Matt pointed out above, this is, indeed, a pretty solid collection. It’s also nicely-designed and very well-annotated. And any compilation that serves as a “gateway drug” from Elton and Carole to Judee and Jimmy (or John Prine or Loudon Wainwright!) is a great thing in my book. If a compilation like this – while aimed at the casual fan, for sure – can entice collectors, too, it’s all for the good.

      As I’m sure you know, we endeavor to cover as much catalogue music here as possible – whether from Starbucks or the majors or the incredibly dedicated independent labels on the scene. We believe there’s more than enough room for everybody. If a reissue or catalogue title hasn’t received a single online review or news item, that label certainly hasn’t sought us out here at The Second Disc.

      Thanks for your comments, John, and for contributing to this dialogue here!

      Joe Marchese

      May 2, 2013 at 12:50

      • Agree, Joe. My picks of interest on this album are my Okie buddies, Jimmy Webb and Leon Russell. I’ve seen them both live within the past year in intimate performances and no regrets. If this albums bumps their visibility even slightly, I’m loving it. But since I have most of their ‘product’, I may buy this comp for the other ‘product’ LOL. Cheers.

        scarecrowbike

        October 2, 2013 at 22:48

  4. I already have most of these songs on the artists’ original LP’s/CD’s, so yes, it’s just ‘product,’ mkore for casual fans than dedicated collectors.

    In the past, Starbucks has had some worthy individual artist CD’s, but not lately.

    Bill Janowski

    May 2, 2013 at 12:37

  5. Nice compilation. My only complaint is that somehow it did not get picked up by iTunes and so everything has to be hand entered if uploading it to the computer.

    Bob

    June 19, 2013 at 21:23


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