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Archive for November 27th, 2013

Give ‘Em a Spin: The Second Disc’s Essential Back to Black Friday 2013 Release Guide

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black_friday_logo

Another year…another Black Friday. Yes, it’s that time of year again in which consumers start off the holiday shopping season on a mad, frenetic note. This year is another one in which numerous big-box retailers in the U.S. have made headlines by blackening Thursday, or Thanksgiving Day itself, by sales starting on the holiday. So many might give thanks that the folks behind Record Store Day are waiting until the traditional Friday to release their twice-yearly slate of exclusive releases.

As usual, many top artists are represented, from Bob Dylan to U2, with titles aimed coming from both the new and catalogue ends of the spectrum. With that in mind, Mike and I have once again selected our picks for the crème de la crème of titles being released this Friday. Don’t hesitate to head over and drop by your local independent record store, and don’t fear the crowds. With everybody at the mall, the Black Friday RSD event is usually a bit more manageable than the April festivities. You can find a full list of RSD Back to Black Friday exclusives (and a list of participating shops) here.

Without further ado, we’ll kick things off with five of Joe’s favorite slabs of vinyl due on Friday…

Nilsson Sessions LPNilsson, Sessions 1967-1975: Rarities from the RCA Albums Collection (RCA/Legacy)

Let’s go ahead and say it: 2013 has been The Year of Nilsson. Legacy’s well-curated sampler The Essential Nilsson whetted appetites for its crown jewel box set The RCA Albums Collection, and that landmark collection was followed by the first-ever CD reissue of Flash Harry on Varese Vintage. Now, Legacy caps off this yearlong celebration with the 180-gram vinyl release of a Nilsson album that never was. Sessions 1967-1975, adorned with Steve Stanley’s wonderful original artwork created for the box set, features twelve of the best Nilsson tracks you might not have known – and won’t soon forget. An alternate of “One” (“…is the loneliest number you’ll ever know”) and a demo of “Coconut” sit alongside John Lennon’s “Isolation” and Stephen Sondheim’s “Marry Me a Little” on this remarkable distillation of a singular musical life. To vinyl collectors who already own the box, Sessions is a fine complement. To those who don’t…you’re in for a treat. Doctor’s Orders: Put the lime in the coconut and call me in the morning.

Van Dyke Parks - Come to the Sunshine

Van Dyke Parks, “Come to the Sunshine” b/w “Farther Along” 7-inch single (Sundazed)

Musical iconoclast (and close pal and collaborator of Harry Nilsson) Van Dyke Parks returns with a replica 45 of his 1966 single, originally on the MGM label. “Come to the Sunshine” has proved a rallying cry for the sunshine pop genre, covered by artists including Harpers Bizarre – who included it as the very first track on their debut album. One part jazz, one part vaudeville, one part psychedelia and all- infectious, the intricately arranged “Come to the Sunshine” is packaged by the Sundazed crew in a new sleeve with a period photo of Parks and new liner notes from California pop historian Domenic Priore.

Percy Dovetonsils Christmas

Ernie Kovacs, A Percy Dovetonsils Christmas (Omnivore)

Omnivore has our candidate for the wackiest release of the Christmas season – or is that the Christmath theathon? Yes, everyone’s favorite lisping poet is back. And if Ernie Kovacs’ kooky creation isn’t your favorite lisping poet, he might well be once you take a chance on A Percy Dovetonsils Christmas. “The Night Before Christmas on New York’s Fashionable East Side” is a most unique Christmas Eve tale, and it’s joined on this festive vinyl 10-inch picture disc by five more of Dovetonsils’ rather refined poems. Grab your smoking jacket (zebra pattern not required) and your glasses (painted-on eyeballs optional, as well) and rest in your easy chair with some of the strangest – and most strangely enjoyable – odes you’ll hear this holiday season.

The Doors - RSD

The Doors, Curated by Record Store Day (Elektra/Rhino)

This 180-gram LP offers eight rare studio and live tracks from Jim, Ray, Robby and John including four mono mixes (“Break on Through,” “Soul Kitchen,” “Moonlight Drive” and “When the Music’s Over”) plus the LP version of “Love Street,” “The Unknown Soldier” from the Hollywood Bowl in 1968, “Roadhouse Blues” from New York’s Felt Forum in 1970, and “Five to One” from Boston, also 1970. All tracks have been remastered by Bruce Botnick, and surviving Doors Robby Krieger and John Densmore have hand-written the track listing on the artwork.

Roy Orbison - Monument Vinyl

Roy Orbison, The Monument Vinyl Box (Legacy)

Here, then, is a Monumental 4-LP box for a Monumental artist. The Big O immortalized such heartbreakingly dramatic mini-operas as “Only the Lonely,” “Crying,” “Running Scared” and “Blue Bayou,” all of which you’ll hear on the first three LPs in this new vinyl box set: Lonely and Blue, Crying and In Dreams. The fourth LP is a wholly new creation: an Oh! Pretty Woman album featuring the title track, “Ooby Dooby,” “Claudette,” and other tracks handpicked by Orbison’s sons. This one will sure look great under the tree – wrapped in some pretty paper, of course.

After the jump: Mike selects his five picks for Back to Black Friday! Read the rest of this entry »

BBR Continues Its “Journey” With Salsoul Catalogue

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Salsoul Orchestra - Magic JourneyIf you’re looking for another chance to “dance your ass off,” look no further.  Big Break Records has returned to the mighty catalogue of Salsoul Records for another three “made in Philadelphia” classics from the soulful disco label.

“C’mon, Vince, play your vibes!”  Loleatta Holloway exclaimed before the leader of The Salsoul Orchestra, Vince Montana Jr., stepped forward for a solo on “Run Away,” the third track on the powerful unit’s third non-holiday long-player.  1977’s Magic Journey follows its predecessors The Salsoul Orchestra and Nice ‘n’ Naasty in receiving the deluxe BBR treatment.  By the time of Magic Journey, Montana had perfected the formula of showcasing each side of the so-called “disco orchestra” – and given the pedigree of the musicians involved, there were many sides.  The album featured MFSB veterans Earl Young, Charles Collins, Michael “Sugar Bear” Foreman, T.J. Tindall, Bobby Eli, Larry Washington, Don Renaldo and Jack Faith, and many others, along with the Sweethearts of Sigma – Barbara Ingram, Yvette Benton and Carla Benson – on backing vocals and arranger-conductor Montana himself on timpani, bells, chimes, marimba and vibes.

Though the second side of the original LP took listeners on the trip promised in the title, the first side offered one enjoyable pop-disco treat after another.  The bright scene-setter “It’s a New Day,” co-written by Montana, and a campy revival of Bob Gaudio’s “Short Shorts,” however, were mere appetizers for the sublime Philly soul of “Run Away.”  Sung by Holloway backed by the Salsoul Orchestra, “Run Away” was then – and is now – one of the finest songs to emerge on Salsoul.  With its infectious melody, shimmering arrangement and urgent vocals, it’s unfathomable that the song stalled at R&B No. 84 and didn’t even dent the pop chart.  It’s the undisputed highlight here, along with “Themes from Montreal Olympics 1976 – Farewell Song and Ballet of the Closing Ceremony.”   The lush orchestral sound of “Farewell Song” could be mistaken for a Stylistics backing track crafted by Thom Bell, and its immaculate blend of horns and strings is as far-removed from the conventional notion of disco as possible.  Only at about the 3-1/2 minute march does this soft and lovely piece musically nod at something as anthemic or victorious as the title would indicate.  Few tracks better show off the immaculate musicianship of The Salsoul Orchestra, not to mention just how much Vince Montana had grown as an arranger since his early MFSB days.

Besides “Short Shorts,” a couple of other pop covers pepper the album: a lightly disco take on the Cuban folk song-turned-Sandpipers hit “Guantanamera” and a funky reworking of Earth Wind and Fire’s “Getaway.”  Smoky saxophone leads the horn section, while taut guitar, Philly-style strings and the Orchestra’s trademark Latin percussion add up to a track that might best the EWF original for sheer excitement.

After the jump: more on Magic Journey, plus the scoop on BBR’s new reissues from Loleatta Holloway and Bunny Sigler! Read the rest of this entry »

Written by Joe Marchese

November 27, 2013 at 11:31