Archive for June 25th, 2014
“Pin Ups” In Reverse: Ace Explores The Roots of Ziggy Stardust With “Bowie Heard Them Here First”
David Bowie did the unthinkable in this media-obsessed age when, on the date of his sixty-sixth birthday (January 8, 2013), he managed to catch the world off-guard to announce his first new album in a decade. Bowie and his cohorts had kept The Next Day a secret, proving that the iconoclastic artist could still do things his way. In six decades, from the 1960s through the present, David Bowie has kept his fans guessing what might come next. And while Bowie’s sound is one of the most distinctive in popular music, it was shaped from a myriad of influences. Many of those artists are represented on Ace Records’ recent release Bowie Heard Them Here First. Following similar volumes for Ramones, Elvis Presley, Cliff Richard, The New York Dolls, and Dusty Springfield, this compilation features the original versions of songs recorded by Bowie over the years.
Bowie’s status as a songwriter par excellence has rarely been in doubt, so it’s no surprise that he’s felt comfortable enough to pay tribute to his colleagues over the years. The songs on Bowie Heard Them Here First are presented in the sequence which Bowie recorded them. The earliest pair of songs on the compilation, however, date from the period before Bowie had blossomed as a songwriter. The opening cut, Paul Revere and the Raiders’ honking garage rocker “Louie, Go Home,” appeared on the B-side of Bowie’s very first record with his R&B group Davie Jones and The King Bees. It’s followed by Bobby Bland’s torrid original recording of “I Pity the Fool,” which he had recorded with his second band, The Manish Boys – named, like The Rolling Stones, after a Muddy Waters song.
From there, Bowie Heard Them Here First surprises by addressing just how many of Bowie’s albums have featured cover songs in integral roles. Though his first three albums – the 1967 self-titled Deram debut, 1969’s David Bowie a.k.a. Space Oddity and 1970’s The Man Who Sold the World – all eschewed others’ songs, Bowie surprisingly opened the second side of his 1971 LP Hunky Dory with a song by Biff Rose and Paul Williams. The latter had already achieved major fame with smash hits like “We’ve Only Just Begun” and “Rainy Days and Mondays” (both via The Carpenters) when Bowie interpreted “Fill Your Heart” which co-writer Rose had recorded in 1968. Rose’s recording is included here, but Tiny Tim also recorded the sweetly twee ballad in 1968 for his debut album and the B-side of “Tip-Toe Thru the Tulips.”
Bowie’s glam breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars had one choice cover version, too, closing its first side with singer-songwriter Ron Davies’ ‘It Ain’t Easy” (also covered by Three Dog Night, Shelby Lynne and Dave Edmunds.) Davies’ A&M single from 1969 is featured here. The cover tradition continued on the Ziggy follow-up Aladdin Sane with The Rolling Stones’ “Let’s Spend the Night Together,” which likely was unavailable for licensing to Ace. Hence, Bowie Heard Them Here First continues with a brace of five tracks representing Bowie’s first and only all-covers album, 1973’s Pin Ups. Bowie intended the album to celebrate the period of 1964-1967 in London when pop, rock and roll and R&B all merged into a whole thanks to groups like The Kinks (“Where Have All the Good Times Gone”), The Mojos (“Everything’s Alright”), The Pretty Things (“Rosalyn”), The Easybeats (“Friday on My Mind”) and The Merseys (“Sorrow”). The B-side of Bowie’s single release of the catchy “Sorrow” was from the same period but in a very different style: Jacques Brel’s 1964 chanson “Port of Amsterdam.” Brel’s French original is included by Ace. Brel’s louche story-songs also inspired another prime influence on Bowie, the romantic balladeer-turned-avant garde hero Scott Walker. It took Bowie until 1993 to get around to recording one of Walker’s songs; the dark disco-styled “Nite Flights” from The Walker Brothers’ final album in 1978 is reprised on this collection.
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