Audio Fidelity In Surround: Label Premieres Kooper’s Multichannel “Super Session,” Reissues Benson’s “Breezin'” In 5.1

Thanks to the dedication of audiophile specialty labels like Audio Fidelity, Analogue Productions, and Mobile Fidelity Sound Lab, the high-resolution Super Audio CD (SACD) format remains alive and well.   Yet most of these labels’ recent releases have featured stereo mixes only.  Audio Fidelity is finally making its first major leap into the world of 5.1 multi-channel surround sound with two upcoming reissues of classic albums including one long-coveted title.  On August 5, the label will premiere Al Kooper’s never-before-issued surround mix of his seminal 1968 Super Session album, a collaborative effort with Michael Bloomfield and Stephen Stills.  The label also restores to print the surround mix of George Benson’s 1976 commercial breakthrough Breezin’, which topped the U.S. Pop, Jazz and R&B Albums charts.  In addition, both of these hybrid CD releases will also happily feature the albums’ original stereo mixes as newly remastered by Steve Hoffman.  (The stereo mixes will be playable on both the SACD and standard CD layers whereas the surround mixes, of course, can only be played on SACD-compatible players.)

Having departed his group Blood, Sweat and Tears, Al Kooper was working in A&R (Artists and Repertoire) for the band’s label Columbia Records when he conceived of a blues-rock jam session record with Mike Bloomfield of The Electric Flag and Paul Butterfield Blues Band fame.  Enlisting Barry Goldberg and Harvey Brooks (both of The Electric Flag) and “Fast” Eddie Hoh for support, producer-keyboardist Kooper booked two days of studio time in Los Angeles in May 1968.  The group jammed on a number of songs the first day, including Kooper/Bloomfield originals “Albert’s Shuffle,” “Really” and the John Coltrane tribute “His Holy Modal Majesty.”  When Bloomfield failed to show up for the second day of the session, however, Kooper called in young gun Stephen Stills of Buffalo Springfield.  The guitar slinger joined Kooper for songs by Bob Dylan (“It Takes a Lot to Laugh, It Takes a Train to Cry”), Donovan (“Season of the Witch”), bluesman Willie Cobb and bassist Brooks.  With both Bloomfield and Stills firing on all cylinders, Kooper’s Super Session, issued in July 1968, went on to a Gold certification.

Kooper revisited Super Session early in the 2000s for a 5.1 surround mix to be issued by Legacy Recordings alongside a new surround mix of BS&T’s Child is Father of the Man.  Unfortunately with the label abandoning the SACD format, both titles were relegated to the vaults.  Kooper confirmed this in 2004: “They both came out incredible and so I mastered them with Bob Ludwig. Now it seems they will languish on the shelves…”  Audio Fidelity has belatedly come to the rescue.  The label’s deluxe Super Session reissue will feature new liner notes by the great raconteur Kooper chronicling both the making of the album and the 5.1 mix.  Kooper’s mix, mastered by Ludwig, will be joined by a new mastering of the stereo tracks for SACD Stereo and CD Stereo by engineer Steve Hoffman.

After the jump: details on the new edition of George Benson’s Breezin’, and more!