Archive for July 16th, 2014
The Allman Brothers Band’s “Fillmore East” Goes Super Deluxe In New Box Set
2014 has been a year of upheaval for The Allman Brothers Band. Following word that Warren Haynes and Derek Trucks would be departing the venerable group at year’s end, Gregg Allman confirmed that he, too, would stop touring after 2014 – effectively ending the band that bears his name. Despite his claims that “this is the end of it,” Allman has left the door open to reunions down the road. “Who’s to say?,” he pondered in the pages of Relix. “We may get together every five years and just do one play at a time.” In the meantime, there could hardly be a better time to celebrate not the end, but the beginning, of The Allman Brothers Band’s live legacy. On July 29, Universal will release The 1971 Fillmore East Recordings, a 6-CD or 3-BD complete sets or 4-LP highlights set expanding the band’s first, landmark live album.
The original At Fillmore East – the 1971 album that was the group’s third release overall – was recorded during the band’s three-night stand in March ’71 at Bill Graham’s sadly-departed New York rock palace. The double-LP set introduced those who hadn’t seen the band live to its epic improvisational abilities, featuring just seven songs on four sides of vinyl. Producer Tom Dowd captured Gregg Allman, Duane Allman, Dickey Betts, Berry Oakley, Jai Johanny Johanson and Butch Trucks on a set of originals and covers including Blind Willie McTell’s “Statesboro Blues,” T Bone Walker’s “Stormy Monday,” Gregg’s “Whipping Post” and Betts’ “In Memory of Elizabeth Reed.” Two more tracks from the March Fillmore gigs premiered on Eat a Peach, the 1972 studio-live hybrid album released by the band in the wake of Duane Allman’s tragic October 1971 death.
These thunderous blues-rock jam sessions have been revisited on numerous past releases. The Duane Allman Anthology volumes unearthed tracks, as did the 1975 compilation The Road Goes On Forever (itself expanded on CD in 2001) and 1989’s Dreams box set. 1992’s The Fillmore Concerts combined tracks from the original At Fillmore East and Eat a Peach with one track from a June Fillmore performance, remixed and re-edited by Tom Dowd. 2003’s Deluxe Edition of At Fillmore East added six previously issued tracks from both the March and June stands – including “Drunken-Hearted Boy” performed with support act Elvin Bishop – to recreate a complete concert experience. More previously unheard material from June premiered on the 2006 Deluxe Edition of Eat a Peach.
What’s on the new box set? Hit the jump! Read the rest of this entry »