Get Up and Boogie: A Big Break Bounty, Part One

With a monthly release slate averaging six titles, Cherry Red’s Big Break Records label is at the vanguard of classic soul, R&B and dance reissues.  Each of the label’s deluxe releases is aimed at collectors, with copious liner notes and more often than not, a selection of rare bonus cuts.  It’s been a busy summer for the Big Break team, and in this first of a two-part series, we’ll look at some of the label’s latest offerings!

Silver Convention, Get Up and Boogie (1976):  Earlier this year, BBR reissued the debut album from Silver Convention.  Save Me (1975) featured the first iteration of the group and its two big disco hits, “Save Me” (Disco No. 10, 1975) and “Fly, Robin, Fly” (Pop/Disco/R&B No.1, AC No. 6, 1975).  Get Up and Boogie, from 1976, continues the Silver Convention story.  The sophomore album, again masterminded by the team of composer/arranger Sylvester Levay and lyricist/producer Michael Kunze, introduced a new, leaner line-up of vocalists Penny McLean, Linda G. Thompson and Ramona Wulf and yielded two more hits: the irresistible call-to-the-dancefloor title cut (Pop No. 2/R&B and Disco No. 5) and “No, No, Joe” (Pop No. 60/R&B No. 34/Disco No. 14).  A defining example of The Munich Sound, Get Up and Boogie has been expanded with three extended disco mixes including a previously unreleased mix of “Get Up and Boogie,” plus new liner notes from Christian John Wikane and remastering from reissue producer Wayne A. Dickson.

Jesse Green, Nice and Slow (1976): The same year Silver Convention was imploring listeners to “Get up and Boogie,” Jamaican reggae artist Jesse Green was hoping listeners would take it Nice and Slow.  Though multi-instrumentalist Green came up in the world of reggae, backing The Pioneers and playing drums for Jimmy Cliff, he pursued a soulful disco sound for his debut solo record.  Produced by Dave Howman and Ken Gibson, and recorded in Switzerland and London, Nice and Slow nonetheless subtly drew upon its Jamaican roots in Green’s breezy delivery and tropical rhythms.  With an expansive production of strings and horns, and the singer’s sweet falsetto shining through, Nice and Slow scored Green a No. 1 Disco hit in the U.S. (on the Scepter label, once home to Dionne Warwick and B.J. Thomas) and another Top 20 Disco track with “Flip,” on United Artists.  “Nice and Slow” also earned Green a Top 20 Pop placement in the U.K. (No. 17).  The album includes notes from Stephen “SPAZ” Schnee and a full plate of five bonus tracks:  alternate versions of “Flip,” “Don’t Knock My Love” and “Don’t Let Me Down,” and 12-inch mixes of “Nice and Slow” and “Flip.”  Nick Robbins has remastered, and BBR has been kind enough to disclose that, due to the lack of available master tapes, some tracks were mastered from a pristine vinyl source.

After the jump: catch some Jungle Fever, Get Down with Gene Chandler, and discover Cado Belle!