Archive for September 30th, 2014
Last Train To Clarksville: “The Monkees” Goes Super Deluxe In November
In 1967, Monkeemania was sweeping the country. “I told people I would outsell The Beatles, and they laughed at me,” impresario Don Kirshner once recalled. “Then the first album sold four million.” That first album which led the television foursome to outsell The Beatles, The Rolling Stones, The Beach Boys and, well, everybody else in 1967 is the subject of a new 3-CD Super Deluxe set arriving from Rhino Handmade on November 11.
The Monkees – Super Deluxe Edition rewinds the series of box sets that has already encompassed the group’s sixth, seventh, eighth and ninth albums: The Birds, The Bees and the Monkees, Head, The Monkees Present and Instant Replay, respectively. (A previous box set collected the sessions for Headquarters, Album No. 3.) This new box features a whopping 100 tracks, 45 of which are previously unreleased, and includes the original album in both mono and stereo as well as Davy Jones’ 1965 solo debut David Jones in both mono and stereo versions.
The first disc of the set features the mono and stereo versions of The Monkees, featuring seven compositions by Tommy Boyce, six with Bobby Hart and one with Steve Venet, including “(Theme from) The Monkees,” “I Wanna Be Free” and the No. 1 hit “Last Train to Clarksville.” The album also has tunes from Mike Nesmith (“Papa Gene’s Blues”) David Gates (“Saturday’s Child”), Carole King and Gerry Goffin (“Take a Giant Step,” “Sweet Young Thing,” co-written with Nesmith) and Goffin and Russ Titelman (“I’ll Be True to You”). This disc is rounded out with 12 bonus cuts including unique television versions previously unreleased on CD.
The 31 tracks on the second disc are all previously unreleased, as well. This disc of session material boasts the master backing tracks for “Let’s Dance On,” “This Just Doesn’t Seem To Be My Day,” “(Theme From) The Monkees” and “Tomorrow’s Gonna Be Another Day” plus various alternate versions of songs from the debut album, including an alternate vocal take by Nesmith on “The Kind of Girl I Could Love,” rehearsal recordings and multiple takes of songs like “I Wanna Be Free,” Goffin and King’s “So Goes Love” and Nesmith’s “Mary, Mary.”
The third disc puts the spotlight on the early solo endeavors of Monkees Davy and Mike. Jones’ 1965 Colpix debut David Jones is presented in both mono and stereo along with two single sides, while six single sides from Michael Blessing a.k.a. Nesmith are also here, two of which have never been released before in any format. This disc concludes with four rare demo recordings of “I Wanna Be Free.”
After the jump: more on The Monkees including the complete track listing and pre-order link! Read the rest of this entry »
Head Over Heels for Tears for Fears’ “Big Chair” Box Set
Following 2013’s deluxe box set reissue of Tears for Fears’ The Hurting, Universal U.K. has announced the November 3 release of a similarly-impressive box set dedicated to the group’s 1985 album Songs from the Big Chair. This 4-CD/2-DVD box brings together a remastered edition of the original album and its single B-sides, two discs of rare period remixes and edited single versions, a DVD-Audio containing high-resolution stereo and 5.1 surround mixes courtesy of ace engineer Steven Wilson, and a DVD of promotional videos, BBC performances and a documentary film about the making of the album. The campaign will also feature a 2-CD distillation of the box set, a new vinyl reissue of the album, and a standalone Blu-ray Audio release with the high-resolution mixes.
In assessing the catalogue of the band led by Roland Orzabal and Curt Smith, our own Mike Duquette wrote, “The group’s first three LPs – 1983’s The Hurting, 1985’s Songs from the Big Chair and 1989’s The Seeds of Love – are not only engaging for their songs, but for their evolution as well. The Hurting was a dark, New Wave type album heavy on introspection and psychoanalysis. This gave way to Big Chair, [which] contextualized those themes on a bigger playing field, both lyrically (not just self against self, but self against others) and sonically (keyboards now mixed with heavier guitars and fresher drum sounds). The Seeds of Love would take that evolution even further (way more live instrumentation, more big-picture lyrics).” So, here is a lavishly expanded edition of Tears for Fears’ sophomore album of that early, triumphant trio. Mike continued to describe Songs as “the high watermark of not only Tears for Fears, but the mid-’80s as well. It spun off a good amount of singles, but it’s a thoroughly cohesive album both musically (the track “Broken” spins off both “Head Over Heels” and “Mothers Talk,” if you know what to listen to) and aesthetically. Rather than gaze inward as on The Hurting, TFF took the current climate of fear, [the] bad economy and nuclear paranoia and sung outward about it.”
Two previous reissues preceded this super deluxe iteration of Songs from the Big Chair. The 1999 remastered edition added seven bonus tracks including some Hurting-era leftovers. In 2006, it was expanded once again, this time with more B-sides and remixes but sans two of the tracks from the 1999 version. Neither of these versions was complete, however, leaving out key tracks such as the U.K. 12-inch mix of “Shout” and the remix “Everybody Wants to Run the World” created for Sport Aid in 1986. The upcoming box set promises to include every commercially issued B-side and remix from the era.
After the jump: a closer look at what you can expect on the new box set, including the complete track listing with discographical annotation and pre-order links! Read the rest of this entry »