Archive for the ‘America’ Category
Release Round-Up: Week of July 17
America, Perspective/In Concert (BGO)
Two out-of-print albums from Gerry Beckley and Dewey Bunnell circa 1984 and 1985 are now available as a two-for-one CD from the U.K.’s BGO label! Read more here.
Donny Hathaway, Live + In Performance (Shout! Factory)
The Shout! Factory label combines two of the late soul man’s live albums (the first, from 1972, and the second, a posthumous set from 1980) in one package, newly remastered by Steve Hoffman. Read more here.
Elton John vs. Pnau, Good Morning to the Night (Mercury/Casablanca)
Sir Elton opened up his vaults to Australian dance-pop duo Pnau, and the result is this club-ready collection of mash-ups! Eight new songs have been created from Elton favorites as well as deep tracks. Read more here.
MC Squared, Tantalizing Colours: The Reprise Recordings (Now Sounds)
Now Sounds unearths a long-lost album from a psychedelic band including session vets Randy Sterling and Jim Keltner, circa 1968! The label describes the band as “sounding like a unique hybrid of The Mamas and the Papas and Jefferson Airplane,” which strikes us as about right! Watch for Joe’s run-down soon.
Melba Moore, This Is It: Expanded Edition (Funky Town Grooves)
Melba Moore’s 1976 collaboration with producer Van McCoy is expanded with two bonus tracks!
Sam Phillips, Martinis & Bikinis (Omnivore Recordings)
Sam Phillips’ classic pop-inspired 1994 LP, produced by T Bone Burnett, arrives on CD and vinyl with four bonus tracks! Keep an eye open for Joe’s review tomorrow. Read more here!
Various Artists, Pete Waterman Presents the Hit Factory (Sony U.K.)
This affordably-priced box set rounds up eighties classics from Bananarama, Kylie Minogue, Jason Donovan, Rick Astley, Cliff Richard and Samantha Fox, among others from the famed PWL label! Read more here.
Ventura Highway, Revisited: America Offers Re-Recorded “Hits”
Buyer, beware! Eagle-eyed music browsers may have noticed a new title from America, the 1970s hitmakers behind such soft rock radio perennials as “Sister Golden Hair,” “Ventura Highway,” “I Need You,” and of course, the deathless “A Horse with No Name.” America Records released Hits: 40th Anniversary Edition last week, and buyers could be forgiven for thinking it was another repackage of History: America’s Greatest Hits. Seven of the twelve tracks on each compilation are identical. It would be hard to top Rhino Records’ stellar America releases of the past (including a box set, 2000’s Highway: 30 Years of America, and 2001’s The Complete Greatest Hits) but we here at Second Disc HQ wouldn’t mind a 40th anniversary celebration for the often underrated band. That said, the new Hits, carrying on the band’s tradition of albums starting with the letter “H,” isn’t that retrospective celebration. It’s, in fact, a collection of re-recorded songs that hew closely to the original arrangements but otherwise lack the magic. This type of late-career project is nothing new, especially to oldies artists and groups struggling to make a living sometimes without even a single original member. Neil Sedaka, Paul Anka, Squeeze, Chicago and even Jeff Lynne of Electric Light Orchestra are a few of the higher-profile artists to have made similar re-recordings, often for licensing purposes or to sell at concert appearances.
The trio consisting of Gerry Beckley, Dewey Bunnell and Dan Peek, three sons of U.S. Air Force officers stationed in the U.K., scored a big impression with 1972’s self-titled debut which spent five weeks atop the U.S. album chart. (The album was actually a reissue itself; the 1971 edition was withdrawn when “A Horse with No Name” became a hit. When it was added to the LP, both album and band took off!) America was most clearly influenced by the rich harmonies and acoustic guitar sound of Crosby, Stills, Nash and Young, with some listeners even mistaking “Horse with No Name” for a Young song (to Neil’s chagrin?). Besides Bunnell’s cryptic equine paean, he offered the haunting “Sandman” while Beckley showed off his timeless melodic sensibility with “I Need You.” If follow-up Hat Trick didn’t repeat its predecessor’s success, the band’s finest and most cohesive album, Homecoming, certainly did. Bunnell’s evocative “Ventura Highway” was another smash single while Peek’s “Don’t Cross the River” and Beckley’s “To Each His Own” were equally mesmerizing. America’s journey continues after the jump! Read the rest of this entry »