Release Round-Up: Week of November 4

Bob Dylan, The Bootleg Series Vol. 11: The Basement Tapes Complete and Raw  (Columbia/Legacy)

At long last, here are the complete and unexpurgated Basement Tapes – 6 discs and over 140 songs recorded in the creatively fertile days of 1967 and 1968 by Bob Dylan, Robbie Robertson, Garth Hudson, Rick Danko, Richard Manuel and Levon Helm.  Quite simply, this treasure trove of Americana may well be the Catalogue Music Event of the Year.

Complete: Amazon U.S. / Amazon U.K.

Raw:

CD: Amazon U.S. / Amazon U.K.

Vinyl: Amazon U.S. / Amazon U.K.

The Paul McCartney Archive Collection: Wings, Venus and Mars (Hear Music/MPL, 2014)

Paul McCartney continues his Archive Collection with deluxe, bonus-packed editions of two Wings classics: 1975’s Venus and Mars and 1976’s Wings at the Speed of Sound!  Full details including track listings and more can be found right here!

2-CD/1-DVD Deluxe Book Edition: Amazon U.S. / Amazon U.K. / 2-CD Standard Edition: Amazon U.S. / Amazon U.K. / Gatefold Vinyl: Amazon U.S. / Amazon U.K.

The Paul McCartney Archive Collection: Wings, At the Speed of Sound (Hear Music/MPL, 2014)

2-CD/1-DVD Deluxe Book Edition: Amazon U.S. / Amazon U.K. / 2-CD Standard Edition: Amazon U.S. / Amazon U.K. / Gatefold Vinyl: Amazon U.S. / Amazon U.K.

Robert Goulet: The Complete Columbia Christmas Recordings (Amazon U.S. /Amazon U.K.) /  Andy Williams and the Williams Brothers: The Williams Brothers Christmas Album (Amazon U.S. /Amazon U.K.) / The Statler Brothers: The Complete Mercury Christmas Recordings Featuring the Albums “Christmas Card” & “Christmas Present” (Amazon U.S. /Amazon U.K. ) / The Brothers Four: Merry Christmas (Expanded Edition) (Amazon U.S. /Amazon U.K. ) / The Kingston Trio: The Last Month of the Year (Amazon U.S. /Amazon U.K. ) /  Rosemary Clooney: In Songs from the Paramount Pictures Production of Irving Berlin’s White Christmas (Expanded Edition) (Amazon U.S. /Amazon U.K.) / Frank DeVol and the Rainbow Strings: The Old Sweet Songs of Christmas (Amazon U.S. /Amazon U.K.) / Dick Wagner: Dick Wagner (Amazon U.S. /Amazon U.K.)

Christmas arrives early this year thanks to our friends at Real Gone Music!  The label has a whopping seven Christmas albums due this week from artists including rare holiday music from Rosemary Clooney, The Statler Brothers, The Kingston Trio, Frank DeVol and The Brothers Four!  And that’s not all.  We’re particularly excited about two of Real Gone’s releases.  Joe compiled and annotated Robert Goulet’s Complete Columbia Christmas Recordings featuring both of Goulet’s classic holiday LPs plus a host of bonus tracks, and he has also written the notes for the first CD reissue  from the original master tapes of Andy Williams and the Williams Brothers’ Christmas Album!  Get a head start on the Christmas season with these happy holiday reissues!

T Rex, The Albums Collection (Edsel) (Amazon U.S. / Amazon U.K.)

Edsel has boxed up T Rex’s eight studio albums and added two CDs of selected bonus material for this one-stop-shopping set.

Rolling Stones, From the Vault: Hampton Coliseum 1981 (Eagle Rock)

This 1981 live concert from The Rolling Stones’ digital archive goes physical on CD, LP, DVD and standard definition Blu-ray.  The program continues later this month with similar releases for L.A. Forum – Live in 1975!

CD: Amazon U.S.

Vinyl: Amazon U.S. / Amazon U.K.

DVD: Amazon U.S. / Amazon U.K.

BD: Amazon U.S. / Amazon U.K.

DVD [NTSC] + CD Set: Amazon U.K.

John Denver, All of My Memories: The John Denver Collection (RCA/Legacy) (Amazon U.S. / Amazon U.K.)

This new box set traces the beloved, late troubadour’s career over four CDs and 90 songs recorded between 1964 and 1997.

Big Star, Live in Memphis (Omnivore)

CD: Amazon U.S. / Amazon U.K.

DVD: Amazon U.S. / Amazon U.K. 

Vinyl with Download Card: Amazon U.S. / Amazon U.K.

Roger Taylor, Best (Omnivore)

The first-ever best-of for the Queen drummer features 18 tracks from his criminally-unknown solo catalogue!

CD: Amazon U.S. / Amazon U.K.

Vinyl: Amazon U.S. / Amazon U.K.

King Crimson, Starless (DGM) (Amazon U.S. / Amazon U.K.)

This King Crimson treasure chest contains 27 discs – including CDs, DVD-As, and BDs – for an immersive, in-depth look at Crimson circa 1973-1974, live and in the studio.  Full details on this stunning collection can be found here!

Ronnie Milsap, The Complete RCA Albums Collection (RCA/Legacy) (Amazon U.S. / Amazon U.K.)

This 21-CD set chronicles the Country Music Hall of Famer’s career at RCA Records, from 1973 to 1991, plus his return to the label in 2006!

Yes, Relayer CD/DVD-A and CD/BD (Panegyric)

CD/DVD-A: Amazon U.S. / Amazon U.K.

CD/BD: Amazon U.S. / Amazon U.K.

Steven Wilson works his magic on Yes’ 1974 Relayer, the band’s seventh studio album!  Wilson provides new stereo and surround mixes available on CD + DVD-A or BD configurations.

XTC, Drums and Wires CD/DVD-A and CD/BD (Ape House)

CD/DVD-A: Amazon U.S. TBD / Amazon U.K.

CD/BD: Amazon U.S. / Amazon U.K.

Wilson takes the same approach for the newest volume in Ape House’s series of deluxe XTC reissues on CD/DVD-A and CD/BD: 1979’s Drums and Wires, the band’s third album.

Scorpions, Blackout SACD (Audio Fidelity) (Amazon U.S. / Amazon U.K.)

The eighth studio album from Germany’s favorite hard rockers arrives on hybrid stereo SACD, playable in all CD players, from Audio Fidelity.

Various Artists, Blue Note: Uncompromising Expression (Blue Note) (Amazon U.S. / Amazon U.K.)

Blue Note celebrates its 75th anniversary with 75 single sides collected on this new 5-CD box set.  Each disc represents a different era in the label’s history – which is, to say, the history of jazz!

Thelonious Monk, ‘Round Midnight: The Complete Blue Note Singles 1947-1952 (Blue Note) (Amazon U.S. / Amazon U.K.)

Thelonious Monk’s recordings for Blue Note signaled the label’s move from boogie woogie and vintage jazz to cutting-edge hard bop. These recordings, which include the first version of Monk’s classic composition “‘Round Midnight” (originally recorded as “‘Round About Midnight”), were released on a series of fifteen 78 RPM singles. Later, the singles were re-compiled on 10-inch and 12-inch LPs.  This collection, housed in a hardbound digipak, will present for the first time Monk’s Blue Note singles in their original 78 RPM sequence of release, adding as bonus tracks the alternate takes that appeared on later LP and CD releases.  All told, the 2-CD set includes nine tracks not available on any current reissues of the great pianist/composer’s albums.

Frank Sinatra, Come Fly with Me / In the Wee Small Hours of the Morning / This is Sinatra! / A Jolly Christmas with Frank Sinatra / Sinatra and Swingin’ Brass / Moonlight Sinatra (Vinyl) (Capitol/UMe)

As part of the Signature Sinatra initiative, Capitol/UMe has been releasing a series of select original Sinatra LPs from both his Capitol and Reprise catalogues in limited edition, remastered heavyweight vinyl pressings.  Look for this series to continue with more releases in the very near future!  We’ve been able to obtain few details about these releases, but we can confirm that Come Fly with Me is mono, as is A Jolly Christmas with Frank Sinatra.  (No true stereo version of the latter has ever been issued.)  (Thanks to The Sinatra Family Forum for their valuable info on these releases!)

Come Fly with Me (Mono – Amazon shows incorrect stereo cover): Amazon U.S. / Amazon U.K.

In the Wee Small Hours: Amazon U.S. / Amazon U.K.

This is Sinatra! : Amazon U.S. / Amazon U.K.

A Jolly Christmas with Frank Sinatra (Mono): Amazon U.S. / Amazon U.K.

Sinatra and Swingin’ Brass: Amazon U.S. / Amazon U.K.

Moonlight Sinatra: Amazon U.S. / Amazon U.K.

Carly Simon, Playlist: The Very Best of Carly Simon (Arista/Legacy) (Amazon U.S. / Amazon U.K.)

This 14-track Playlist volume combines Carly’s hit Arista recordings (“The Stuff That Dreams Are Made Of,” “Coming Around Again,” “Better Not Tell Her”) with live cuts (“You’re So Vain,” “Anticipation”) and one new-to-CD track: the Live from Grand Central performance of “Touched by the Sun.”

 

Judy Collins, Both Sides Now: The Very Best of Judy Collins (Wildflower) (Amazon U.S. / Amazon U.K.)

The catalogue of Collins’ own Wildflower Records is tapped for this 2-CD, 28-track set drawn primarily from recent and late-period recordings.

Bette Midler, It’s the Girls (Warner Bros.) (Amazon U.S. / Amazon U.K. )

The Divine Miss M returns with her tribute to the greatest girl groups of all time – and Bette isn’t limiting herself to any one era, as she tackles songs by The Andrews Sisters, The Shirelles, The Supremes, TLC and more!  Marc Shaiman (Hairspray, Smash) produces this spirited set!

Neil Young, Storytone (Reprise)

For his latest album, Neil Young fulfilled his ambitions to record an LP live with an orchestra in the same room.  The lush Storytone features a 92-piece orchestra and choir, and is available in a deluxe edition with a second disc of Neil’s solo renditions of its songs.  With material ranging from dramatic ballads to finger-snapping swingers, this is truly a departure from anything Young has done before – and is well worth checking out for that reason alone.

Deluxe 2-CD Version (Orchestrated and solo albums): Amazon U.S. / Amazon U.K.

Standard Edition (Orchestrated album only): Amazon U.K.

180-gram Double Vinyl (Orchestrated and solo albums): Amazon U.S. / Amazon U.K.

The Doobie Brothers, Southbound (Arista Nashville) (Amazon U.S. / Amazon U.K.)

Listen to the music!  For this greatest-hits duets set, The Doobie Brothers (including Michael McDonald) have teamed up with current country stars including Blake Shelton, The Zac Brown Band, Hunter Hayes, Brad Paisley, Sara Evans, Toby Keith and Vince Gill.  Southbound marks the first Doobie Brothers album to feature Tom Johnston, Patrick Simmons and Michael McDonald since 1976’s Takin’ It to the Streets!

Review: Linda Ronstadt, “Duets”

Tonight, Linda Ronstadt receives her long-overdue recognition into The Rock and Roll Hall of Fame. But rock and roll, of course, played only a small – if key – role in Ronstadt’s career. The breadth of that career is revealed on Rhino’s new release of Linda Ronstadt – Duets (Rhino R2 542161), containing fourteen tracks originally released between 1974 and 2006 plus one previously unreleased performance. While there are no duets here from Ronstadt’s Tony-nominated turn in Gilbert and Sullivan’s operetta The Pirates of Penzance or her Mexican recordings , her immersions into the realms of country, folk, jazz, R&B, and of course, Southern California rock are all here. She’s joined by a “Who’s who” of artists including Frank Sinatra, James Taylor, Bette Midler, Emmylou Harris, Dolly Parton, Aaron Neville, James Ingram, and J.D. Souther.  Ronstadt won’t be attending tonight’s ceremony, but her music speaks for itself.

Compiled and remastered by her longtime manager, John Boylan, Duets is a reminder of just how catholic Ronstadt’s tastes were. From her earliest days as a member of country-rock band The Stone Poneys (“Different Drum”), she refused to be pigeonholed in one genre. On Duets, the songs of Irving Berlin and Warren Zevon are performed with the same sympathetic understanding and respect for the art of the song. Boylan has neatly sequenced the compilation as a musical travelogue from folk to country to rock to standards, both modern and vintage.  The sound changes along with the style of song, building and growing from acoustic to orchestral.

Three selections from Ronstadt’s final studio recording, 2006’s Adieu False Heart with Cajun singer Ann Savoy, open Duets. Their tight harmonies on the low-key opening cut, “Adieu, False Heart,” are adorned with light acoustic flourishes, and the already-poignant song takes on additional meaning when placed in context as likely the concluding chapter of Ronstadt’s career as a vocalist. Of the three Savoy duets, however, the most revelatory is their reinvention of The Left Banke’s “Walk Away Renee.” This folk reinterpretation of Michael Brown’s song can’t help but bring to mind Ronstadt’s famous recasting of “oldies” from Motown to Buddy Holly and The Everly Brothers into her own style.

Though Bette Midler is the partner on the fun, Barry Manilow-arranged recording of Irving Berlin’s “Sisters,” Ronstadt’s truest sisters in song might be Emmylou Harris and Dolly Parton. Though there are no recordings here from their Trio recordings, each is represented on one track. On the traditional “I Never Will Marry,” accompanied by just acoustic guitars (Waddy Wachtel and Ronstadt) and dobro (Mike Auldridge), Ronstadt and Parton’s voices blend with a beautiful simplicity. More boisterous is the delightfully bright bounce of Ronstadt and Harris’ take on Hank Williams’ familiar “I Can’t Help It (If I’m Still in Love with You).” Peter Asher’s clean production, featuring the tireless Andrew Gold on guitar, piano and ukelele along with “Sneaky” Pete Kleinow on steel guitar and David Lindley on fiddle, made no concessions to the sound of rock circa 1974. Ronstadt’s affinity for classic country recurs throughout her catalogue, and she blends exquisitely with Carl Jackson on a 2003, fiddle-and-dobro-flecked rendition of The Louvin Brothers’ chestnut “The New Partner Waltz.”

Keep reading after the jump!

Somewhere Out There: Linda Ronstadt’s Greatest “Duets” Arrive On CD in April

On April 10, Linda Ronstadt joins the class of the Rock and Roll Hall of Fame – an honor that was certainly not needed to acknowledge Ronstadt’s place as among the top vocalists of her generation, but a welcome and long-overdue honor nonetheless.  Two days earlier, Rhino celebrates the career of the versatile artist with the release of Linda Ronstadt – Duets.  Its fifteen tracks encompass performances alongside artists including Aaron Neville, Emmylou Harris, Don Henley, Frank Sinatra, James Taylor, Dolly Parton, James Ingram and others, including one previously unreleased recording with bluegrass musician Laurie Lewis.

Curated with the cooperation of Ronstadt and her longtime manager, John Boylan, Duets touches on the varied sides of Ronstadt the artist.  Since her earliest days as a member of The Stone Poneys, she’s refused to allow herself to be pigeonholed in one genre.  That inclination towards musical exploration has led her to treat the works of Gilbert and Sullivan, Rodgers and Hart, Warren Zevon, Lowell George, and Jackson Browne with the same kind of respect and innate understanding.  The Rock Hall induction comes on the heels of the publication of Ronstadt’s memoir Simple Dreams and her sad announcement that Parkinson’s disease has left her unable to sing.  Ronstadt has never completely fit in with the rock clique, despite having placed 38 singles on the Billboard Hot 100 (including ten that went Top Ten) and 36 entries on the album chart, including ten that reached the Top Ten there too, and three that hit the top spot!

Duets draws on a variety of sources spanning 1974 to 2006.  A number of tracks show Ronstadt’s love of country music, including duets with her Trio partners Dolly Parton (1977’s “I Never Will Marry”) and Emmylou Harris (1974’s Grammy-winning “I Can’t Help It (If I’m Still in Love with You)”).  Other tracks draw on the group of Southern California/Laurel Canyon rockers in which Ronstadt flourished commercially and artistically; Eagles’ Don Henley joins Ronstadt on the harmonies of Warren Zevon’s “Hasten Down the Wind,” and J.D. Souther sings on his own “Prisoner in Disguise.”  James Taylor, who shared a producer with Ronstadt in Peter Asher and recorded many of his best works with that SoCal flavor, duets on a revival of the Ike and Tina Turner staple “I Think It’s Gonna Work Out Fine.”  Ronstadt, whose three collaborations with Nelson Riddle remain among the finest expressions of her art, is heard on a couple of Great American Songbook standards via “Moonlight in Vermont” with Frank Sinatra from Old Blue Eyes’ Duets II project, and Irving Berlin’s “Sisters” with Bette Midler from Midler’s 2003 Rosemary Clooney tribute album produced by Barry Manilow.

Among the most successful tracks here are the Grammy-winning “Somewhere Out There” written by Barry Mann, Cynthia Weil and James Horner for Don Bluth’s 1986 animated film An American Tail, on which Ronstadt duets with James Ingram, and two tracks with New Orleans’ legendary Aaron Neville from their joint album Cry Like a Rainstorm, Howl Like the Wind.  “Don’t Know Much” reunited Ronstadt with Mann and Weil, this time writing with Tom Snow.  The song had been performed previously by Mann, Bill Medley, Bette Midler, Glenn Jones and even Dallas actress Audrey Landers, but Ronstadt and Neville took it all the way to No. 2 Pop/No. 1 AC in 1989, also picking up a Grammy for their trouble.  “All My Life,” written by Karla Bonoff, won yet another Grammy, and though it barely missed the Pop Top 10 at No. 11, it also topped the AC chart.  Ronstadt had been an early champion of Bonoff’s songs, recording three of them on 1976’s Hasten Down the Wind.  The three most recent tracks on Duets hail from what will likely remain Ronstadt’s final studio album, Adieu False Heart with Cajun music singer Ann Savoy, including a cover of the Left Banke’s 1966 hit “Walk Away Renée.”

After the jump: more on Duets, including the complete track listing and pre-order links!

It’s The Falling In Love: Raven Reissues The Complete Carole Bayer Sager Albums; Bacharach, Jackson, Diamond, Midler Guest

Carole Bayer Sager knew “that’s what friends are for” long before she wrote the song of the same name. The former Carole Bayer was already a hitmaking lyricist before graduating high school, thanks to the Mindbenders’ No. 2 hit “A Groovy Kind of Love.” The song was written by Bayer and Toni Wine before both women hit the ripe old age of 18. Following more hit tunes with the likes of the Monkees and Neil Sedaka, and even a Broadway musical (1970’s Georgy, with music by George Fischoff), she eventually turned to a recording career. Her complete, three-album solo discography has just been collected on two CDs by Australian label Raven Records, and the set makes for a “Who’s Who” of popular music. Sager’s team of songwriters, producers and background vocalists were all-stars, to wit: Bette Midler, Peter Allen, Melissa Manchester, Neil Diamond, Tony Orlando, David Foster, Nino Tempo, Nicky Hopkins, Luther Vandross, Alice Cooper, Michael McDonald, and not one, but two romantic partners who both just happened to be Academy Award-winning songwriters: Marvin Hamlisch and Burt Bacharach. Oh, yeah. The future King of Pop showed up for a duet, too. Carole Bayer Sager/…Too/Sometimes Late at Night (Raven RVCD-356, 2012) brims with an abundance of orchestral pop-rock riches, showcasing some of the lyricist’s finest and most enduring compositions.

Sager’s self-titled Elektra debut (1977) and its follow-up …Too (1978) are both impeccably arranged collections that have been criminally underrated over the years, but 1981’s Boardwalk LP Sometimes Late at Night is the crown jewel here. Though Sager is known for her unabashedly commercial lyrics that have struck a chord with so many, her more idiosyncratic side comes into full blossom, too.

Carole Bayer Sager featured songs co-written with Manchester, Midler, Hamlisch, Allen, Bruce Roberts and Johnny Vastano, but all shared a similar sonic signature thanks to the low-key, lean production of Brooks Arthur and the subtly evocative arrangements of Paul Buckmaster, the architect of the string charts for most of Elton John’s early hits. Sager’s voice was a small, wispy instrument, yet she knew, and was in full control of, its strengths. An aching vulnerability permeates much of the album, most vividly on the Allen co-write “I’d Rather Leave While I’m in Love.” Later recorded in a hit version by Rita Coolidge and also by Allen, Dusty Springfield and Carmen McRae (not to mention Hugh Jackman in the Allen bio-musical The Boy from Oz), the song’s direct sentiment cuts to the bone thanks to Sager’s poignant vocal and the sympathetic arrangement: “Too many times I’ve seen the rose die on the vine/And somebody’s heart gets broken/Usually it’s mine…” She also brings a touching dimension to “Come In from the Rain,” which was introduced by Manchester and also recorded in 1977 by Captain and Tennille. Sager is no match for Manchester, Coolidge or Toni Tennille in terms of vocal power, and her voice occasionally cracks or gets particularly throaty. But these surprisingly soulful performances are appealing due to the emotion on display.

Carole Bayer Sager isn’t all melancholy, though. Peter Allen supplies a sleek piano part on his feisty “Don’t Wish Too Hard” (“Or then you might get it…and then when you get it, you might find you didn’t want it at all!”) on which Sager is joined by Tony Orlando as her protesting lover. Gene Page provided the upbeat arrangement. Even saucier, though, is the offbeat “You’re Moving Out Today,” a major hit for Sager virtually everywhere but America! The kooky single hit No. 6 in the U.K. and No. 1 in Australia, where the album hit No. 2 itself. Bette Midler (who also wrote the song with Sager and Bruce Roberts) joins Carole as she deliciously kisses off a live-in lover with, um, some interesting proclivities: “Your nasty habits ain’t confined to bed/The grocer told me what you do with bread/Why don’t you take up with the baker’s wife instead of me?,” she coquettishly implores before demanding he pack up his rubber duck, his funny cigarettes, his 61 cassettes, his rubber hose, and various other objects. Seems he’s a composer, too (Carole’s type), for she asks him to pack up his “songs that have no hooks,” as well! It all makes for a gleefully wicked three minutes of song. (Midler’s studio version appears on her Live at Last album.) A gentler end to a relationship is presented in the wistful “Sweet Alibis,” written with Marvin Hamlisch, who supplies typically sensitive work on piano, celeste and Fender Rhodes. Lee Ritenour brings a unique color to this track with a strong electric guitar solo. In a different vein, Midler lends her pipes to the sweetly affecting Allen/Sager tune “Shy as a Violet,” fleshing out Sager’s lead vocal with a close harmony.

We check out the next two Carole Bayer Sager albums after the jump! Plus: the full track listing and an order link!

Release Round-Up: Week of April 10

Howard Jones, One to One / Cross That Line / In the Running: Remastered Edition (Dtox)

HoJo’s last set of remasters is a five disc set featuring his last three Warner-era albums from 1986 to 1992, plus two generous discs of B-sides and remixes. Parts of this era are really underrated, and if this box is as loving as the last one was, it may well earn your everlasting love.

Various Artists, Philadelphia International Classics: The Tom Moulton Mixes (Harmless)

This gorgeous four-disc set, coming from the U.K., features some of PIR’s greatest hits and deepest cuts, all mixed (or newly remixed) by disco master Tom Moulton. There’s a whole hard-to-find vintage remix album in here, along with some other great 12″ single masters.

World Party, Arkaeology (Seaview/Fontana)

Five discs of unreleased goodies from Karl Wallinger’s famed band, plus diary packaging for you to create with. (Sorry, U.K. fans, we’re actually getting this one first; the international release date is later.)

Kraftwerk, The Catalogue (MoMA Edition) (Kling Klang/Astralwerks)

The electronic icons first put their last eight remastered albums into a box in 2009. Now, to coincide with a weeklong residency at New York’s Museum of Modern Art, they’re reissuing that box through the MoMA exclusively, with new artwork.

Gilbert O’Sullivan, I’m a Writer Not a Fighter: Deluxe Edition (Salvo)

Released in the U.K. last week, Gilbert’s third album comes expanded with four additional tracks from single sides and includes the hit “Get Down.”

Bette Midler, Live at Last (Friday Music)

The Divine Miss M’s first live album (and a double, at that!) gets the red-carpet remaster treatment from Friday Music.

Madness, Forever Young: The Ska Collection (Salvo)

A compilation for everyone who might already know “Our House,” with a small helping of unreleased material for hardcore fans.

Weekend Wround-Up – The Diva Edition: Midler, Streisand Releases Coming Soon

Welcome to today’s Weekend Wround-Up: The Diva Edition!

Nobody – no, nobody! – is going to rain on Barbra Streisand’s parade.  Columbia Records, the singer’s home since 1963, has announced that Streisand will remain with the label that guided her to stardom.  Speculation had arisen some months back that the singer might decamp for a new artistic residence,  but those rumors have now officially been set to rest.  “From the day [legendary Columbia President] Goddard Lieberson signed me almost 50 years ago, Columbia Records has been my recording home,” said Streisand in a statement, “and I am thrilled to continue that partnership for many years to come.”  Steve Barnett, Chairman and COO of Columbia Records, confirmed the news: “There are stars and there are superstars, and there’s Barbra Streisand…Columbia Records is proud to play a vital role in her extraordinary career. We’re looking forward to the next chapter in our long and fruitful relationship.”  Indeed, Tony Bennett is the rare artist with a longer tenure at Columbia, and unlike Streisand, he took a sabbatical from the label’s ranks in the 1970s.

After the release of 2009′s Diana Krall-produced Love is the Answer, Streisand became the only artist ever to have No. 1 records in five consecutive decades in America. Her 2011 tribute to the lyrics of Alan and Marilyn Bergman, What Matters Most, didn’t make a sixth decade at No. 1 (though she still has time!) but opened at a still-impressive No. 4 on the Billboard chart.  As her 31^st album to make the Top 10, Streisand moved into third place in that overall category of achievement, passing The Beatles!  (Frank Sinatra and The Rolling Stones are still in the lead.)  And Streisand’s other chart stats are no less remarkable.  She’s in a three-way tie at sixth place for the most charting No. 1 singles by a female performer, and is second only to Reba McEntire for worldwide No. 1 albums with thirteen.

So how is Columbia celebrating Streisand’s near 50-year tenure?  A 12-DVD box set has been promised which, according to Billboard, will feature “unprecedented access into Streisand’s professional and personal life.  The DVD set will consist of never-before-seen footage directly from Barbra’s archives.”  Rest assured, The Second Disc will report on that exciting project once official details have arrived.  But in the meantime, what Barbra Streisand albums would you like to see reissue, and in what form?  Sound off below!  I’ll start the ball rolling with a suggestion of a mono/stereo edition of 1963’s The Barbra Streisand Album, the album which started it all for the girl from Brooklyn with the big voice.  I’ll add the original recording of “When the Sun Comes Out,” the B-side of its single “Happy Days Are Here Again,” as one possible bonus track!

Which Bette Midler album has Friday Music selected for reissue this April?  Hit the jump to find out!

Rhino Unleashes “Original Album Series” in Europe

Ever feel like all the fancy bonus content and packaging on some reissues totally overshadows the music? Rhino’s European division must’ve felt so, too: they released a handful of Original Album Series boxes a few weeks ago, featuring a lot of music with a minimum of frills and a relatively low price.

The titles – five albums by one artist, housed in mini-LP cardboard sleeves and put into a box – are the ideal quick, easy discography builder for new fans or collectors with a few notable gaps on their shelves. A myriad of artists, from the obvious (CHIC, Carly Simon, The Doobie Brothers) to the overlooked (Sérgio Mendes, The Young Rascals, Tim Buckley), are represented here. While some of these titles are available in expanded form, a few of these are hard to find on their own on CD. With a price tag that hovers around the £10 mark, it’s certainly something to consider.

All of the titles, with the albums they contain, are after the jump, along with links from Amazon’s U.K. pages.

TGI Friday Music : Monkees, Zevon, Midler, Rundgren, Beck, Yes, Jefferson Starship On Tap

The temperatures might be dropping, but as sure as fall turns to winter, the slate of catalogue reissues heats up each year for the lucrative holiday market.  Friday Music, the CD and vinyl reissue label, sure hasn’t wasted any time in preparing an eclectic slate of killer releases slated for the months ahead.  The label’s Joe Reagoso, a.k.a. Joe Friday, has taken to Twitter and Facebook announcing a number of exciting projects.  And here, without further ado, are just the facts…

The first-ever CD release of Davy Jones’ Colpix debut arrives in stores today from Friday, following the label’s recent reissues of The Monkees’ Changes and The Monkees Present.  Well, the band’s recent tour may have come to an early wrap-up, but the reissue parade marches on.  Not only do the liner notes in Davy Jones hint at a future reissue of Jones’ 1971 Bell LP (featuring Jones’ hit rendition of Neil Sedaka’s “Rainy Jane”) but Friday has announced plans for a deluxe reissue of 1987’s Rhino Records “comeback” album for The Monkees, Pool It!.  As with the band’s recent tour, Michael Nesmith sat out of Pool It! which reached No. 72 on the Billlboard album charts.  Its lead single, “Heart and Soul,” cracked the Hot 100 at No. 87.  A companion VHS, Heart and Soul, was billed as “The Official Monkee Videography,” promising “a behind-the-scenes look featuring music videos from their current album ‘Pool It!,’ interviews and a barrelful of special surprises.”  In what’s certainly a surprise, Pool It! will be paired with Heart and Soul for a CD/DVD edition.

Much as Friday has taken the reins from Rhino to create deluxe Monkees reissues, the label has done the same for progressive rock giants Yes.  1980’s 2-LP Yesshows was the British unit’s second live album, drawing on performances recorded between 1976 and 1978.  The original LP split the track “Ritual” between Sides Three and Four of the vinyl; Friday’s edition restores it to its unedited, full length, and adds two bonus tracks of “I’ve Seen All Good People” and “Roundabout.”  These tracks were also added to an expanded Yesshows by Warner Music Japan in 2009.  Yes’ third live album, 1985’s 9012LIVE: The Solos, will receive a similar treatment from Friday Music; it, too, was reissued by Warner Japan in 2009.

More titles are on the way from the Warner/Rhino catalogue.  Friday has confirmed a reissue of Warren Zevon’s 1980 Bad Luck Streak in Dancing School.  Anyone who’s listened to any of Zevon’s albums knows that the man had so much more to offer than just the hit “Werewolves of London.” Zevon’s fourth LP, Bad Luck Streak offered more of his unique version of Laurel Canyon rock.  Zevon was joined on his mordantly witty compositions by “usual suspects” including his onetime producer Jackson Browne, David Lindley, Linda Ronstadt, J.D. Souther, Waddy Wachtel, Leland Sklar, Ben Keith and four Eagles: Don Henley, Glenn Frey, Don Felder and Joe Walsh.  Whew!  Most notable, however, might be “Jeannie Needs a Shooter,” co-written by Zevon’s admirer and friend Bruce Springsteen.  T-Bone Burnett co-wrote “Bed of Coals” and Jorge Calderon, another longtime associate of the artist, co-wrote “Jungle Work.”  A cover of Allen Toussaint’s “A Certain Girl” rounds out this exciting LP which has been far too long out-of-print.

Two more confirmed classics are en route, this time from the RCA library.  Jefferson Starship’s Freedom at Point Zero and Winds of Change will be brought together in a two-CD digipak, following Friday’s 2009 Modern Times/Nuclear Furniture pairing, and No Protection/Love Among the Cannibals for the band’s 1980s iteration as simply Starship.  1979’s Freedom at Point Zero was the first Jefferson Starship album to feature the vocals of Mickey Thomas, later to lead Starship.  Its single “Jane” made a solid Top 15 showing on the Billboard chart.  1982’s Winds of Change marked the return of Grace Slick to the fold (she is absent on Freedom) and she, of course, would later join Thomas in Starship.  Aynsley Dunbar, perhaps best known for his work with Frank Zappa, contributed drums to the album which spawned a couple of minor charting singles in “Be My Lady” and the title song “Winds of Change.”  One bonus track has been added to this package, the mono single 45 RPM edit of “Jane.”

There’s much more after the jump, friends!

Reissue Theory: Bette Midler, “The Divine Miss M”

Welcome to another installment of Reissue Theory, where we take a look at notable albums and the reissues they may someday see.  Long before “Wind Beneath My Wings” and “From a Distance,” Bette Midler was blazing a path like few others before or since with her blend of outrageous comedy, musical invention and pure showmanship.  Yet despite a treasure trove of unreleased material, Midler’s platinum debut, The Divine Miss M, has never been expanded on CD.  What might such a reissue be like?

“One bathhouse. We played one bathhouse….No, it was only ever that one bathhouse.”

So responded Barry Manilow earlier this month to Vanity Fair when queried whether he was nostalgic for the bathhouses he played in the early days of the 1970s as Bette Midler’s musical director. But Manilow’s stint playing for Midler at New York’s Continental Baths has entered into show biz lore, as it launched not one, but two, superstar careers that endure to the present day. As Manilow explained, “[The Continental Baths] had a cabaret stage, and they hired me as the house piano player. They asked me, ‘Hey, do you want to play piano here full-time?’ And I was like ‘Sure, why not?’ I played with all of the acts that came through, all the singers. Bette was the best of them…so I stayed with her…She was fucking brilliant. I mean it. You never saw anything like it. It topped anything Lady Gaga is doing today. And she did it without any stage tricks or fancy effects. It was just Bette and me and a drummer.” And while Manilow may sound hyperbolic, many reports at the time confirm his recollections.  Bette Midler was, and is, unquestionably an original.

Midler had played her first engagement at the Baths in August 1970, after she had already begun courting much larger stages with appearances on The David Frost Show, The Merv Griffin Show, and the biggest talk show of them all, Johnny Carson’s Tonight Show. The girl from Hawaii who had played a lengthy run as Tzeitel in Broadway’s Fiddler on the Roof and then a stint in the off-Broadway rock musical Salvation had her eyes on mainstream success. She was an instant smash with Carson on her first appearance of August 12, 1970; she began at the Baths two nights later and returned to the Tonight Show and its smitten host on August 31. Barry Manilow came into her life in late 1970 or early 1971; though exact dates are fuzzy, he became Midler’s musical director by the time of the September 1971 stand at New York’s Downstairs at the Upstairs cabaret. Though she had become the toast of New York and television with her boisterous, outrageous stage antics and wild reworkings of old standards, novelties and rock and roll tunes, Midler naturally desired to become a recording star. A 1969 demo session including her then-trademark take on Harry Akst and Grant Clark’s 1929 “Am I Blue?” was shopped around but hadn’t led anywhere. Perhaps her bawdy persona and eclectic repertoire simply couldn’t be contained on vinyl?

That all changed with the release of 1972’s The Divine Miss M on the Atlantic label. Though it received a remastered edition in 1995 and last month was reissued as an audiophile LP from Mobile Fidelity, the album has never been expanded on CD. Yet there a number of riches that still remain in the Atlantic vaults that paint a fuller picture of the hungry young performer, equal parts singer, actress and performance artist. Today’s Reissue Theory imagines a 2-CD expanded edition of Midler’s eclectic, electric debut.  Hit the jump for a story involving Todd Rundgren’s Utopia, music legend Ahmet Ertegun, Philly soul architect Thom Bell, jazz guru Joel Dorn, Brill Building stalwart Doc Pomus, and of course, Barry Manilow and Bette Midler!