Archive for the ‘Charlie Christian’ Category
Take the “A” Train to Complete Boxes From Ellington, Armstrong, Christian and Smith
The roaring twenties are back!
Okay – or should that be OKeh? – in fairness, so are the thirties, forties, and fifties, thanks to four upcoming box sets spotlighting legendary jazz and blues stars. Legacy Recordings adds to its growing Complete Albums Collection library on October 30 with these new volumes:
- Louis Armstrong, The Complete OKeh, Columbia and RCA Victor Recordings 1925-1933 (OKeh/Columbia/RCA/Legacy) (10 CDs);
- Charlie Christian, The Genius of the Electric Guitar (Columbia/ Legacy) (4 CDs);
- Duke Ellington, The Complete Columbia Studio Albums Collection 1951-1958 (Columbia/ Legacy) (9 CDs); and
- Bessie Smith, The Complete Columbia Recordings (Columbia/ Legacy) (10 CDs).
These titles follow up the recent releases from The Brecker Brothers, Etta James and Sarah Vaughan (all due in stores Tuesday) and like those titles and the other Complete Albums sets, these include original albums or compilations packaged in replica mini-LP sleeves. In most cases, bonus tracks that have been appended to past Legacy reissues have been retained, and booklets have been prepared with new liner notes and full discographical information for each artist and title contained. Virtually all of the CDs in the Complete Album Collection jazz series have been newly remastered by multiple Grammy-winning engineer Mark Wilder.
The beloved Louis Armstrong was last year the subject of a massive 10-CD box set spotlighting his entire career, a set which drew considerable attention when Elvis Costello proclaimed it a superior purchase to a similarly-priced set of his own material. Well, Mr. Costello would likely approve of The Complete OKeh, Columbia and RCA Victor Recordings 1925-1933, with its ten CDs of some of the earliest recordings by the man alternately known as Satchmo or Pops. This period yielded the famous Hot Fives and Hot Sevens recordings, among the most historically important and, indeed, entertaining, of Armstrong’s long career during which he influenced virtually every musician who’s ever picked up a horn. Any understanding of popular music begins with these famous sessions, featured on the first three discs of this new set. (A 2000 Legacy box set was previously dedicated to these recordings.)
CDs 1-7 of the new box replicate the contents of the first seven volumes of the now out-of-print Armstrong Columbia Jazz Masterpieces series, released 1988 to 1993; the first three discs are dedicated to the Hot Fives and Hot Sevens as recorded between 1925 and 1928. CD 4 spotlights Pops’ recordings alongside pianist Earl “Fatha” Hines with a variety of groups in 1927-1928, while CDs 5 and 6 cover the seminal 1929-1930 period during which time Armstrong recorded in New York and Los Angeles. CDs 7 and 8 find Louis embracing the 1930s with open arms with sessions in Chicago, while the final two discs in the box pick up with his move to Victor in late 1932 with recordings made from Camden to Chicago! The ten-CD set ends with Louis (and wife Lil on piano!) backing country –and-western pioneer Jimmie Rodgers on his “Blue Yodel No. 9,” recorded in Los Angeles in July 1930.
Legacy notes that The Complete OKeh, Columbia and RCA Victor Recordings 1925-1933 does not include the recordings on which Armstrong served as a sideman during these years for artists such as Maggie Jones and Lillie Delk Christian. Ricky Riccardi, author of the must-read What a Wonderful World: The Magic of Louis Armstrong’s Later Years (and keeper of a fine Armstrong blog), provides the new liner notes for the box. Louis Armstrong returned to RCA Victor in 1946-1947 and Columbia in 1954-1956; perhaps those sessions will see release down the road!
After the jump, we’ll explore the sets from Charlie Christian, Duke Ellington and Bessie Smith. Plus: we have pre-order links for all titles! Read the rest of this entry »