Archive for the ‘Dean Martin’ Category
Still Unforgettable: “The Extraordinary Nat King Cole” Collects Hits, Rarities, Unreleased Songs
The title of Capitol’s upcoming Nat King Cole compilation is a simple but accurate one: The Extraordinary Nat King Cole. In his too-short 45 years, Cole transformed himself from an acclaimed jazz pianist to one of America’s pre-eminent vocalists. His smooth-voiced baritone helped put Capitol Records on the map, and he broke down barriers previously unheard of for African-American entertainers. Cole’s posthumous 1991 duet on “Unforgettable” with daughter Natalie Cole earned him a new generation of fan, and his rendition of “The Christmas Song (Chestnuts Roasting on an Open Fire)” keeps him in constant rotation every holiday season. Yet this compilation, to be available in single-disc CD and Blu-ray audio formats and a double-disc CD package with rarities and previously unreleased music, is the first major-label catalogue initiative for Cole since 2009’s remix set, Re:Generations.
While too few of Cole’s original albums are in print as individual CDs today, he’s been the recipient of two complete solo Capitol box sets from Bear Family (one box spanning 1955-1959 and another covering 1960-1964) as well as a Mosaic box set chronicling all 349 of The Nat King Cole Trio’s Capitol recordings. Collectors’ Choice Music issued a number of Cole’s classic albums on CD including 18 albums on 9 CDs available individually and as The Nat King Cole Collection Box Set Volume 1. Yet, miraculously, the Deluxe Edition of The Extraordinary Nat King Cole is packed with never-before-released songs, alternate takes and other rarities.
The standard single-disc edition offers 22 tracks (also available in the high-definition Blu-ray Audio format) emphasizing Cole’s swinging sessions with arranger-conductors including Nelson Riddle, Richard Wess and Billy May. This compilation features both familiar classics (“L-O-V-E,” “Orange Colored Sky,” “Walkin’ My Baby Back Home,” “Almost Like Being in Love”) and lesser-known gems (“You’ve Got the Indian Sign on Me”) as well as two rare and infrequently-anthologized duets with Capitol labelmate and fellow icon of cool, Dean Martin (“Long, Long Ago” and “Open Up the Doghouse (Two Cats Are Coming In)).” Of course, “Unforgettable” also finds a place on this compilation in Cole’s 1961 solo recording. The previously-unissued Nat Simon/Charles Tobias song “You’re Wrong, All Wrong” (1953) with a Nelson Riddle arrangement, closes out the disc.
There’s much more from the vaults on the second disc of the Deluxe Edition! Hit the jump for more details plus the full track listing and pre-order links! Read the rest of this entry »
That’s Amore: “Arrivederci Italy” Features Jerry Vale, Dean Martin, Rita Pavone, Nino Rota, Ennio Morricone
IN MEMORIAM: JERRY VALE (1930-2014) : While readying the following article for publication, we learned of the passing of Jerry Vale on May 18, 2014 at the age of 83. Jerry was one of the last great gentlemen of song, and a mainstay of the Columbia Records roster for many years. He notched 18 singles on the Hot 10o between 1953 and 1967, and 27 on the Adult Contemporary chart through 1971, including the AC chart-topper “Have You Looked Into Your Heart” in 1964. Though best-known for his Italian-themed songs like “Innamorata” and “Al di là,” Vale weathered the changing trends in popular music and embraced contemporary material on LPs including This Guy’s in Love with You, Where’s the Playground Susie, Let It Be and We’ve Only Just Begun. He was also a frequent visitor to Yankee Stadium as performer of the national anthem. Martin Scorsese featured Vale in his films Casino and Goodfellas, and his presence added verisimilitude to those acclaimed pictures. Jerry Vale will be remembered for his smooth croon, his effortless charm and his elegance of an era gone by. Ciao, Genaro. Riposi in pace.
Coffee giant Starbucks is saying Arrivederci, Italy with a new compilation disc that aims to “capture the abundant flavor and expressive bravado of Italia and some of its greatest performers.” The repertoire, however, goes beyond the music one might hear at the local Italian restaurant with soundtrack cuts and Italian-language pop classics alongside more familiar fare by American bel canto practitioners like Dean Martin and Jerry Vale.
Alongside music, one of Italy’s greatest contributions to international popular culture is film, and Arrivederci Italy includes themes from Ennio Morricone and Nino Rota. Morricone, the versatile 85-year old composer of more than 500 film and television scores in every genre imaginable, is perhaps best known stateside for his “spaghetti western” scores for Sergio Leone. “Carillon (Watch Chimes – The Musical Pocket Watch)” has been included from the second film in Leone’s Man with No Name trilogy, 1965’s For a Few Dollars More. The late Nino Rota, a favorite composer of Franco Zeffirelli, Francis Ford Coppola and Federico Fellini, is represented with cues from two of the legendary Fellini’s films. “Amarcord” is the title theme from Fellini’s 1973 picture of the same name, and “La Bella Malinconica” (“The Beautiful Melancholy”) is derived from Rota’s score to 1960’s groundbreaking La Dolce Vita. Sophia Loren, Italy’s most celebrated actress and sex symbol, found time in between her film work to embark on a recording career. Her 1957 chart-topper “Che m’è ’mparato a fa’,” less familiar to American listeners than her amusing duets with Peter Sellers, has been included here.
On the pop front, the compilation includes a neat bit of cross-cultural exchange with Italian singer Carla Boni’s 1956 rendition of “Mambo Italiano,” an Italian pastiche composed by American Bob Merrill (lyricist of Broadway’s Carnival and Funny Girl). Teenage starlet Rita Pavone, subject of a recent reissue from Real Gone Music, topped the Italian charts for nine weeks in 1963 with “Cuore,” an Italian adaptation of Brill Building stalwarts Barry Mann and Cynthia Weil’s “Heart.” Francesco Migliacci and Domenico Modugno’s “Volare” remains one of the most famous Italian popular songs. The Italian entry to the 1958 Eurovision song contest, “Volare” hit big around the world, with Modugno’s own recording becoming a U.S. No. 1 in mid-1958 and winning the first ever Grammys for Record of the Year and Song of the Year. Subsequent versions arrived from Bobby Rydell, Dean Martin, Al Martino, Sergio Franchi and others, but Arrivederci selects a more recent, lesser-known version from English tenor and crossover star Russell Watson.
After the jump, we have plenty more on this new release, including the complete track listing! Read the rest of this entry »
Of Ghosts, Panthers and Ronettes: Legacy Unveils Record Store Day 2014 Slate
Today’s the day! This morning, Los Angeles’ vinyl mecca Amoeba Music hosted the “Official List Launch” for Record Store Day, with simultaneous unveilings of the extensive RSD ’14 line-up occurring in Nashville and across the pond in London. We’ve already filled you in on some of the exciting titles arriving on Saturday, April 19 from many of our favorite labels (Real Gone Music, Omnivore Recordings) and artists alike (Creedence Clearwater Revival, Devo, Neil Young, R.E.M. ), and there’s plenty more news on the way! Among those slates revealed today was that of Legacy Recordings. An eclectic variety of vinyl goodies will be arriving on 33 and 45 RPM from some of RSD’s heaviest hitters.
For those ready to get back in the saddle at their local record store, Legacy is obliging with vintage albums – a number of which are making their vinyl debut – from 311, Aerosmith, MGMT and Outkast. The Allman Brothers Band’s recent Play All Night: Live at the Beacon Theatre 1992 gets a double-vinyl highlights release, and The Jimi Hendrix Experience’s Live at Monterey makes its Legacy LP premiere. If you’re less about leather pants and more about a natty suit, the label is extending an invitation to Dream with Dean via the late Mr. Martin’s 1964 album. Legacy now has the Rat Packer’s Reprise recordings, and this elegant album is one of the most choice titles from that catalogue. Dream features his original recording of “Everybody Loves Somebody” plus perennials like “Fools Rush In,” “Blue Moon” and “Smile.” And even the bumbling Inspector Jacques Clouseau would likely be able to spot the new pink vinyl reissue of Henry Mancini’s original album recording of his sublimely sinuous music from The Pink Panther.
On the singles front, Legacy follows up this year’s Playlist: The Very Best of Ronnie Spector with a replica 45 of “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go,” on which the former Ronette is backed by none other than Bruce Springsteen and the E Street Band. Eric Carmen’s new “Brand New Day” also arrives on vinyl in an alternate mix supporting The Essential Eric Carmen, and post-punk band The The’s 1983 track “Giant” gets the 12-inch single treatment with a new remix!
Last, but certainly not least, we’re posing the question: Who you gonna call? In Legacy’s case, the label called our very own Mike Duquette! Mike wasn’t afraid of no ghost, and has co-produced a one-of-a-kind collectible for Legacy that just might keep you up at night with excitement! To commemorate the 30th anniversary of Ivan Reitman’s blockbuster Ghostbusters, Legacy will offer a 10-inch vinyl EP with four versions of Ray Parker Jr.’s chart-topping, Academy Award-nominated hit “Ghostbusters,” including the original 12-inch and dub remixes. As if that’s not enough, it’s going to be pressed on special, glow-in-the-dark Ecto Green vinyl! It’s the next best thing to a visit from Slimer or the Stay Puft Marshmallow Man – and a heck of a lot less trouble to clean up after! This project has been a labor of love for Mike and the team at Legacy, and we’re thrilled to finally be able to share the news with you.
Mark your calendar now for Saturday, April 19 – and rev up your Ecto One to be first on line at your local independent record retailer. After the jump, we have full specs on all of these limited edition releases from Legacy Recordings! Read the rest of this entry »
Hi-Rez Round-Up: Audio Fidelity Plans Clapton, Butterfield Reissues; Mobile Fidelity Does Sinatra, Chicago, Hall and Oates
All that glitters is not (necessarily) gold. Two of the U.S.’ preeminent audiophile labels, Mobile Fidelity Sound Lab and Audio Fidelity – the latter a successor to DCC Compact Classics – made their name on Gold CDs, and have in recent years made the gradual change to hybrid stereo SACDs. These discs, playable on all CD players in standard CD quality, are remastered to the same high standard as the gold releases but also give consumers with SACD playback capabilities the opportunity to listen in high-resolution, superior-to-CD sound. Both Mobile Fidelity and Audio Fidelity have been busy in 2014. The former label has released, or will release, hybrid SACDs from Frank Sinatra, Dean Martin, Chicago, Ray Charles, Aretha Franklin, Los Lobos and Daryl Hall and John Oates; the latter label has just offered titles from Heart, Jon Anderson, Alice Cooper and Peter, Paul and Mary, and has announced forthcoming releases from The Paul Butterfield Blues Band and Eric Clapton.
Though Mobile Fidelity has made the gradual switch to the SACD format, Audio Fidelity has recently issued a statement confirming that the label will no longer manufacture 24K Gold CDs. Label founder Marshall Blonstein has written in an email to subscribers of AF’s limited edition series that “as many of you know, over the past months we have had many delays with our 24K release schedule. Primarily it’s been due to the inability of our manufacturer to secure the gold target necessary to make 24K discs. Since 2013, we’ve responded to the encouragement of many of our fans and friends by converting to the Hybrid SACD format.”
Blonstein continues, “Though it’s possible in the future we could release 24K titles, it’s not likely. We’ve made this decision after a lot of thought and realistic evaluation of market conditions – our 24K manufacturer is unable to assure us that in the future they would be able to deliver the product you expect and we demand. Meanwhile, we’re having a great run with our Hybrid SACD titles, our brand remains intact and our unique and appealing slipcase packaging remains consistent with our tradition.
So, it is with great sadness we are informing you that we will leave an old friend, our 24K Gold disc behind, but with also with great joy, knowing that we are moving forward with a much more consistent and broadly appealing format.”
After the jump, we’ll take a look at the recent release slate from both Audio Fidelity and Mobile Fidelity! Read the rest of this entry »
Everybody Loves Somebody: Legacy Acquires Dean Martin’s Reprise Catalogue, Launches Reissue Campaign
Dean Martin is said to have once observed that the two smartest decisions he ever made were partnering with Jerry Lewis…and breaking up with Jerry Lewis. When the split occurred, Martin was 39 years old, but convinced that a successful solo career was still ahead of him. Was he ever right! The former Dino Paul Crocetti was among the lucky few to have a successful second act in showbiz, and his career as just Dean Martin even eclipsed the first act as one-half of the beloved Martin and Lewis team. Martin first took flight as a singer at Capitol Records beginning in 1948, eight years before dissolving his partnership with Lewis. He remained at the Tower through 1961, making his final recordings there in December of that year. On February 13, 1962, he entered United Western Recorders on Hollywood’s Sunset Boulevard to begin his tenure alongside pal Frank Sinatra as one of the flagship artists for the Chairman’s Reprise Records label. Over the years, Martin’s Reprise catalogue has changed hands numerous times, and last week, it was officially announced that its new home will be Sony’s Legacy Recordings.
In partnership with The Dean Martin Family Trust, Legacy has begun remastering titles from Martin’s Reprise (1962-1974) and Warner Bros. (1983) periods for an ongoing reissue campaign. The first title to emerge under the Legacy deal was the recent Playlist: The Very Best of Dean Martin, which was newly remastered by Vic Anesini. The Reprise period, of course, includes many of Martin’s most enduring hits. He famously took on The Beatles – and triumphed! – in 1964 when Ernie Freeman’s contemporary arrangement of “Everybody Loves Somebody,” a 1947 song by Sam Coslow, Irving Taylor and Martin’s frequent collaborator Ken Lane, knocked the Fabs’ “A Hard Day’s Night” right off the No. 1 spot on the Billboard 200 at the height of Beatlemania! Despite Dino’s protestation that “I do not like rock singers, rock is out with me, I can’t stand rock,” Freeman’s heavy rock-influenced backbeat gave Martin the edge to introduce his laid-back croon to a new generation.
More major hits followed including “I Will,” “The Door is Still Open to My Heart” and Lee Hazlewood’s “Houston,” and by the beginning of 1966, Martin had notched seven Top 40 pop hits and six Top 40 albums – in addition to juggling the demands of his popular variety show! Dino remained with Reprise for most of the rest of his recording career. Even considering the seismic shifts in musical styles as the sixties continued, Martin’s hits hardly waned, with “In the Chapel in the Moonlight” and “Little Ole Wine Drinker Me” both going Top 40 in 1967. When Reprise issued two greatest-hits collections in 1968, both achieved gold status. In 1971, he re-signed with the label for another three-year contract, and in 1974, he would record his final music for the House That Frank Built although legal wrangling would prevent the songs’ release until 1978. Martin gracefully bowed out of the recording business, smartly refusing to subject himself to disco and other styles that affected the music of so many of his contemporaries. Not that Martin completely avoided pop and rock in his years at Reprise; quite to the contrary. He recorded songs by Jimmy Webb, Burt Bacharach and Hal David, Tommy Boyce and Bobby Hart, The Bee Gees, Kris Kristofferson, John Hartford, Tony Hatch and Jackie Trent, Carole King and Gerry Goffin, and even Smokey Robinson. Martin also built up a considerable catalogue of country music at Reprise.
Dino continued to appear on television and onstage during his retirement from the recording studio, and in 1980 purchased back his Reprise recordings from the label (which had itself purchased fourteen albums from Dean in 1971). Yet most of these albums remained incredibly difficult to find in the CD era until the release of Bear Family’s definitive complete Dean Martin series of box sets (four, in total, with two each dedicated to Capitol and Reprise) and Collectors’ Choice’s series of Reprise two-fers.
In 1983, Martin was coaxed by his longtime producer Jimmy Bowen, head of Reprise parent Warner Bros.’ Nashville division, to record one more album. My First Country Song became a respectable No. 49 entry on the Country Albums chart, and its title track – a duet with Conway Twitty – also became a Top 40 country hit. Though the album would turn out to be Martin’s last, he did record one last song, “L.A. is My Home,” which was released in 1985 on the MCA label. (It was also the closing theme song to the television show Half Nelson on which Dean appeared.) There’s no mention of whether “L.A.” is included in the current Legacy deal.
What can you expect from Legacy’s Dean Martin series? Hit the jump! Read the rest of this entry »
Release Round-Up: Week of January 21
The Beatles, The U.S. Albums (Apple/Capitol/UMe)
The centerpiece product of The Fab Four’s 50th anniversary celebration (thus far, anyway) is a 13-disc box featuring the original, unique American releases on Capitol/United Artists from 1964 to 1970 (including six titles from that first year alone). All but the spoken-word documentary album The Beatles’ Story will be available individually, and all but that and 1970’s stereo-only Hey Jude compilation will be available in mono and stereo on the same disc.
The U.S. Albums: Amazon U.S. / Amazon U.K.
Meet The Beatles!: Amazon U.S. / Amazon U.K.
The Beatles’ Second Album: Amazon U.S. / Amazon U.K.
A Hard Day’s Night: Original Motion Picture Soundtrack: Amazon U.S. / Amazon U.K.
Something New: Amazon U.S. / Amazon U.K.
Beatles ’65: Amazon U.S. / Amazon U.K.
The Early Beatles: Amazon U.S. / Amazon U.K.
Beatles VI: Amazon U.S. / Amazon U.K.
Help! Original Motion Picture Soundtrack: Amazon U.S. / Amazon U.K.
Rubber Soul: Amazon U.S. / Amazon U.K.
Yesterday and Today: Amazon U.S. / Amazon U.K.
Revolver: Amazon U.S. / Amazon U.K.
Hey Jude: Amazon U.S. / Amazon U.K.
Del Amitri, Waking Hours / Change Everything / Twisted: Deluxe Editions (Mercury/UMC)
Best known in the U.S. for peppy rock radio hit “Roll to Me,” the recently-reunited Glasgow rockers’ first three alternative-friendly albums for A&M are being expanded as double-disc sets with heaps of non-LP B-sides.
Waking Hours: Amazon U.K. / Amazon U.S.
Change Everything: Amazon U.K. / Amazon U.S.
Twisted: Amazon U.K. / Amazon U.S.
Mike + The Mechanics, The Singles 1985-2014 / The Living Years: Deluxe Edition (UMC)
To time with Mike Rutherford’s new memoir, the Genesis guitarist/bassist’s famed side-project (with vocals from Paul Carrack and Sad Café’s Paul Young) is first anthologized with a career-spanning double-disc hits and rarities set, and then an expansion of 1988’s The Living Years (whose title track was the band’s biggest worldwide hit), featuring a new version of the track with vocalist Andrew Roachford and a disc’s worth of live recordings from 1989.
The Singles 1985-2014: Amazon U.K. / Amazon U.S.
The Living Years: Amazon U.K. / Amazon U.S.
Paul McCartney, Off the Ground (MPL/Hear Music)
Sir Paul’s 1993 album gets a no-frills new remaster. (Amazon U.S. / Amazon U.K.)
Charo and The Salsoul Orchestra, Cuchi-Cuchi: Expanded Edition / Loleatta Holloway, Queen of the Night: Expanded Edition (Big Break)
Two more expanded albums from the Salsoul label on BBR – one from label queen Loleatta Holloway and the debut album from the famed singer-comedienne.
Charo: Amazon U.K. / Amazon U.S.
Loleatta Holloway: Amazon U.K. / Amazon U.S.
Major Harris, How Do You Take Your Love / Margie Joseph. Knockout: Expanded Edition (Funky Town Grooves)
FTG puts the first and only RCA album by ex-Delfonic/”Love Won’t Let Me Wait” singer Major Harris on CD for the first time, while expanding a 1983 album by Harris’ onetime labelmate Margie Joseph.
Major Harris: Amazon U.S. / Amazon U.K.
Margie Joseph: Amazon U.S. / Amazon U.K.
Various Artists, Playlist: The Very Best Of (Legacy)
The latest wave in Legacy’s low-price hits series includes some converted greatest hits titles (Simon & Garfunkel’s Greatest Hits, Journey’s Greatest Hits Live, Closer: The Best of Sarah McLachlan) but also some new titles – chiefly some newly-curated compilations from Dean Martin, Ronnie Spector, Jermaine Jackson and Ray Parker, Jr. (All Amazon U.S. and U.K. links can be found in the link above!)
Everybody Loves Somebody: New “Playlist” Wave Includes Ronnie Spector, Simon and Garfunkel, Journey, Dean Martin, More
It’s a new year, and that means a new crop of Playlist titles from Legacy Recordings! As in the past, this crop of releases runs the gamut, with a number of titles including rare or new-to-CD material and others relying on the tried and true. The artists represented also encompass a wide variety of genres. Fans of classic rock-and-roll and pop will find plenty to enjoy on a career-spanning disc from Ronnie Spector and a reissue of the vintage Greatest Hits album of Simon and Garfunkel, while those seeking their rock in a more modern vein can sample music from Sponge, Stabbing Westward and The Verve Pipe. Traditional vocal pop enthusiasts should take notice of Legacy’s first-ever release from the catalogue of Dean Martin, and classic country gets a place with a Playlist from Ray Price. For R&B fans, there are titles from Ray Parker, Jr. and Jermaine Jackson. Christian artists Israel (Houghton) and New Breed get a Playlist volume, too. The collection is rounded out by entries from rap group Three 6 Mafia, singer-songwriter Sarah McLachlan, and eighties rock heroes Journey.
All thirteen titles will be available in stores on Tuesday, January 21, and after the jump, we’ll spill details on all of them – plus full track listings with discographical annotation and pre-order links! Read the rest of this entry »
Kritzerland’s Got the Action with “Butch and Sundance” and Vintage Dean Martin Comedy
Kritzerland has just announced its first releases for 2013, and these two rare soundtracks, both of which are making their CD debuts, couldn’t be more different: George Duning’s Who’s Got the Action? and Patrick Williams’ Butch and Sundance: The Early Days.
Almost ten years after the runaway success of Butch Cassidy and the Sundance Kid, 20th Century Fox realized its hopes for a follow-up film with Butch and Sundance: The Early Days. At the conclusion of the first film, though, raindrops weren’t just falling on the titular anti-heroes’ heads: Butch and Sundance were mowed down in a blaze of gunfire. Hollywood’s solution, then, was to release a prequel film; in fact, some have suggested that Butch and Sundance was the first film to use the term “prequel.” Director George Roy Hill didn’t return, and Richard Lester (A Hard Day’s Night, Robin and Marian) took the directorial reins. Screenwriter William Goldman, who picked up an Oscar for his work on the original film, did return for the prequel as an executive producer and co-writer with Allan Burns (The Mary Tyler Moore Show, Lou Grant). Joining Hill among the absent, however, was Burt Bacharach, who won two Oscars for his work on Butch Cassidy. Burns enlisted frequent collaborator Patrick Williams to provide the score. An accomplished composer and arranger, Williams’ credits included Mary Tyler Moore, The Bob Newhart Show, and the 1978 film Breaking Away, for which he received an Oscar nomination. To fill the shoes of Paul Newman and Robert Redford, Tom Berenger and William Katt were enlisted. Familiar faces like Peter Weller, John Schuck, Brian Dennehy and Christopher Lloyd rounded out the cast. Williams wisely didn’t try to emulate Bacharach’s style for his score, but in the words of reissue producer Bruce Kimmel, he composed “an eclectic score – playful, beautiful, filled with adventure and bravado, tenderness, and gorgeous melodic themes. It works perfectly in the film, complementing the visuals, the comedy, and the drama, a real old-fashioned honest-to-goodness film score by a master composer.”
Williams recorded virtually all of his score for Butch and Sundance: The Early Days twice. Some cues remained exactly the same in both orchestration and writing, while others had slight variations in orchestration and timing. Still other cues had very different musical material. Kritzerland’s expanded edition offers the entire score as used in the film (plus one unused cue), plus a bonus section. The bonus tracks present the original versions of cues where they differed from the re-recorded cues. Butch and Sundance: The Early Days is limited to 1,000 copies, and is set for release the last week of February, though pre-orders directly from the label usually arrive an average of four weeks’ early.
After the jump: Who’s Got the Action? We’ve got the answer, plus track listings and pre-order links for both titles. Read the rest of this entry »
Career Man: Franz Waxman Score to Dean Martin, Shirley MacLaine Drama Premieres on CD
Releasing vintage film scores has long been “all in a night’s work” for the Kritzerland label. In June, Kritzerland issued Andre Previn’s score to the 1962 comedy All in a Night’s Work, a Paramount Picture starring Dean Martin and Shirley MacLaine. That was hardly the first onscreen pairing between the two offscreen pals, however. Dino and MacLaine first lit up the screen together in 1955’s Artists and Models, MacLaine’s second film and the fourteenth starring the Martin and Lewis comedy team. In 1958, Martin and MacLaine appeared opposite another Rat Packer, Frank Sinatra, in Some Came Running, and in 1959 came Career. This groundbreaking drama based on James Lee’s off-Broadway play was brought to the screen by Paramount with a score by Franz Waxman (Rebecca, Suspicion), and that score is being released for the very first time by Kritzerland.
Martin and MacLaine were joined by a cast including Anthony Franciosa, Carolyn Jones, Joan Blackman, and Robert Middleton. The film was directed by Joseph Anthony, who previously worked with MacLaine on the film adaptation of Thornton Wilder’s The Matchmaker. A powerful blacklist drama co-written by blacklisted screenwriter Dalton Trumbo (Roman Holiday), the brave Career was rewarded with three Academy Award nominations – Best Art Direction (Hal Pereira, Walter H. Tyler, Samuel M. Comer, Arthur Krams), Best Cinematography (Joseph LaShelle), and Best Costume Design (Edith Head).
Kritzerland describes Franz Waxman’s score as “absolutely thrilling…from the exciting opening chords that lead directly into the big city them. It is the kind of dramatic scoring that Waxman did so brilliantly. He gets inside the drama and the characters – the yearning, the hunger, the nastiness, the competiveness, the romance, the first taste of success, the bitter taste of failure after failure – it’s brilliant music from start to finish.” Waxman was in the midst of a true golden age in the 1950s, during which period he also scored Billy Wilder’s Paramount classic Sunset Boulevard and other renowned classics like A Place in the Sun, Mister Roberts, Peyton Place and Rear Window, the latter with his old collaborator Alfred Hitchcock. Though unrecognized for Career, Waxman took home the gold statuette for both Sunset and A Place in the Sun.
What bonuses will you find on this new CD? Hit the jump! Plus: the full track listing and pre-order link! Read the rest of this entry »