Archive for the ‘Diana Ross’ Category
Release Round-Up: Week of October 14
Diana Ross, Why Do Fools Fall in Love / Silk Electric / Ross / Swept Away / Eaten Alive / Red Hot Rhythm and Blues (Expanded Editions) (Funky Town Grooves)
Why Do Fools Fall in Love: Expanded Edition (Amazon U.S. / Amazon U.K.)
Silk Electric: Expanded Edition (Amazon U.S. / Amazon U.K.)
Ross: Expanded Edition (Amazon U.S. / Amazon U.K.)
Swept Away: Deluxe Edition (Amazon U.S. / Amazon U.K.)
Eaten Alive: Deluxe Edition (Amazon U.S. / Amazon U.K.)
Red Hot Rhythm and Blues: Deluxe Edition (Amazon U.S. / Amazon U.K.)
Funky Town Grooves has remastered and expanded all six of Miss Ross’ RCA albums, first released between 1981 and 1987 during what turned out to be an extended hiatus from Motown. These editions are loaded with rarities and remixes; see full details here!
Foreigner, The Complete Atlantic Studio Albums 1977-1991 (Atlantic/Rhino) (Amazon U.S. / Amazon U.K.)
Rhino boxes up 7 CDs from Foreigner, including five U.S. multi-platinum smash LPs and hits like “Waiting for a Girl Like You,” “Feels Like the First Time,” “Cold as Ice,” “Hot Blooded,” and “I Want to Know What Love Is.”
The Kinks, The Essential Kinks (RCA/Arista/Legacy) (Amazon U.S. / Amazon U.K.)
Legacy kicks off its Kinks campaign (kampaign?) with this 48-song, 2-CD anthology featuring just about every Kinks hit except for the original studio recording of “Lola.” (A live recording from 1979 takes its place.) Every track has been newly (and splendidly) remastered by Vic Anesini, and the deluxe 28-page booklet include liner notes from David Bowie and critic Bob Mehr, plus appreciations from Iggy Pop, Howard Kaylan, Creed Bratton, Pete Townshend and many more!
Jaco Pastorius, Anthology: The Warner Bros. Years (Warner Bros./Rhino) (Amazon U.S. / Amazon U.K.)
Rhino has 2 CDs and 22 tracks from jazz bassist Jaco Pastorius (1951-1987) drawing on the albums Word of Mouth, Invitation and The Birthday Concert plus tracks on which Jaco joined Mike Stern and Airto Moreira and one previously unreleased bonus track, “Donna Lee,” from 1981. Bill Milkowski, author of Jaco: The Extraordinary And Tragic Life Of Jaco Pastorius, provides new liner notes.
Ozzy Osbourne, Memoirs of a Madman (Legacy)
CD: Amazon U.S. / Amazon U.K.
2-LP Vinyl: Amazon U.S. / Amazon U.K.
DVD: Amazon U.S. / Amazon U.K.
This career spanning release features 17 of the Black Sabbath legend’s greatest hit singles compiled in one place for the first time in his career and will be available in a single CD, two-LP set and two-LP picture disc set configurations. The companion 2-DVD set includes classic music videos, plus previously unreleased and out-of-print live performances, and interviews from his solo career.
Sly Stone, I’m Just Like You: Sly’s Stone Flower 1969-1970 (Light in the Attic) (Amazon U.S. / Amazon U.K. )
During those creatively fertile days of the late 1960s, producer-arranger-composer Sly Stone couldn’t be confined to work with his band Sly and the Family Stone, so he formed the Stone Flower label and production company. Stone Flower released a handful of tracks on its own label as well as on Scepter and Atlantic by the artists Little Sister, Joe Hicks, and 6ix; those are collected here along with ten previously unissued songs. The sound on these tracks recalls the Family Stone’s groundbreaking There’s a Riot Goin’ On thanks to Sly’s use of the early Rhythm King drum machine/beat box. Light in the Attic packages this fascinating and essential chapter of the Sly and the Family Stone story with a 52-page booklet including a new interview by Alec Palao with Stone himself. Also available on vinyl.
Dean Martin, The Essential Dean Martin (Legacy) (Amazon U.S. / Amazon U.K. )
Legacy has 40 tracks on 2 CDs from the king of cool, Dean Martin. Though this compilation concentrates on Dino’s Reprise years, five key Capitol cuts are included as well as one late-period single at Warner Bros. Records. You’ll hear “Volare,” “That’s Amore,” “Sway,” “Everybody Loves Somebody,” “Memories Are Made of This,” “Houston,” “I Will” and many more on this set which has been remastered by Vic Anesini and annotated by James Ritz.
Meat Loaf, ICON (UMe) (Amazon U.S. / Amazon U.K.)
Universal’s budget-priced ICON series is back with a new entry for Meat Loaf. This odd volume features six of the eleven tracks from 1993’s smash hit comeback Bat Out of Hell II: Back Into Hell and four songs from its follow-up, 1995’s Welcome to the Neighborhood. “Hot Patootie (Bless My Soul)” from Rocky Horror rounds out the 11-song compilation.
White Christmas: Diamond Edition Blu-ray with CD (Paramount) (Amazon U.S.)
This new Blu-ray edition of the 1956 musical film has, among its bonus features, a 12-song CD featuring Crosby, Danny Kaye and Rosemary Clooney, with guest appearances by Ella Fitzgerald, Peggy Lee and Judy Garland. Eight of the songs on this exclusive bonus CD are previously unreleased.
Miles Davis, Bitches Brew (Hybrid SACD) (Mobile Fidelity) (Amazon U.S. / Amazon U.K.)
The great trumpeter’s revolutionary 1970 jazz-rock double album arrives on stereo hybrid SACD as part of Mobile Fidelity’s series of Davis reissues.
Madeleine Peyroux, Keep Me In Your Heart For A While: The Best Of Madeleine Peyroux (Rounder) (Amazon U.S.)
Here’s the very first compilation release in the singer-songwriter’s 18-year career, including tracks from the Rounder, Atlantic and Decca/Emarcy catalogues. Keep Me in Your Heart will include one previously unreleased song, the Warren Zevon title track which appeared in 2011’s independent film Union Square. Liner notes by former Atlantic Records A&R man Yves Beauvais, complete the package of the chanteuse’s greatest performances. A 2-CD edition is also available from Amazon U.K. with 27 tracks vs. the domestic version’s 15.
Billy Strayhorn, Out of the Shadows (Storyville) (Amazon U.S. / Amazon U.K.)
This 7-CD/1-DVD box set from venerable label Storyville turns the spotlight on a man who preferred to remain in the shadow of his close friend, collaborator and benefactor, Duke Ellington. 62 of Strayhorn’s compositions are presented here, both with and without Duke’s company, featuring such personnel as Art Tatum, Tommy Flanagan, Johnny Hodges, Clark Terry and Ben Webster plus Strayhorn and Ellington. Tracks were recorded between 1939 and 2007; see here for more details!
Swing Out Sister, The Essential Swing Out Sister (Salvo) (Amazon U.S. / Amazon U.K. )
This set has 17 tracks from the Manchester band formed in 1985 including their breakout hit “Breakout” and more originals and covers like “La La Means I Love You,” “Am I the Same Girl” and “The Windmills of Your Mind.” This survey of the sophisti-pop duo’s career concludes with a previously unreleased “Big Band” version of “Forever Blue,” a track arranged in its original version by Jimmy Webb.
Bob Seger, Ride Out (Capitol) (Amazon U.S. / Amazon U.K. )
The Detroit rocker returns with his first studio album since 2006 and seventeenth overall. It’s available in a variety of formats including deluxe edition CD, vinyl and a Target exclusive with two bonus tracks.
Jerry Goldsmith, Our Man Flint/In Like Flint: Original Motion Picture Scores (Intrada)
Intrada brings two of Jerry Goldsmith’s grooviest scores to CD for the very first time, remastered from the recently discovered original 20th Century Fox stereo album session masters! Differing from the Varese Sarabande release of soundtrack highlights from these spy capers, this single disc offers both classic original albums exactly as Goldsmith recorded them. For more background, see Joe’s review of Our Man Flint at The Digital Bits!
Michel Legrand, Summer of ’42/The Picasso Summer: Original Motion Picture Scores (Intrada)
Here’s the world premiere expanded release of two “summer” Michel Legrand soundtracks including his Oscar-winning score for Summer Of ’42 (1971). Legrand’s complete score runs just 17 minutes, so to fill the original Warner Bros. soundtrack album, 30 minutes of his score for the 1969 film The Picasso Summer was included. Intrada premieres the entire 55-minute Picasso score on the second disc of this 2-CD set, while the original album assembly of his “Picasso Suite” also plays intact on CD 1, following Summer Of ’42.
What’s Going On: “Motown 25” Comes To DVD In New Box Set, Highlights DVDs
On the evening of March 25, 1983, the Pasadena Civic Auditorium was alive with the sound of music – the Sound of Young America, to be more specific. Motown Records was celebrating its 25th anniversary, and producer Suzanne de Passe wasn’t pulling any stops. “Once in a lifetime” was as overused in 1983 as it is today, but the galaxy of stars assembled by de Passe couldn’t be described any other way: Diana Ross and the Supremes, Marvin Gaye, Lionel Richie and the Commodores, Smokey Robinson and the Miracles, Stevie Wonder, Mary Wells, Martha Reeves, Junior Walker, The Temptations, The Four Tops, and the Jackson 5 were all there. And the moment Michael Jackson broke out of the shadow of his brothers, once and for all, to show America the moonwalk, the evening billed as Motown: Yesterday, Today, Forever entered into the annals of history. With host Richard Pryor presiding over reunion performances ranging from the warm (The Miracles) to the seemingly contentious (The Supremes), a Temps/Tops “battle of the bands” and even tribute performances from visiting stars like Adam Ant and Linda Ronstadt, Motown 25 was an event the likes of which wouldn’t be seen again. The program aired on NBC-TV on May 16, 1983, and was subsequently issued on MGM/UA Home Video in 1991, but DVD release had eluded it…until now. On September 30, the Emmy Award-winning Motown 25 will arrive from Time Life/StarVista (in conjunction with de Passe Jones Entertainment and Berry Gordy’s West Grand Media) in a variety of formats echoing Time Life’s lavish treatment of The Midnight Special and other titles.
The crown jewel of this campaign is the 6-DVD box set, which – in Time Life/StarVista tradition – will be an online exclusive at MOTOWN25DVDS.COM. It’s available there now for pre-order. The release features an extended version of the show, with over 20 additional minutes not seen on the original broadcast, as well as a brand-new 5.1 surround sound mix. The 6-DVD set also includes nine newly-produced featurettes and additional bonus features including:
- “Signed, Sealed, Delivered – The Making of Motown 25,” which tells the behind-the-scenes story of the making of the program, and offers new insights into the rise of Motown and its roster of super stars
- “What’s Going On: Marvin Gaye”
- “Come and Get These Memories: Inside Hitsville”
- “Dancing In The Street: History of Motown”
- Rare footage of Marvin Gaye ad-libbing at the piano prior to a soulful version of “What’s Going On”
- Stevie Wonder rehearsal footage
- A two-part Motown 25 Performers Roundtable featuring Smokey Robinson and Duke Fakir (Four Tops), Otis Williams (The Temptations) and Executive Producer Suzanne de Passe, taped at the location of the original concert, the Pasadena Civic Auditorium
- A “Yesterday-Today-Forever” Production Roundtable with de Passe, Director/Producer Don Mischer and others
- Over 25 exclusive interviews with performers and crew, including Claudette Robinson (The Miracles), Martha Reeves (Martha and the Vandellas), Smokey Robinson, Nelson George, Gloria Jones, Adam Ant, Ashford and Simpson, Buz Kohan (Head Writer), David Goldberg (Executive in Charge of Production), Mickey Stevenson (Former Head of A&R/Songwriter), Jimmy Jam and Terry Lewis (Songwriters/Producers) and many more.
The box set, pictured above, is packaged with an exclusive 48-page booklet packed with information about the show and artists, production materials and never-before-scene photos from the production, essays on Motown performers, a copy of the original Motown 25 program, and more.
Two versions – a 3-DVD set and a single-disc release – will arrive to retail on September 30. The 3-DVD set features the concert and over six hours of extras including four featurettes, the Marvin Gaye rehearsal footage, the Performer and Production Roundtables and more. The single DVD features the newly-remastered concert and over one hour of bonus features.
About the only thing missing from this comprehensive campaign is an audio component, such as a new reissue of the 1983 version of the Grammy-nominated The Motown Story audio documentary or a first-time-ever actual soundtrack of the evening’s performances. After the jump, we’ll break down the contents of each release for you! Read the rest of this entry »
We Want “Muscles” and Other Diana Ross Albums for RCA, Expanded by Funkytown Grooves
Diana Ross is well-known as the Queen of Motown, but for real record geeks and catalogue enthusiasts, it’s her post-Motown works – released in the U.S. on RCA Records and on Capitol/EMI worldwide – that deserves a revisitation, thanks to its high energy dance grooves supplied by several very famous collaborators. This fall, Funkytowngrooves is doing what Diana’s fans have wanted for years: remastering and expanding her six albums from 1981 to 1987 for the first time ever.
After two decades with the famed Detroit label, as a member of The Supremes and an increasingly popular solo starlet and actress, Ross left Motown on a high note with 1980’s diana, featuring backing and production from CHIC founders Nile Rodgers and Bernard Edwards. (The duo were initially slated to produce her first RCA effort, but bowed out due to other commitments.) With a $20 million dollar deal in hand, Ross’ first effort was a modest dance record, Why Do Fools Fall in Love, anchored by the title track (a cover of Frankie Lymon & The Teenagers’ immortal doo-wop classic), a new solo version of “Endless Love” (her No. 1 duet with Lionel Richie) and “Work That Body,” co-written with Donna Summer collaborator Paul Jabara and noted session man Ray Chew. (The latter was a Top 10 U.K. hit.) “Muscles,” off of follow-up Silk Electric (1982), was another Top 10 hit, one written and produced by Michael Jackson right before Thriller took off. (Muscles was the name of his pet boa constrictor.)
1983’s Ross saw production duties divided between Ross, Steely Dan producer Gary Katz and Ray Parker Jr., a year before “Ghostbusters.” Swept Away, issued a year later, was an all-star affair, boasting production, vocals and songwriting from Lionel Richie (“Missing You”), Bernard Edwards (“Telephone”) Daryl Hall and Arthur Baker (“Swept Away”) and Julio Iglesias (“All of You”). Eaten Alive, from 1985, boasted near full writing and production from the Bee Gees (Michael Jackson returned to write the killer chorus to the title track alongside the Gibbs’ verses). Her final effort for RCA, Red Hot Rhythm and Blues (1987), was a considerably greater success in Europe than the U.S., as evidenced by the heavy presence of single mixes on the EMI label as well as several tracks that didn’t make the album Stateside. In 1989, she rejoined Motown with the Nile Rodgers-produced Workin’ Overtime.
Funkytowngrooves has remastered all six of these underrated albums with the help of Sean Brennan at Battery Studios. All will feature single mixes and/or B-sides as bonus tracks (including all U.S. and U.K. mixes for Red Hot and one unreleased outtake); the first three albums are single-disc presentations while the latter three are double-disc sets. The label has opened up discounted pre-orders on their site, anticipating to receive their stock for September 29; after that date, the price will go back to normal and will be open to buy through Amazon.
Now looks the time to get in on this exciting set of releases by one of soul music’s most beloved divas. Hit the jump for specs and links!
The (Motown) Music That Makes Me Dance: The Supremes’ “Funny Girl” Gets Expansion
I’m the greatest star/I am by far! But no one knows it…
– Fanny Brice, Funny Girl
Back in 2012, while reviewing Hip-o Select’s splendidly expanded edition of The Supremes at the Copa, I wrote of the “altogether enjoyable [and] still inexplicably not on CD” album The Supremes Sing and Perform Funny Girl. Indeed, that 1968 LP, featuring Motown’s greatest stars tackling the showstoppers from Jule Styne and Bob Merrill’s score, has long been one of the rarest and most-requested titles in the Supremes discography. Yet Funny Girl has remained unavailable throughout the entirety of the compact disc era…until now. The good news is that the long-awaited reissue will arrive in lavishly expanded form, with twelve bonus tracks, on April 29. But with every parade must come some rain: this deluxe edition of Diana Ross and the Supremes Sing and Perform Funny Girl is currently only scheduled for release as a digital download. It will appear the same day that the 50th anniversary of the Broadway production of the musical is celebrated with a new CD/LP box set of its original cast recording from Capitol Records, sister imprint of Motown Select within Universal Music Enterprises (UMe).
The eight-time Tony-nominated musical by librettist Isobel Lennart, composer Styne and lyricist Merrill opened in March 1964 at New York’s Winter Garden Theatre, sealing the deal on superstardom for its leading lady, Barbra Streisand. Streisand’s tour de force as Ziegfeld Follies comedienne Fanny Brice became the stuff of legend, and Styne and Merrill’s score yielded the near-instant standards “Don’t Rain on My Parade” and, of course, “People.” Funny Girl didn’t go unnoticed by Motown chief Berry Gordy. In concert, Diana Ross rendered the sweetly upbeat “I Am Woman (You Are Man)” to coquettish perfection while Florence Ballard belted the dramatic “People” from the heart.
It wasn’t unusual for The Supremes to switch gears back and forth between Holland-Dozier-Holland’s explosive Top 40 R&B and classic Broadway and standard repertoire. It was all part of Berry Gordy’s plan to make his artists true stars, appealing to the affluent supper club set as well as the teenagers buying the latest 45s. In early 1965, The Supremes began work on There’s a Place for Us, so named for Stephen Sondheim’s West Side Story lyric to “Somewhere,” for which they recorded both “People” and “I Am Woman.” That summer, Diana Ross, Mary Wilson and Florence Ballard made their debut at the Copacabana, singing live many of the songs they had recorded for There’s a Place for Us. With the release of The Supremes at the Copa, the studio album was shelved, eventually arriving on CD in 2004. Other Broadway-themed Supremes recordings were made, however, some even with Holland-Dozier-Holland at the helm. 1967’s The Supremes Sing Rodgers and Hart, produced by Berry Gordy and arranger Gil Askey, reached back to the Broadway of decades before Funny Girl.
In 1968, however, Gordy and Askey had good reason to turn their attention back to the Styne and Merrill musical. Its big-screen adaptation was arriving from Columbia Pictures; Streisand would win an Oscar for reprising her role as Fanny. Hitting record stores on August 26, 1968 (other sources say May) in advance of the movie’s September 19 release, Diana Ross and the Supremes Sing and Perform Funny Girl – performed by the new line-up of Diana, Mary and Cindy Birdsong – included nine Styne and Merrill songs (eight from the stage score and the movie’s title song) plus “My Man,” a signature song of Brice’s that was replaced in the stage score by the ravishing “The Music That Makes Me Dance.” (The movie featured “My Man” instead of “Music,” but Diana and the girls did both!) The Supremes promoted the album with a medley on The Ed Sullivan Show, and even Jule Styne gave his stamp of approval to the project by writing an adoring, appreciative note for the sleeve. The great composer (Gypsy, Bells Are Ringing) observed, “Although the girls are young and new and part of the now world, they have always showed great respect towards composers Richard Rodgers, Cole Porter, Irving Berlin (and now Jule Styne). Thank God. They are always aware of what’s new by their appreciation of the sounds of Burt Bacharach and Jimmy Webb, etc. What Diana Ross does…is something else again. If I sound excited, I am…My life is now complete. From Frank Sinatra, to Barbra Streisand, to Diana Ross and the Supremes. What a parlay!”
Despite the enormous success of the motion picture, the Supremes’ Funny Girl album only reached No. 150 on the Billboard 200 and No. 45 on the R&B chart. The motion picture soundtrack featuring Streisand fared rather better with a No. 12 peak, but Diana, Mary and Cindy didn’t have to wait long to return to chart supremacy. The very next month after the Funny Girl LP’s arrival, the group released the single “Love Child.” By November, it had reached No. 1. And that wasn’t all. Their collaborative album Diana Ross and the Supremes Join the Temptations, released the same month of November, reached No. 2 and its single “I’m Gonna Make You Loved Me” became a Billboard No. 2 Pop smash on 45. Miss Ross kept some of the Funny Girl music in her live repertoire well into her post-Supremes solo years.
What will you find on this new Funny Girl? Hit the jump for that and more!
Their Feet Keep Dancing: Rhino U.K. Updates CHIC Compilation, Plans Triple-Disc Disco Set
Rhino U.K. is bringing disco back with a new triple-disc compilation of dance classics, and an updated reissue of a successful compilation released earlier this year.
First up, Rhino’s reissuing the new Nile Rodgers/CHIC compilation Up All Night. The double-disc set, originally compiled by Wayne A. Dickson of Big Break Records and mastered by Dickson and BBR engineer Nick Robbins, with liner notes from Christian John Wikane, was released in July to capitalize on Rodgers’ highly enjoyable wave of success this year. (The legendary guitarist/producer played and co-wrote several tracks on Daft Punk’s critically-acclaimed album Random Access Memories, including international chart-topper “Get Lucky,” and played several key dates in Europe. Since then, CHIC has been once again nominated for induction in the Rock and Roll Hall of Fame.)
Up All Night: The Disco Edition features a slightly rearranged track list, with several lesser-known hits dropped in favor of five newly-added tracks: the CHIC-produced “Frankie” by Sister Sledge; two Rodgers-produced ’80s hits (Madonna’s “Like a Virgin” and Duran Duran’s “The Reflex”), a megamix of CHIC Organization tracks and a live cut from Rodgers’ performance at the Glastonbury Festival this summer.
The fine folks at Big Break (Dickson along with compiler Malcolm McKenzie) have also produced another forthcoming discofied Rhino set: 12″ Disco: The Collection compiles 34 tracks – mostly from the Warner Bros., Elektra, T.K. and Atlantic vaults, naturally – including four cuts that have never been released on CD before. In addition to CHIC and Sister Sledge, tracks from Chaka Khan, The Trammps, Ben E. King, The Spinners, Change, George McCrae and Narada Michael Walden are all featured herein.
12″ Disco: The Collection is available in U.K. shops today, while Up All Night: The Disco Edition is out next Monday, October 28. Pre-order links, full track lists and U.K. discographical info for both titles can be found after the jump!
Release Round-Up: Week of July 2
CHIC and Various Artists, Nile Rodgers Presents The CHIC Organization: Up All Night – The Greatest Hits (Rhino U.K.)
This new double-disc compilation, featuring hits from CHIC, Sister Sledge, Debbie Harry and more, might be the best Nile Rodgers-centric compilation in its price range. (Amazon U.K. / Amazon U.S.)
Blood Sweat & Tears, Rare, Rarer & Rarest / Joe Farrell Quartet, Joe Farrell Quartet / Herbie Hancock, Treasure Chest / Sha Na Na, The Night is Still Young (Wounded Bird)
A new batch from Wounded Bird includes a compilation of rarities from Blood, Sweat & Tears (featuring, among other things, their soundtrack to The Owl and The Pussycat) and a disc featuring all three of Herbie Hancock’s albums for Warner Bros., before joining Columbia in the ’70s.
Blood, Sweat & Tears: Amazon U.S. / Amazon U.K.
Joe Farrell Quartet: Amazon U.S. / Amazon U.K.
Herbie Hancock: Amazon U.S. / Amazon U.K.
Sha Na Na: Amazon U.S. / Amazon U.K.
The Association, The Association: Deluxe Expanded Edition (Now Sounds)
The Association’s 1969 album is newly expanded with 10 bonus cuts, including mono mixes and non-LP singles! (Amazon U.S. / Amazon U.K.)
The Allman Brothers Band, Eat a Peach / Bob Dylan, Blonde on Blonde / Foreigner, 4 /Billy Joel, An Innocent Man (SACDs) (Mobile Fidelity)
The latest hybrid SACDs from MoFi.
The Allman Brothers Band: Amazon U.S. / Amazon U.K.
Bob Dylan: Amazon U.S. / Amazon U.K.
Foreigner: Amazon U.S. / Amazon U.K.
Billy Joel: Amazon U.S. / Amazon U.K.
Hackamore Brick, One Kiss Leads to Another (CD/LP) / Russ Giguere, Hexagram 16 / The Browns, Complete Pop & Country Hits / Ahmed Abdul Malik, Spellbound / George Braith, Musart / Stan Hunter & Sonny Fortune, Trip on the Strip / Grateful Dead, Dick’s Picks Vol. 22 – Kings Beach Bowl, Kings Beach Lake Tahoe, CA 2/23-2/24/68 / Fire on the Mountain: Reggae Celebrates the Grateful Dead Vols. 1 & 2 (Real Gone Music)
Among the highlights of Real Gone’s release slate this week is the expanded reissue of the long-lost One Kiss Leads to Another by cult Brooklyn band Hackamore Brick.
Various Artists, Los Nuggetz: 1960s Punk, Pop, Psychedelic from Latin America (RockBeat)
America and Europe weren’t the only happening scenes in the ’60s, as this new box showcases.
Release Round-Up: Week of June 18
Patty Duke, Don’t Just Stand There/Patty / Sings Songs from Valley of the Dolls/Sings Folk Songs (Time to Move On) (Real Gone Music)
All four of Patty’s United Artists albums released on a pair of two-fers, including 1968’s unreleased Sings Folk Songs.
The Supremes, Cream of the Crop / Love Child / I Hear a Symphony / Join the Temptations / Sing Holland-Dozier-Holland / Supremes A Go-Go (Motown MS 649, 1966) (Culture Factory)
A bunch of Supremes classics – six albums from 1966’s The Supremes A Go-Go to 1969’s Cream of the Crop, their last with Diana Ross – all get the mini-LP treatment from Culture Factory.
Diana Ross, The Boss /An Evening with Diana Ross (Culture Factory)
Culture Factory also brings Miss Ross’ long out-of-print concert disc back to CD, along with a new, mini-LP edition of the Ashford and Simpson-helmed favorite The Boss.
Julia Fordham, Porcelain / Swept: Deluxe Editions (Cherry Pop)
The second and third LPs by U.K. singer Julia Fordham are expanded and remastered for the first time.
Porcelain: Amazon U.K. / Amazon U.S.
Swept: Amazon U.K. / Amazon U.S.
Various Artists, 20 Feet from Stardom: Music from the Motion Picture (Columbia)
The soundtrack to the anticipated new documentary about the best backup singers you might not have known, from Darlene Love to Merry Clayton. (Legacy’s releasing Clayton’s first-ever best-of compilation next month.) (Amazon U.S. / Amazon U.K.)
Paul Young, Remixes and Rarities (Cherry Pop)
Two discs of rare or new-to-CD bonus material from the ’80s crooner. (Amazon U.K. / Amazon U.S.)
Various Artists, Woody Guthrie at 100! Live at the Kennedy Center (Legacy)
Not sure if this concert kills fascists, but this CD/DVD tribute to a folk legend, featuring John Mellencamp, Lucinda Williams, Rosanne Cash and more is a fitting way to honor one of the century’s best songwriters. (Amazon U.S. / Amazon U.K.)
Yowsah, Yowsah, Yowsah! Rhino U.K. Keeps CHIC Fans “Up All Night” with New Two-Disc Compilation
With CHIC co-founder/co-producer/guitarist Nile Rodgers back in the musical spotlight where he belongs – his distinctive funk guitar anchors Daft Punk’s chart-topping single “Get Lucky,” the arguable song of the summer – Rhino’s U.K. arm has done well to introduce another CHIC-oriented compilation to stores.
Up All Night: The Greatest Hits (cheekily named after a lyric in “Get Lucky”) is more than just a set of tracks by the immortal disco band. Sixteen of the album’s 25 tracks are classics produced by Rodgers and late bassist Bernard Edwards on behalf of The CHIC Organization. These include mega hits by Sister Sledge (“We Are Family,” “He’s the Greatest Dancer”) and Diana Ross (“Upside Down,” “I’m Coming Out”) and awesome deep cuts by Norma Jean (“Saturday”), Debbie Harry (“Backfired”) and Carly Simon (“Why”). The title track to the legendary I Love My Lady, a shelved 1981 album produced by CHIC for Johnny Mathis, also makes an appearance. (Though I Love My Lady has yet to be released in full, several tracks from the sessions turned up on 2010’s Rodgers-assembled CHIC box set, which only came out in France, because the rest of mainland Europe or the U.S. apparently have gone insane.)
In fact, one can easily view this as a double-disc distillation of that box – although we have a few familiar names to thank for this compilation: the set’s been compiled by Wayne A. Dickson of Big Break Records and mastered by Dickson and BBR engineer Nick Robbins, with Christian John Wikane providing liner notes. “You will note that these are all the versions released on 12″ or LP,” Dickson posted on BBR’s Facebook page, “and that the the pitch/speed of the tracks is that of the original vinyl releases and not the slower versions on most CD releases up ’til now.” (On this point, we have retained the supplied timings in the track list.)
Up All Night: The Greatest Hits gets the party started on July 1. After the jump, pre-order your copy and check out the full track list!