“Star Trek,” “Abyss” Surface in Surprise Varese Club Batch

Varese Sarabande has opened up a new batch of CD Club limited edition soundtrack reissues for the holidays. Beginning in 2014, six titles – including two deluxe editions – will start shipping from the long-running soundtrack label.

First up, a milestone from the final frontier: Varese expands the soundtrack to 2002’s Star Trek: Nemesis. This time, the USS Enterprise encounters a dangerous foe from within the Romulan Empire: a villainous clone of Captain Jean-Luc Picard (played by a then-unknown Tom Hardy, later celebrated for his performances in Inception and The Dark Knight Rises as the criminal mastermind Bane). Nemesis was the final mission for both the crew from Star Trek: The Next Generation and composer Jerry Goldsmith, whose scores to Star Trek: The Motion Picture, Star Trek V: The Final Frontier, Star Trek: First Contact and Star Trek: Insurrection became icons of the franchise. Goldsmith’s dark, sinister score ultimately gave way to that heroic fanfare we all know and love, and was one of the few high points of the critically-maligned, financially-unsuccessful film. It was also one of the final scores by the ever-prolific Goldsmith until his passing the following year. With this double-disc expanded release, one now has the exciting ability to purchase the complete scores to all ten of the original TOS and TNG-era Trek films.

Varese next heads from space to undersea with a double-disc presentation of Alan Silvestri’s score to The Abyss. James Cameron’s third blockbuster of the 1980s (following the critical and commercial smash hits The Terminator (1984) and Aliens (1986)) has a crew of Navy SEALs hoping to recover a lost submarine before a Soviet crew does – but what they find deep under the waves could be much more dangerous. Featuring Oscar-winning special effects (including the iconic “pseudopod” sequence, where a computer-generated water tentacle appears before the crew), The Abyss is one of Cameron’s more underrated big-budget efforts, a film that increased in critical appraisal after the release of a “Special Edition” in 1992. (With the film’s 25th anniversary approaching this year, a Blu-Ray premiere would certainly be optimal!) Silvestri’s score is now presented on two discs with 10 alternate cues.

The label’s reissue wave concludes with four straight reissues, all of which have been out of print for years. There’s the 1978 suspense Brass Target, a fictional tale suggesting the car crash that killed U.S. General George S. Patton was in fact a conpsiracy; Laurence Rosenthal’s score was the very first album of original material ever released by Varese Sarabande, and makes its CD debut here. Michael Kamen’s score to the 1987 courtroom drama Suspect, starring Cher and Dennis Quaid as a public defender and jury member working together to solve the murder of a Justice Department clerk (a then-unknown Liam Neeson plays the deaf-mute, homeless Vietnam veteran accused of her killing), also gets reissued onto CD, this time featuring all 17 of its cues indexed individually instead of as the two suites that occupied each side of the original album. The batch is rounded out by reissues of James Horner’s score to Vibes, a maligned 1988 comedy starring Cyndi Lauper and Jeff Goldblum as psychics in search of a fabled lost city, and Jerry Goldsmith’s first all-electronic score to Runaway, a Michael Crichton-penned and directed sci-fi thriller with Tom Selleck. (Goldsmith’s original LP was greatly expanded as a limited edition CD in 2006; this program is now back on disc.)

All titles are strictly limited: Star Trek tops out at 5,000 units, The Abyss at 3,000, Brass Target at 1,000 and the remainder at 2,000 apiece. They ship this week, so hit the jump and place your orders!

Come Out and Play: Soundtrack Spotlight on Latest from La-La Land and Kritzerland

Kritzerland has served up quite the “miracle” with their latest release, and two of La-La Land’s latest feature favorite composers and cult titles – all here in our semi-regular soundtrack round-up!

The acclaimed adaptation of the Broadway play The Miracle Worker – featuring original playwright William Gibson and director Arthur Penn and returning cast members Anne Bancroft and Patty Duke – told the amazing true story of Anne Sullivan, caretaker to the deaf and blind Helen Keller, whose teachings enabled Keller to not only communicate but become an outspoken voice for workers’ rights, women’s suffrage and more. Bancroft and Duke each won Oscars for Best Actress and Best Supporting Actress (at the time, the 16-year-old Duke was the youngest winner of the Best Supporting Actress Oscar), while Penn and Gibson received nominations.

Laurence Rosenthal’s evocative score eluded accolades at the time of the film’s release, but it has since deservedly received accolades from film score enthusiasts – especially after Intrada released the score for the first time in 2010. That version is now out of print, but Kritzerland has ably stepped in to bring the score back into circulation. What’s better, they’ve corrected some minor audio issues (removing some reverb and audio dropouts from the previous release) and appended it with two bonus tracks from the film.

Limited to 1,000 copies, The Miracle Worker is expected to ship at the end of September, although pre-orders tend to ship a few weeks early.

After the jump, check out two of the latest releases from La-La Land!