Archive for the ‘Marvin Gaye’ Category
What’s Going On: “Motown 25” Comes To DVD In New Box Set, Highlights DVDs
On the evening of March 25, 1983, the Pasadena Civic Auditorium was alive with the sound of music – the Sound of Young America, to be more specific. Motown Records was celebrating its 25th anniversary, and producer Suzanne de Passe wasn’t pulling any stops. “Once in a lifetime” was as overused in 1983 as it is today, but the galaxy of stars assembled by de Passe couldn’t be described any other way: Diana Ross and the Supremes, Marvin Gaye, Lionel Richie and the Commodores, Smokey Robinson and the Miracles, Stevie Wonder, Mary Wells, Martha Reeves, Junior Walker, The Temptations, The Four Tops, and the Jackson 5 were all there. And the moment Michael Jackson broke out of the shadow of his brothers, once and for all, to show America the moonwalk, the evening billed as Motown: Yesterday, Today, Forever entered into the annals of history. With host Richard Pryor presiding over reunion performances ranging from the warm (The Miracles) to the seemingly contentious (The Supremes), a Temps/Tops “battle of the bands” and even tribute performances from visiting stars like Adam Ant and Linda Ronstadt, Motown 25 was an event the likes of which wouldn’t be seen again. The program aired on NBC-TV on May 16, 1983, and was subsequently issued on MGM/UA Home Video in 1991, but DVD release had eluded it…until now. On September 30, the Emmy Award-winning Motown 25 will arrive from Time Life/StarVista (in conjunction with de Passe Jones Entertainment and Berry Gordy’s West Grand Media) in a variety of formats echoing Time Life’s lavish treatment of The Midnight Special and other titles.
The crown jewel of this campaign is the 6-DVD box set, which – in Time Life/StarVista tradition – will be an online exclusive at MOTOWN25DVDS.COM. It’s available there now for pre-order. The release features an extended version of the show, with over 20 additional minutes not seen on the original broadcast, as well as a brand-new 5.1 surround sound mix. The 6-DVD set also includes nine newly-produced featurettes and additional bonus features including:
- “Signed, Sealed, Delivered – The Making of Motown 25,” which tells the behind-the-scenes story of the making of the program, and offers new insights into the rise of Motown and its roster of super stars
- “What’s Going On: Marvin Gaye”
- “Come and Get These Memories: Inside Hitsville”
- “Dancing In The Street: History of Motown”
- Rare footage of Marvin Gaye ad-libbing at the piano prior to a soulful version of “What’s Going On”
- Stevie Wonder rehearsal footage
- A two-part Motown 25 Performers Roundtable featuring Smokey Robinson and Duke Fakir (Four Tops), Otis Williams (The Temptations) and Executive Producer Suzanne de Passe, taped at the location of the original concert, the Pasadena Civic Auditorium
- A “Yesterday-Today-Forever” Production Roundtable with de Passe, Director/Producer Don Mischer and others
- Over 25 exclusive interviews with performers and crew, including Claudette Robinson (The Miracles), Martha Reeves (Martha and the Vandellas), Smokey Robinson, Nelson George, Gloria Jones, Adam Ant, Ashford and Simpson, Buz Kohan (Head Writer), David Goldberg (Executive in Charge of Production), Mickey Stevenson (Former Head of A&R/Songwriter), Jimmy Jam and Terry Lewis (Songwriters/Producers) and many more.
The box set, pictured above, is packaged with an exclusive 48-page booklet packed with information about the show and artists, production materials and never-before-scene photos from the production, essays on Motown performers, a copy of the original Motown 25 program, and more.
Two versions – a 3-DVD set and a single-disc release – will arrive to retail on September 30. The 3-DVD set features the concert and over six hours of extras including four featurettes, the Marvin Gaye rehearsal footage, the Performer and Production Roundtables and more. The single DVD features the newly-remastered concert and over one hour of bonus features.
About the only thing missing from this comprehensive campaign is an audio component, such as a new reissue of the 1983 version of the Grammy-nominated The Motown Story audio documentary or a first-time-ever actual soundtrack of the evening’s performances. After the jump, we’ll break down the contents of each release for you! Read the rest of this entry »
Neither One of Us (Wants to Be the First to Say Goodbye): Final “The Complete Motown Singles” Volume Bows
Nearly nine years after the first volume in Hip-O Select’s The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays.
The year 1972 marks, for many, the end of the “classic Motown” period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo artist away from The Supremes, while Smokey Robinson would part ways with The Miracles in 1972 – the same year both The Four Tops and Gladys Knight & The Pips would break off from the label. At the same time, though, several of the label’s acts were coming in to their own, from The Temptations’ psychedelic soul styles, the increasing independence and experimentation of Stevie Wonder and Marvin Gaye and even the shine of the spotlight on solo members of The Jackson 5, namely frontmen Michael and Jermaine.
Included in the 100 tracks across five discs are some choice rarities, including Marvin Gaye’s beautiful (but long-lost) holiday single, “I Want to Come Home for Christmas” b/w “Christmas in the City,” an unissued solo single from longtime label songwriter Valerie Simpson, a duet by G.C. Cameron and Willie Hutch that never made it to an album with Hutch’s vocal, and even rare sides by several pop acts who made their name away from the Motown roster, including Lesley Gore, Bobby Darin and Frankie Valli & The Four Seasons.
Packed, as always, with a bonus replica 7″ single (The Temptations’ classic “Papa Was a Rollin’ Stone”), The Complete Motown Singles Vol. 12B is loaded with notes and essays from Abdul “Duke” Fakir of The Four Tops, Susan Whitall of The Detroit News, journalist Bill Dahl and compilation producers Keith Hughes and Harry Weinger, who “contribute series postscripts that offer back stories of the Motown tape vault, session logs and tape cards.”
The Second Disc has, of course, spent most of its existence lightly prodding Harry, UMe’s vice-president of A&R, for information on the TCMS series; when we set up shop in 2010, the series had seemingly stalled at Vol. 11 the year before. Vols. 12A and 12B would not materialize until this year, though I certainly speak for both Joe and myself (not to mention countless readers and fans around the world) that the work has been well worth the wait.
On December 10, that wait is finally over. After the jump, you can pre-order your own copy of the set.
Release Round-Up: Week of June 11
Paul McCartney and Wings, Rockshow (Eagle Rock)
Macca’s newly-restored live show may not be in the Wings Over America box, but that means you can buy it for that much less now. (DVD: Amazon U.S. / Amazon U.K.; BD: Amazon U.S. / Amazon U.K.)
ZZ Top, The Complete Studio Albums 1970-1990 (Warner Bros./Rhino)
So not only are you getting all of ZZ Top’s London/Warner-era albums in one convenient box, but you’re getting a fair amount of them in their original mixes for the first time ever on CD. Win? Win. (Amazon U.S. / Amazon U.K.)
Various Artists, The Complete Motown Singles Volume 12A: 1972 (Hip-O Select/Motown)
It’s finally here! The penultimate volume of the long-running series features some of Motown’s most out-there stuff yet. (Amazon U.S. / Amazon U.K.)
Richard Pryor, No Pryor Restraint: Life in Concert (Shout! Factory)
Nine discs (seven CDs, two DVDs) of side-splitting, wildly off-color humor from one of the greatest stand-up acts there ever was. (Amazon U.S. / Amazon U.K.)
Burt Bacharach, Anyone Who Had a Heart: The Art of the Songwriter (U.K.-only box set) (UMe)
From the U.K. comes a new six-disc anthology of Bacharach’s best works as a writer or performer – easily more comprehensive than the double-disc set U.S. audiences got recently. (Amazon U.S. / Amazon U.K.)
Icehouse, The 12 Inches Volume 1 (Repertoire)
Two discs of dance mixes from the Australian hitmakers. (Amazon U.S. / Amazon U.K.)
Come Get This Thang: The Spinners’ G.C. Cameron’s Motown Solo Debut Arrives On CD
It’s a shame, isn’t it? When Motown mainstays The Spinners departed the venerable Detroit label for the greener pastures of Atlantic Records, lead singer G.C. Cameron didn’t make the switch. Cameron, the unmistakable main voice of The Spinners’ Stevie Wonder-penned No. 14 hit “It’s a Shame,” remained with Motown. Cameron suggested his cousin and close friend Philippe Wynne replace him, and soon watched Wynne and co. score the group’s first ever Top 10 pop singles. In fact, Atlantic debut Spinners charted five hits and two Top 10s – including the million-selling “I’ll Be Around.” Cameron never reached the commercial peak of his old group. But he was a productive and prolific recording artist for Berry Gordy’s empire even as The Spinners were notching all of those smashes in Philadelphia. Most of his output, however, has inexplicably remained absent from CD. Cherry Red’s SoulMusic Records imprint rectifies that with an expanded edition of Cameron’s 1974 Motown solo debut, Love Songs and Other Tragedies. It adds thirteen non-LP single sides – most of which have never appeared in the CD format – to the original album, creating a truly comprehensive survey of the singer’s early solo years at Motown and West Coast subsidiary MoWest.
Many names familiar to Motor City enthusiasts fill the credits of Love Songs and Other Tragedies: Frank Wilson, Willie Hutch, Gene Page, Paul Riser, James Carmichael, Dave Van De Pitte, Marvin Gaye and Stevie Wonder. Even more top-tier Motown names figure in the singles portion of the new reissue: Pam Sawyer, Gloria Jones, Hal Davis and Smokey Robinson! In 1971, the newly-solo Cameron was placed on the MoWest label, for which Berry Gordy had high hopes. But in 1973, the label was shut down and G.C. was shuttled to Motown proper, where he began cutting his solo album. As a result, most of the singles included here predate Love Songs.
Click the jump to continue reading! Read the rest of this entry »
Get Ready! Songs of “Motown: The Musical” Are Collected In Original Hit Versions
When Motown: The Musical opens at Broadway’s Lunt-Fontanne Theatre on April 14, it will mark yet another career landmark for Berry Gordy, the songwriter-producer-entrepreneur who turned Detroit, Michigan into Hitsville, USA some fifty-five years ago. The musical, written by Gordy and directed by Charles Randolph-Wright, depicts the rise to prominence of the Sound of Young America, with Brandon Victor Dixon (The Color Purple, The Scottsboro Boys) starring as Gordy. He’s joined by a cast of roughly 40 including Valisia Lekae as Diana Ross, Charl Brown as Smokey Robinson, Bryan Terrell Clark as Marvin Gaye and Ryan Shaw as Stevie Wonder. Despite the considerable talent of the youthful cast, however, the star of Motown: The Musical is undoubtedly the music written by such composers and lyricists as Brian Holland, Eddie Holland and Lamont Dozier, Marvin Gaye, Smokey Robinson and Gordy himself. While plans are already afoot for the Original Broadway Cast Recording to arrive from UMe, the label is further supporting the new “jukebox musical” with the release of Motown Originals: The Classic Songs That Inspired the Broadway Show, available in 1-CD, 2-CD and digital formats on March 5.
The Broadway berth of Motown isn’t Gordy’s first foray into theatre. Motown, under Gordy’s aegis, made a sizeable investment in Roger O. Hirson and Stephen Schwartz’s 1972 musical Pippin, directed by the legendary Bob Fosse. Gordy’s team at Motown saw the potential in the score by Stephen Schwartz, who had already made a name for himself with Godspell and its hit single “Day by Day” on the Bell label. In exchange for the company’s investment in the musical, Motown’s Jobete publishing arm received rights to Schwartz’s delectable pop-rock-flavored score for Pippin. Hence, the Diana Ross-less Supremes recorded the torch ballad “I Guess I’ll Miss the Man,” the Jackson 5 surveyed the beautifully yearning “Corner of the Sky,” and solo Michael Jackson tackled the optimistic “Morning Glow.” Motown also released the original cast recording, the label’s first, co-produced by Schwartz and Phil Ramone. Gordy’s investment paid off; when Pippin closed in June 1977, it had run 1,944 performances. It returns to Broadway this spring in its first revival, melding an all-new circus concept by director Diane Paulus to choreography inspired by Bob Fosse’s original work.
Motown also isn’t the first time Gordy has attempted to bring the story of his renowned label to the musical theatre stage. Ain’t No Mountain High Enough was announced in late 2006 to close out the season at Los Angeles’ Ahmanson Theatre in summer 2007. A report in Variety promised “a book by Gordy and 30 Motown tunes.” Ain’t No Mountain even announced an opening date of July 15, but it wasn’t meant to be. The production was scrapped, and Gordy continued the journey that has finally taken his story to Broadway. The new Motown: The Musical has assembled an 18-piece orchestra to play the orchestrations of Ethan Popp and Bryan Crook, likely inspired by the original hit record arrangements.
After the jump: what will you find on the various versions of Motown: Originals? We’ve got more details, full track listings and pre-order links! Read the rest of this entry »
T Stands For “Trouble Man”: Marvin Gaye Classic Gets Expanded on CD
With the upcoming 40th anniversary edition of Marvin Gaye’s 1972 album currently slated for November 13 release, each one of the Motown legend’s studio albums between 1971’s seminal What’s Going On and 1982’s Midnight Love has been expanded as a 2-CD set. (In the case of What’s Going On, an even more deluxe edition was released in 2011.) Trouble Man, the soundtrack to the 20th Century Fox “blaxploitation” film, turned out to be Gaye’s only excursion into movie scoring. It followed the enormous success of What’s Going On and earned Gaye a No. 12 Pop/No. 3 R&B chart placement, proving that he could hold his own against the other soul stars-turned-film composers such as Isaac Hayes and Curtis Mayfield – as if there was ever any doubt.
A largely instrumental, soul/jazz soundtrack might not have been the most expected move for Gaye in 1972. But after emerging triumphant in his hard-won battle for creative control, and with a hefty contract in tow, Gaye was free to follow his muse. Trouble Man, the film, starred Robert Hooks, whose credits range from A Raisin in the Sun on Broadway to Star Trek III: The Search for Spock on the silver screen. Hooks’ “Mr. T” is a private detective who’s not afraid to take the law into his own hands even as he becomes embroiled in a power play between rival crime lords. Paul Winfield (Sounder, The Terminator) and Ralph Waite (The Waltons) joined Hooks as two of those gangland figures, while Paula Kelly (Sweet Charity, The Andromeda Strain) portrayed T’s love interest. Gaye might have identified with T, crafting much of his score around the character with compositions like “T Plays It Cool,” “T Stands for Trouble,” “Don’t Mess with Mister T” and “There Goes Mister T.” Gaye recorded the Trouble Man album at Motown’s Los Angeles Hitsville West outpost, with his score arranged by such esteemed personnel as Jack Hayes, Leo Shuken and Gene Page.
Critics weren’t kind to the film Trouble Man; in The New York Times, Vincent Canby noted that “it’s not a bad film” but “represents such a peculiar collaboration of interests that it should be of concern to both black and white film sociologists. Also, it dramatizes such a wild confusion of values, I’m not sure it wants to be described as cool or uppity.” Yet Gaye remained rightly proud of his score, which melded funk, jazz, soul and orchestral writing into a seamless and often stunning whole. Hip-o Select’s 2-CD expansion of the 1972 Trouble Man album should go a long way in furthering even a diehard fan’s appreciation of Gaye’s multi-layered score. The remastered original LP will be joined by 29 previously unreleased recordings including alternate takes and for the first time anywhere, the original film soundtrack performances as actually heard in the movie.
What else will you find? Hit the jump! We’ve also got a full track listing and pre-order links! Read the rest of this entry »