The Second Disc’s Record Store Day 2014 Must-Haves

If you’ve been following these pages for the past few weeks, you’ve likely noticed an awful lot of coverage about Record Store Day!  Well, the day is nearly here!   Tomorrow, Saturday, April 21, music fans and collectors will flock to their local independent record stores to celebrate both the sounds on those round black platters and the very concept of shopping in a physical retail environment. To many of us, both are a way of life.  We’re doubly excited this year because one special title was co-produced by our very own Mike D.: Legacy Recordings’ Ecto-Green glow-in-the-dark vinyl single containing four versions of Ray Parker Jr.’s “Ghostbusters.”

Each year around this time, we here at Second Disc HQ take a few moments to count down the titles to which we’re most looking forward to picking up! I’ll take my turn first, and then after the jump, you’ll find my colleague’s picks for some of the finest offerings you might find at your local retailer! And after you’ve picked up your share of these special collectibles, don’t hesitate to browse the regular racks, too…there’s likely even more treasure awaiting you.

You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list right here, and please share your RSD 2014 experiences with us below. Don’t forget to click on the Record Store Day tag below, too, to access all of our RSD ’14 coverage.  Happy Hunting!

1. Henry Mancini and His Orchestra, The Pink Panther LP (RCA/Legacy Recordings)

On April 16, 2014, the great composer/conductor Henry Mancini would have turned 90.  To mark the occasion, the all-new HenryMancini.com was launched, and Legacy announced plans for a yearlong celebration of the maestro’s enduring, engaging ouevre.  The label has major plans including an 11-CD box set of Mancini’s soundtracks as well as a newly-curated retrospective, but the festivities kick off on Saturday with the release on eye-catching pink vinyl of Mancini’s original album of music from Blake Edwards’ all-time classic comedy caper The Pink Panther.

This soundtrack album (slated for expansion later this year for the movie’s 50th anniversary) was, as per Mancini’s custom, a re-recording of the film’s major themes for the record-buying audience. In addition to the now-famous, sly ‘n’ slinky title theme with saxophone by Plas Johnson (which went Top 40 as a single; the soundtrack itself went Top 10), other highlights of the score include “It Had Better Be Tonight,” an Italian-style love song recently covered by Michael Bublé and performed in the film by Fran Jeffries (and on disc by Mancini’s chorus), and “Something for Sellers,” a great example of Mancini’s feel for what we today think of as lounge music.  Mancini’s “The Pink Panther” is currently the single most-streamed song in the entire Sony Music catalogue – a testament to the ongoing power of the gifted composer Henry Mancini.

2. Randy Newman, Randy Newman (Mono LP) (Rhino)

Prior to the release of 1968’s self-titled debut, Randy Newman was a staff songwriter for Los Angeles’ Metric Music, a West Coast answer to the Brill Building where he worked alongside the likes of Jackie DeShannon honing his skills.  The back of the LP, now being reissued for RSD in its original mono edition, read: “Randy Newman creates something new under the sun!” And while intended ironically (irony being one of Newman’s favorite weapons, always at the ready!), it wasn’t far from the truth. Produced by his childhood friend Lenny Waronker and quirky wunderkind Van Dyke Parks, Randy Newman featured some scathing social commentary sheathed in large, gorgeous orchestrations by the composer himself. Even this early on, it was evident that Randy learned something from his uncles, Lionel and Alfred Newman, two of the most illustrious composers in Hollywood history. The young Newman was the rare talent equally gifted in both melody and lyrics. “Davy the Fat Boy” and “So Long, Dad” are uncomfortably hysterical, while “Love Story” plainly tells the story of a couple from marriage to death, playing checkers all day in a Florida nursing home. Newman’s unique humor was already in full bloom, to wit this exchange from “Love Story”: “We’ll have a kid/Or maybe we’ll rent one, He’s got to be straight/We don’t want a bent one.” All of these songs were delivered in his off-hand, growl of a drawl, providing a contrast to the beautiful arrangements. When Randy Newman turned serious, the results were heartbreaking and simple (though far from simplistic): “Living Without You” or the oft-covered “I Think It’s Going to Rain Today,” which managed to be both cynical and achingly sad. A major new talent had arrived.

3. Bob Wills and His Texas Playboys, Transcriptions (Real Gone Music)

Vintage music from the pre-rock-and-roll era gets an airing on Record Store Day thanks to releases such as this one, along with other key releases from Omnivore Recordings and Blue Note Records.  Here, Real Gone Music unearths 10 tracks from the King of Western Swing, four of which will remain exclusive to this vinyl release.  These have been drawn from the more than 200 songs recorded by Wills for Tiffany Music, Inc. which remained under lock and key for years.  (Wills recorded a total of almost 400 songs for Tiffany in 1946 and 1947.)  This remastered release has been painstakingly designed after an original transcription disc.  The vinyl is housed inside a replica package in the style of the actual mailers in which Tiffany discs were sent to radio stations in the 1940s – with “pre-distressed” trompe l’oeil wrinkles and wear on the record jacket and a cutaway hole infront showing the vintage Tiffany logo on the vinyl label, whichcontinues the Tiffany numbering system of assigning a recordnumber to each side. Furthering this tremendous attention to detail, the back cover also presents vintagegraphics from the period, and the records are pressed in the style of some of the original discs on 150-gram red vinyl. This release precedes Real Gone’s upcoming 2-CD set drawn from Wills’ Tiffany Transcriptions, and tracks include such songs as Cole Porter’s “Don’t Fence Me In” and Johnny Mercer’s “I’m an Old Cowhand.”  Count me in!

4. Various Artists, Live from High Fidelity: The Best of the Podcast Performances (Omnivore)

It wasn’t easy to choose from Omnivore Recordings’ great slate, including rare music from late legends Hank Williams and Jaco Pastorius, but Live from High Fidelity encapsulates the label’s dedication to preserving great music from all eras and genres.  This 14-track translucent green vinyl release is drawn a podcast hosted by L.A.’s High Fidelity Records, and features contributions from some TSD favorites like Sam Phillips, Rhett Miller of The Old 97’s, members of Spain, and most especially, appearing for the second time on this small list, Mr. Van Dyke Parks.  It’s about time podcast performances went physical, isn’t it?

5. Ronnie Spector and the E Street Band, “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go” / Eric Carmen, “Brand New Year (Alternate Mix)” b/w “Starting Over (Live 1976)” singles (Legacy)

Two of Legacy’s 7-inch singles caught our fancy this year.  The label has followed up this year’s Playlist: The Very Best of Ronnie Spector with a replica 45 of “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go,” on which the former Ronette is backed by none other than Bruce Springsteen and the E Street Band.  Arranged and produced by a certain Mr. Van Zandt – that’s Little Steven now, and Sugar Miami Steve circa this single’s original release – these 1977 sides are blazing rock-and-roll at its finest.  Billy Joel’s A-side was a stunning Phil Spector homage in its original recording; with Ronnie on lead and Clarence Clemons honking on the sax, it became transcendent.  Eric Carmen’s new “Brand New Day” also arrives on vinyl in a previously unreleased alternate mix supporting The Essential Eric Carmen, on which the song first appeared. Featuring Carmen supported by Jeffrey Foskett, Darian Sahanaja, Nick Walusko and Mike D’Amico of Brian Wilson’s band, this 2013 composition is vintage Carmen – lush, gorgeous and memorably melodic.  You won’t want to miss these.

Honorable Mentions go to Rhino’s first-ever U.S. release of Fleetwood Mac’s 1970 single “Dragonfly” b/w “Purple Dancer” and its excavation of the 1968 LP The Birthday Party from Jeff Lynne’s psych-pop pre-ELO band The Idle Race; plus Legacy’s painstakingly-recreated stereo LP of “King of Cool” Dean Martin’s romantic long-player Dream with Dean on which he’s joined by a quartet for his most intimate jazz stylings; and Sundazed’s vinyl debut of two tracks by The Sunrays, the band that Murry Wilson intended to groom in the style of his former charges The Beach Boys.  Murry’s own song “Won’t You Tell Me” features the legendary L.A. Wrecking Crew, and the band’s Rick Henn supplies new liner notes for this 45!

After the jump: take it away, Mr. Duquette!