Archive for the ‘Paul Parrish’ Category
Now Sounds Celebrates 50th Release With Paul Parrish’s Trippy “Forest”
On a map of the psychedelic landscape, down a ways from the windmills of your mind and not too far from Strawberry Fields, somewhere between Itchycoo and MacArthur Parks, you might find the forest of Paul Parrish’s mind. The Michigan native could be best remembered for a couple of singer-songwriter albums on the Reprise and ABC labels in the 1970s, or as one-half of Parrish and Toppano in the 1980s…or perhaps as the lead vocalist of The Brady Bunch theme during the sitcom’s first season! But before all that, Parrish signed with MGM’s short-lived Music Factory label for a 1968 one-off: The Forest of My Mind. Over its twelve tracks, the troubadour delivered psychedelia ripe for the flower-power generation, with images of nature, seasons, animals and the elements recurring on almost every track and in many of the song titles, too. This soft throwback to a time when everything was beautiful – and a little mysterious, too – has just arrived in a beautifully crafted reissue from Now Sounds, rescued from the dustbins of vinyl obscurity and given a new, sparkling lease on life.
The Forest of My Mind, recorded at Tera Shirma Studios, may be one of the least Detroit-esque albums to come out of the Motor City as it by and large steered clear of R&B. So it might come as a surprise to some to find that veterans of Motown house band The Funk Brothers, including drummer Uriel Jones and bassist Bob Babbitt, played the exquisite arrangements here. Those charts came courtesy of the team of guitarist Dennis Coffey (a Funk Brother himself) and Mike Theodore, the same duo responsible for arranging and producing Sixto Rodriguez’s 1970 Cold Fact. Rodriguez melded folk with psychedelia and funk, and so did Paul Parrish, though with a quite different lyrical sensibility. The luscious production on Forest was handled by Clay McMurray, producer of Spyder Turner’s offbeat rendition of “Stand by Me.” Hired by Motown to be part of its quality control department, McMurray worked his way up to producer, and in 1971, he co-wrote and helmed Gladys Knight and the Pips’ R&B No. 1 “If I Were Your Woman.” Soon, further work came from The Temptations, The Spinners, and The Supremes, all heavy hitters in the Motown stable. Yet with Parrish, McMurray tapped into a Donovan-esque delicacy, dappled with sunshine.
On the twelve melodic nuggets on The Forest of My Mind, the timbre of Parrish’s voice most closely recalls Micky Dolenz’s, though there are slight echoes of Paul Simon and others throughout. The recurring pastoral imagery gives the whole project the feel of a song cycle. Taut guitar lines intertwine with atmospheric, plucked strings and spacey flute (think Charles Lloyd on “Feel Flows” and you get the idea) on “English Sparrows,” the album’s evocative opening track. The catchy title track is even funkier. Years before Billy Joel had a “heart attack-ack-ack-ack,” Parrish was inviting listeners to the “forest of his mi-i-i-i-ind” with far-out blasts of electric guitar. The song’s baroque outro illustrates just how many influences Parrish was incorporating into his music; that classical-inspired style comes to the fore on the storybook fantasy of “The Painter (Who Lives in the Cellar).” Singing of one who “lives within a shifting world of colors,” Parrish could well be describing himself. The lysergic, Donovan-esque “Dialogue of Wind and Lover” and “The White Birds (Return to Warm Seas)” both betray an Eastern influence in the arrangements; the latter has a particularly spellbinding harpsichord part.
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