Archive for the ‘Perry Como’ Category
Review: Perry Como, “Just Out of Reach: Rarities from Nashville Produced by Chet Atkins”
“Hey, let’s do it again and again,” invited Perry Como on the bouncy opening track of 1975’s Just Out of Reach. The Tony Hatch/Jackie Trent song, previously recorded by singer-actor Jim Dale on This is Me, was perfectly suited to Como’s warm, soothing tones. Who wouldn’t take him up on the offer to do it again and again? As the musical landscape of the 1960s and 1970s drastically shifted, the one-time big band “boy singer” wasn’t quite as ubiquitous a presence as he once was. Still, the crooner continued to notch surprising hits: 1965’s Top 30 Pop/Top 5 AC “Dream On Little Dreamer,” 1970’s Top 10 Pop/No. 1 AC “It’s Impossible,” 1973’s Top 30 Pop/No. 1 AC “And I Love You So.” Both “Dream On Little Dreamer” and “And I Love You So” teamed Como with Nashville legend Chet Atkins as producer. The Atkins sessions breathed new life into Como’s career and repertoire, so further dates in Nashville were inevitable. This period of Como’s long RCA Records career is anthologized on Real Gone Music’s new Just Out of Reach – Rarities from Nashville Produced by Chet Atkins (RGM-0191, 2013). The core of this very welcome release is the never-before-on-CD album Just Out of Reach (1975), but it’s joined by other pop-meets-country productions helmed by Atkins for Como in 1973 and 1975. Five of these are non-LP singles, two are Spanish language tracks making their American debuts, and six are previously unreleased anywhere. It adds up to an absorbing and nostalgic trip with two of RCA’s premiere artists.
“Let’s Do It Again” came all the way from London. But despite the album’s title, stylistic versatility was certainly not Just Out of Reach for the 63-year old vocalist. None of the material was too radical for so-called MOR audiences of the day, but all of these tunes were treated with respect and supreme confidence by Como. Though Atkins produced the Nashville sessions, he didn’t play on them. Instead, Como was supported by “Nashville” David Briggs and Randy Goodrum on piano; Beegie Cruser on electric piano; Mike Leech and Henry Strzelecki on bass; Larrie London, Kenny Malone and Buddy Harman on drums; John Christopher, Paul Yandell and Bobby Thompson on rhythm guitar; and Reggie Young, Pete Wade and Grady Martin on electric guitar.
Como’s voice is tailor-made for familiar ballads like John D. Loudermilk’s “Then You Can Tell Me Goodbye” and Lennon and McCartney’s “Here, There and Everywhere.” But the latter surprises when it cuts through the Nashville Sound with a brief electric guitar solo. Ben Peters’ “Let It Be Love” is more squarely in that traditional vein. Its loping melody is brought to life with tinkling piano and tasteful guitar licks plus cooing, prominent background vocals supported by gentle orchestration. Peters’ “Love Put a Song in My Heart” is in a more AM pop bag. Como is playful on Porter Jordan and Bob Duncan’s “Let Me Call You Baby Tonight” but at his interpretive best with Kris Kristofferson’s “Loving Her Was Easier (Than Anything I’ll Ever Do Again).” The sensibilities of the older and younger generations found common ground on Como’s pretty but also deeply affecting reading of the sad, reflective lyric.
“The Grass Keeps Right On Growin’,” written by Gloria Shayne of “Do You Hear What I Hear” fame, is one of the more unusual tracks here, veering between dramatic, string-drenched verses and an up-tempo chorus. James Stein’s “Make Love to Life” isn’t the strongest song on Just Out of Reach, but its sing-along quality fit the “Magic Moments” and “Hot Diggity Dog” singer like a glove. And Como makes the title track, popularized by soul great Solomon Burke, his own.
After the jump, we’ll look at Como and Atkins’ outtakes and more! Read the rest of this entry »
From Perry to Post-Punk: Real Gone Unearths Lords of the New Church, Perry Como, Patti Page, Grateful Dead, Billy Preston Rarities
Just a bit more than a week after the arrival of autumn, Real Gone music will deliver a slate of releases that might put you in an appropriately reflective mood. On September 30, two late vocal legends, Patti Page and Perry Como, get the Real Gone treatment complete with numerous previously unissued performances. A bona fide rock and R&B legend, Billy Preston, sees an early classic reissued alongside another concert rescued from the Grateful Dead’s vault. And the batch is rounded out by not one, not two, but three albums from The Lords of the New Church – the post-punk group featuring members of The Dead Boys, The Damned, The Barracudas and Sham 69.
Without a doubt, it’s going to be a Real Gone fall. Hit the jump for the full details including the label’s press release, pre-order links and more! Read the rest of this entry »
A Very (Television) Special Christmas: Legendary Brings Como, Burnett, “Sesame Street” to CD and DVD
Holiday specials have long been a television tradition, from the beloved (Rudolph the Red-Nosed Reindeer, A Charlie Brown Christmas) to the programs their creators would rather forget (The Star Wars Holiday Special). Legendary Entertainment Alliance has recently drawn on the archives of producer Bob Banner for three new releases, each available as a DVD, a CD soundtrack and a CD/DVD combo pack. Christmas with Carol Burnett reaches back to the earliest tube appearances of the famed comedienne, presenting three episodes of The Garry Moore Show for the first time on home video. Christmas Around the World with Perry Como is a two-hour special (previously available on VHS) drawing on the relaxed crooner’s annual Christmas specials as recorded in various locales. And last but not least is A Special Sesame Street Christmas, one of the only Sesame Street programs to be produced without the participation of Children’s Television Workshop (CTW) and one of the oddest instances of Muppet-related arcana. All three releases feature guest stars galore and are throwbacks to the nearly-gone days of Christmas variety programming.
The Garry Moore Show launched the television career of the young Carol Burnett, star of Broadway’s Once Upon a Mattress. A Carol Burnett Christmas includes three episodes from the 1958-1964 iteration of the CBS program. Burnett was a regular from 1959 to 1962, and the selected holiday episodes date from 1959, 1960 and 1961. (The 1961 episode has, alas, been edited from its broadcast length.) In addition to Moore and Burnett, you’ll see performances from Jonathan Winters, Durward Kirby, Cliff Arquette as Charley Weaver, gospel great Mahalia Jackson, Broadway’s legendary Gwen Verdon, comedienne Marion Lorne (Bewitched’s beloved Aunt Clara) and Burnett’s pal and future TV co-headliner Julie Andrews. Fans of The Sound of Music (and who isn’t?) should delight in Andrews’ performance of the musical’s “My Favorite Things” long before she was cast as Maria Von Trapp in the film version. The 1959 episode also features Candid Camera interludes from Allen Funt. Special features include a music-only mode and an image gallery of Christmas cards based on the episode stills of Burnett.
In a similar vein is Legendary’s Christmas Around the World with Perry Como. A Como tradition was an annual Christmas special from a different locale, including Mexico, Austria, Paris, New York, London, Hawaii and San Antonio. Vignettes from sixteen of Perry’s holiday specials were recut into one two-hour program by producer Bob Banner, and this compilation was previously released on VHS from Reader’s Digest. Now the two-hour special arrives on DVD (with musical highlights on CD). Among the guest stars joining the laconic crooner are John Wayne, Debby Boone, the Vienna Boys Choir, Angie Dickinson, Richard Chamberlain, Sid Caesar, Toni Tennille, Vikki Carr and Dorothy Hamill. Songs include Como classics like “It’s Beginning to Look Like Christmas” and “Home for the Holidays.” Special features include a music-only mode and a “Perry-oke” mode “where the whole family can croon karaoke-style with Mr. Christmas himself.” This makes a fine companion to Real Gone’s recently-reissued Complete RCA Christmas Collection collecting all of the late crooner’s classic Christmas recordings for his longtime label.
After the jump: the story of A Special Sesame Street Christmas, plus track listings and order links for all titles! Read the rest of this entry »
Baby, It’s Burt: Cherry Red’s Él Label Collects Early Bacharach On “Long Ago Last Summer”
Although Burt Bacharach had been composing songs at least since 1952, when he kicked off a long career with the instrumental “Once in a Blue Moon” for Nat “King” Cole, the Burt Bacharach “sound” didn’t truly crystallize until the early 1960s. Prior to his reshaping of the sound of adult R&B, Bacharach teamed with a variety of lyricists to craft songs in virtually every genre imaginable: rock-and-roll, rockabilly, country, pop balladry, jazz, even the novelty song. Naturally, the earliest period in Bacharach’s career has long taken a back seat to the post-1962 works. That was the year that Bacharach and lyricist partner Hal David first recorded “Make It Easy on Yourself” for Jerry Butler and the year that Dionne Warwick recorded her first Bacharach/David song, “Don’t Make Me Over.” Although not credited beyond an “Arranged by” on the label of “Make It Easy on Yourself,” Bacharach has often cited Butler’s recording as his first real production, including orchestration. With that track, a style was born.
Cherry Red’s Él label (itself a venerable institution, founded by Mike Alway in the 1980s) first tackled the earliest years of Bacharach’s career in 2009 with The First Book of Songs (ACMEM166CD), covering the period between 1954 and 1958 over 28 songs. (That set erroneously included Patti Page’s “Another Time, Another Place,” credited on the label to Bacharach and David but actually written by Jay Livingston and Ray Evans, also of publishing house Famous Music.) The label has just released a belated sequel, Long Ago Last Summer: 1959-1961 which culminates in The Shirelles’ 1961 hit “Baby, It’s You,” written by Bacharach, Mack David and Barney Williams, a.k.a. Luther Dixon. Although its whopping 33 songs don’t represent every song from Bacharach’s pen recorded during those years, it’s a true cross-section of both the best and the weirdest! As such, it’s a must-own for collectors, premiering a number of long-lost tracks on CD.
Hit the jump to dig deep with Bacharach and the Él team, including a full track listing with discographical annotation for the new CD! Read the rest of this entry »