Archive for the ‘Ray Price’ Category
The Legacy Vault Opens For Christmas With Ray Price, Jerry Vale, John Davidson, More
Without a doubt, 2014 has shaped up to be another joyous year for fans of Christmas music. Sony Music’s Legacy Recordings has been at the vanguard of delivering holiday music with a recent batch of titles from Johnny Mathis, Perry Como, Frank Sinatra and others as part of its Classic Christmas Album Series. Sony has also licensed festive titles from Robert Goulet, Rosemary Clooney, The Brothers Four and Frank DeVol and the Rainbow Strings to Real Gone Music. Those titles have recently been joined by 20 digital-only releases from the Columbia and RCA libraries which can be found in The Legacy Vault, all of which are new to the digital format.
Since its inception in 2013, The Legacy Vault has allowed fans to suggest undigitized titles from the vast Sony Music Library for digital release. The Legacy Vault Christmas Series is open for business now, and has something for everyone to place under the digital Christmas tree. Four titles were added to the Christmas series last year, with another 16 having recently arrived in time for this year’s merriment.
Fans of classic vocalists will appreciate the holiday titles from musical theatre star, actor and television personality John Davidson, talk show host Mike Douglas and the late, great Italian-American singer Jerry Vale. Also on the television front, the Vault has trips down Memory Lane via The Waltons Christmas Album and Bonanza star Lorne Greene’s Have a Happy Holiday. Other warmly nostalgic albums being issued digitally for the first time include easy listening favorites John Gary’s Christmas Album and The Melachrino Strings’ Christmas Joy, and one for fans of the Bronx Bombers: Yankee Stadium organist Eddie Layton’s 1964 The Organ at Christmas! NFL fans aren’t left out, either, thanks to the reissue of John Facenda’s The Nativity. Many football fans knew the broadcaster and NFL Films narrator, simply, as “The Voice of God,” but on this 1964 release, he celebrates the birth of Jesus Christ.
A number of vintage country-and-western titles are also part of this release slate, from legends like Ray Price, Boots Randolph, Hank Snow, Jimmy Dean and even the satirically-minded Homer and Jethro, known as the “Thinking Man’s Hillbillies.” The Beers Family’s 1967 Appalachian folk-flavored Christmas album for a Columbia is a rare slice of Americana. Other releases available now include RCA’s 1972 A Golden Age Christmas with songs from the earliest part of the twentieth century (from artists like Enrico Caruso, John McCormack, and Richard Crooks), a treat from Polka King Frankie Yankovic, a holiday set from instrumental group The Three Suns (reportedly Mamie Eisenhower’s favorite group!) and a groovy winter wonderland courtesy of The Moog Machine’s Christmas Becomes Electric. More reverent is The Edwin Hawkins Singers’ gospel-R&B holiday fusion, Peace is Blowin’ in the Wind, from 1969.
Hit the jump for more information on these titles including a complete list! Read the rest of this entry »
Variety Is The Spice: Varese Serves Up Ian Hunter, Ray Price
Upon his departure from Mott the Hoople, frontman Ian Hunter wasted little time in establishing a solo career. His first, eponymous solo album in 1975 yielded the single that made Hunter’s name as a solo artist, the original version of “Once Bitten, Twice Shy.” Recorded at George Martin’s AIR Studios, “Once Bitten” boasted Hunter’s old cohort Mick Ronson as arranger, guitarist and co-producer, and the track made it all the way to No. 14 on the U.K. chart. (Great White’s 1989 cover version belatedly earned Hunter a hit in the U.S. when it reached the Top 5.) Though “Once Bitten” was Hunter’s only hit U.K. single as a solo artist, his fellow musicians were taking notice. Hunter’s star-filled next album, 1976’s All American Alien Boy, has recently been reissued by Varese Sarabande’s Varese Vintage imprint in a newly-remastered edition which also adds six previously-issued bonus tracks including the unique single version of the title track. (Thanks to all who entered our recent contest to win this fantastic title!)
Recorded at New York’s Electric Lady Studios, All American Alien Boy saw Hunter joined by jazz greats David Sanborn and Jaco Pastorius, as well as Mothers of Invention drummer Aynsley Dunbar, Blood Sweat and Tears’ Lew Soloff and Dave Bargeron, and even Freddie Mercury, Brian May and Roger Taylor of Queen! Messrs. Mercury, Taylor and May can be heard, along with Sanborn, on “You Nearly Did Me In.” (An early version of the song sans guests, “Weary Anger,” is another of the bonus cuts here.) Though Mick Ronson didn’t appear on the album, Chris Stainton was brought onboard as a creative foil for Hunter, and supplied the evocative organ work on the Side Two opener, “Rape.” Aynsley Dunbar’s drums shine on “Apathy 83,” and though jazz great Jaco Pastorius brought his signature bass to the whole album, he also stepped up on lead guitar for “God (Take 1).” Soloff and Bargeron, of the Blood Sweat and Tears horn section, brought their powerful brass to the epic title track.
To quote from that band, however, what goes up must come down. Despite the strength of its material and the impeccable musicianship, Hunter’s sophomore effort failed to match the success of its predecessor. In the U.S., the Columbia Records release only reached No. 177 on the Top LPs chart, a far cry from the No. 50 scored by Ian Hunter. Varese Vintage’s reissue restores the original American cover artwork for All American Alien Boy, and also boasts a Columbia replica logo on the CD itself. This reissue happily retains the six bonus tracks released for the album’s thirtieth anniversary edition in 2006. Full lyrics and credits are provided in the new booklet along with liner notes from Larry R. Watts. Steve Massie has remastered the LP.
After the jump: more on Ian Hunter, plus the news on a collection of rarities from Ray Price! Read the rest of this entry »
Viva Morello: Cherry Red Label Reissues Roy Rogers, Porter Wagoner, Ray Price, More
The Viva vaults are open! Viva Records, formed by producer Snuff Garrett (“The Night the Lights Went Out in Georgia,” “Gypsies, Tramps and Thieves,” “This Diamond Ring”), released a diverse catalogue of music during its roughly two-decade existence – light instrumental pop, garage rock, comedy, and more. But the label might be best-remembered for its string of country successes in the early 1980s, most notably from David Frizzell and Shelly West. Earlier this year, Varese Sarabande reissued a trio of Viva soundtracks featuring artists including Ray Charles, Peggy Lee, Chet Baker and Glen Campbell, and Cherry Red’s Morello label tapped Viva (by special arrangement with Varese) for titles from Frizzell and West. Morello has added four more vintage LPs from the Viva and Snuff Garrett Enterprises vaults to its collection. These titles hail from bona fide country-and-western greats: Ray Price and Porter Wagoner, and Roy Rogers and Bob Nolan.
Happy Trails to You/The Sound of a Pioneer presents on one CD the 1975 and 1980 albums by Roy Rogers and Bob Nolan, respectively. Rogers (1911-1998), of course, was one of the most famous cowboys of all time thanks to his appearances on radio, television and film, and also charted hit singles between 1946 and 1991. But long before lending his name to a chain of chicken restaurants and even before meeting and marrying Dale Evans, Rogers co-founded western singing group The Sons of the Pioneers with Bob Nolan (1908-1980). Morello’s new two-fer presents the Garrett-produced albums recorded by both men late in their careers. Happy Trails to You, arranged and conducted by Garrett’s frequent collaborator Stephen Dorff, took its title from Rogers’ signature song composed by his wife and first released as a single in 1952. In addition to a remake of “Happy Trails,” the 20th Century Records LP featured Roy’s recording of Hank Williams’ “Cold, Cold Heart,” a fitting western movie medley, and original songs penned by Garrett and Dorff.
Five years later, in 1980, Garrett and arranger-conductor Al Capps (Cher, Vikki Carr) gave a similar treatment to Bob Nolan. His The Sound of a Pioneer, a rare solo outing, also blended classic and contemporary material with an emphasis on his own material including western standards “Tumbling Tumbleweeds” and “Cool Water.” Nolan initially resisted re-recording those tunes, but Garrett insisted on it and earned the singer’s grudging acceptance. He also covered Billy Joe Shaver’s “Ride Me Down Easy” and Rex Allen Jr.’s nostalgic 1976 hit “Can You Hear Those Pioneers.” (Allen Jr. was the son of another famous singing cowboy, Rex Allen.) For Nolan’s recording of Marty Robbins’ “A Man Walks Among Us,” Robbins himself added harmonies. Nolan passed away months after the release of the album on Elektra Records, but it was a fitting final statement by a true Pioneer.
After the jump: a look at the two-fer from Ray Price and Porter Wagoner, and full track listings and order links for both releases! Read the rest of this entry »
Ray Charles, Glen Campbell, Chet Baker, Peggy Lee Featured On Soundtrack Bumper Crop From Varese
Varese Vintage is going any which way they can with an exciting trio of soundtrack releases from the library of Snuff Garrett’s Viva Records label. Garrett, of course, was the producer behind major hits from Gary Lewis and the Playboys (“This Diamond Ring”), Cher (“Gypsys, Tramps and Thieves”) and future “Mama” Vicki Lawrence (“The Night the Lights Went Out in Georgia”). At Viva, he oversaw an eclectic array of releases from artists like the Midnight String Quartet, Alan O’Day, Ray Price and even crooner Rudy Vallee. (If you ever wanted to hear Vallee warbling “Winchester Cathedral” and “Michelle,” look no further than 1967’s Hi-Ho Everybody on Viva!) He also helmed a number of film soundtracks, three of which are arriving on CD from Varese: 1980’s Any Which Way You Can, 1981’s Sharky’s Machine, and 1982’s Honkytonk Man. Collectively, these feature original music by an all-star roster including Ray Charles, Glen Campbell, Fats Domino, Marty Robbins, Ray Price, The Manhattan Transfer, Chet Baker, Peggy Lee and Sarah Vaughan – to name a few!
Music has played an important part in the career of Clint Eastwood since his earliest days. Though the actor-director has limited his onscreen musicals to one (1969’s Lerner and Loewe adaptation Paint Your Wagon), Clint recorded an album of country-and-western songs (Rawhide’s Clint Eastwood Sings Cowboy Favorites) in 1963 and has appeared in, or directed, a number of films with prominent musical moments or scores. Think The Good, The Bad and the Ugly, Play Misty for Me, Bird, Midnight in the Garden of Good and Evil, and so on. Eastwood has composed the scores for numerous films including J. Edgar, Changeling and Mystic River, and this June, he returns to musicals as the director of the big screen adaptation of Jersey Boys. So it’s no surprise that music was front and center in Every Which Way But Loose and Honkytonk Man.
The comedy-action film Any Which Way You Can, a sequel to 1978’s Every Which Way But Loose, again paired Eastwood’s Philo Beddoe with his pet orangutan Clyde for a series of misadventures. Audiences couldn’t get enough of Philo and Clyde, as the movie became the fifth highest grossing picture of the year. The soundtrack, an Eastwood-Garrett production overseen by Snuff and arranger-conductor Steve Dorff, hit the Country Top 5 and spawned seven (!) charting C&W singles out of just twelve tracks. The album, remastered by David Shirk, is a breezily enjoyable listen. Eastwood reminisces with Ray Charles on “Beers to You” (No. 55), Fats Domino laconically dreams not of “My Blue Heaven” but of “Whiskey Heaven” (No. 51), and Johnny Duncan turns things tropical on “Acapulco” (No. 16). Jim Stafford also scored with “Cow Patti” (No. 65) and Gene Watson with “Any Way You Want Me” (No. 33). But the two biggest hits came from Glen Campbell and the duo of Lefty’s younger brother David Frizzell and Dottie’s daughter Shelly West. Frizzell and West had recorded a few albums both jointly and separately for Viva, and took the soundtrack’s “You’re the Reason God Made Oklahoma” all the way to No.1 Country. Campbell’s rendition of the soaring MOR-country Dorff/Garrett/Milton Brown title ballad went to No. 10. The soundtrack is rounded out by a couple of performances from Eastwood’s onscreen and offscreen co-star Sondra Locke, a bluegrass selection from The Texas Opera Company, and even an ode to the “Orangutan Hall of Fame” by Cliff Crofford.
After the jump, we’ll dive into Honkytonk Man and Sharky’s Machine – plus we have full track listings and order links for all three CDs! Read the rest of this entry »
Everybody Loves Somebody: New “Playlist” Wave Includes Ronnie Spector, Simon and Garfunkel, Journey, Dean Martin, More
It’s a new year, and that means a new crop of Playlist titles from Legacy Recordings! As in the past, this crop of releases runs the gamut, with a number of titles including rare or new-to-CD material and others relying on the tried and true. The artists represented also encompass a wide variety of genres. Fans of classic rock-and-roll and pop will find plenty to enjoy on a career-spanning disc from Ronnie Spector and a reissue of the vintage Greatest Hits album of Simon and Garfunkel, while those seeking their rock in a more modern vein can sample music from Sponge, Stabbing Westward and The Verve Pipe. Traditional vocal pop enthusiasts should take notice of Legacy’s first-ever release from the catalogue of Dean Martin, and classic country gets a place with a Playlist from Ray Price. For R&B fans, there are titles from Ray Parker, Jr. and Jermaine Jackson. Christian artists Israel (Houghton) and New Breed get a Playlist volume, too. The collection is rounded out by entries from rap group Three 6 Mafia, singer-songwriter Sarah McLachlan, and eighties rock heroes Journey.
All thirteen titles will be available in stores on Tuesday, January 21, and after the jump, we’ll spill details on all of them – plus full track listings with discographical annotation and pre-order links! Read the rest of this entry »