Archive for the ‘Shelby Lynne’ Category
They Walk The Line: Johnny Cash Celebrated By Crow, Nelson, Kristofferson, Plus Four New Compilations Due
Much like the train Johnny Cash so often sang about, the celebration of what would have been his 80th birthday year rolls on. Following the issue of Bootleg IV: The Soul of Truth earlier this year, Legacy Recordings has just announced the CD/DVD and Blu-ray releases of We Walk the Line: A Celebration of the Music of Johnny Cash. Due on August 7, these preserve the concert held on Friday, April 20, 2012 at Austin, Texas’ Moody Theater in which a wide-ranging roster of musicians paid homage to the music of The Man in Black.
Don Was served as the event’s musical director, and brought along a number of his famous friends to celebrate their friend Johnny. Sheryl Crow, Lucinda Williams and Shelby Lynne all were among the headliners, while Willie Nelson and Kris Kristofferson fit the bill as the evening’s requisite legends. Younger talents like The Carolina Chocolate Drops, Pat Monahan of Train, and Amy Lee of Evanescence all paid their respects via new interpretations of Cash standards. Was’ band included many distinguished musicians in their own right: Buddy Miller, Kenny Aronoff, Greg Leisz and The Faces’ Ian McLagan. Of the evening’s star-studded “I Walk the Line” finale, Rolling Stone wrote, “It was a scene so loaded with talent that an A-list artist like Crow was left singing backup vocals off-mike and clapping while her peers led the crowd in a sing-along.”
In addition to solo songs, many performers seized the opportunity for duets. Shelby Lynne and Pat Monahan stepped in for June and Johnny on Bob Dylan’s “It Ain’t Me, Babe.” Jamey Johnson joined Kris Kristofferson for Kristofferson’s own “Sunday Morning Coming Down,” and Lynne traded off with Willie Nelson on Tim Hardin’s folk standard “If I Were a Carpenter.” Nelson and Kristofferson reunited on Jimmy Webb’s “Highwayman,” enlisting Johnson and Shooter Jennings as new Highwaymen for the song. The Carolina Chocolate Drops enlivened another favorite duet between June and Johnny, “Jackson.”
Hit the jump for details on the CD/DVD and Blu-Ray editions, plus news of four new Cash compilations and pre-order links for all titles! Read the rest of this entry »
Release Round-Up: Week of February 28
Pink Floyd, The Wall: Experience and Immersion Editions (Capitol/EMI)
The latest Pink Floyd box, featuring live tracks and demos from the vault will make you lose your marbles! (Editor’s note: I am so sorry for typing that.)
The Ventures, The Ventures Play Telstar and The Lonely Bull / “Surfing” / (The) Ventures in Space / The Fabulous Ventures / Walk, Don’t Run Vol. 2 (Sundazed)
Five classic Ventures albums, remastered in stereo on CD and vinyl.
Willie Nelson and Waylon Jennings, Live at the US Festival 1983 (Shout! Factory)
The first two CD sets in Shout! Factory’s new series of live sets from the infamous California festival.
Shelby Lynne, Just a Little Lovin’ (Analogue)
Country singer Lynne’s 2008 tribute album to Dusty Springfield gets an SACD and audiophile vinyl reissue.
Anyone Who Had a Heart: Shelby Lynne’s Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums later, and many were surprised to find Lynne releasing Just a Little Lovin’, a countrified tribute to the British chanteuse Dusty Springfield. Journalists and fans alike frequently have invoked the late, great soul goddess when assessing the work of singers like Duffy, Amy Winehouse and even Adele, but the influence of Springfield wasn’t readily apparent in Lynne’s body of work. Yet she transformed what could have been a hackneyed homage into a deeply felt tribute both to Springfield’s indomitable spirit and the timeless songs that figure in her legacy, written by names like Randy Newman, Barry Mann and Cynthia Weil, and Burt Bacharach and Hal David. Upon the album’s release, audiophile guide The Absolute Sound ranked the original CD as one of the best-sounding, while Stereophile ranked it the magazine’s Recording of the Month. Now, Just a Little Lovin’ is reappearing on Hybrid Stereo SACD (playable on all CD players) and 200-gram vinyl LP from Analogue Productions, improving what was already a pristine quality recording.
To craft the album, Lynne teamed with producer Phil Ramone. In his days running New York’s A&R Studios, Ramone became a close ally of Bacharach, and actually engineered the session that yielded Springfield’s “The Look of Love” for the film Casino Royale. Lynne had considered tackling the Springfield songbook for a number of years, and credited her friend Barry Manilow with providing the initial encouragement. Lynne and Ramone reinvented the songs, eschewing the elaborate orchestrations of the original recordings in favor of spare, stripped-down arrangements of guitar, keyboard, drum and bass. Ramone recorded Lynne at Capitol Studios with a microphone once used by Frank Sinatra, and though Lynne could be sensual and sultry in Springfield’s mode, the new treatments rendered them wholly unique. Because of this approach, the singer was free to tackle such all-time staples as “The Look of Love,” “Anyone Who Had a Heart,” “You Don’t Have to Say You Love Me,” and “I Only Want to Be with You.”
We’ve got more after the jump, including pre-order links with sound samples!