Archive for the ‘Soundtracks’ Category
Swinging On A Star: November Is Bing Crosby Month With Deluxe CD, DVD, BD Releases Coming
It can be fairly said that any singer today owes a debt to Bing Crosby. The late vocalist was among the first performers to conversationally and intimately sing as an extension of speech; he also pioneered the technique of the microphone so a singer wouldn’t have to belt to the rafters. In his lifetime, Crosby was at the vanguard of recording techniques. He left behind over 2,000 commercial recordings, and introduced countless standards including the yearly radio perennial “White Christmas,” still the best-selling single of all time. Arguably the most influential of all popular singers, Crosby is being fêted in the coming months with four new compact disc releases – two deluxe reissues of original albums and two new compilations, all with previously unissued material – coming on November 25 from Bing Crosby Enterprises and Universal Music (UMe), plus choice DVD and BD releases, as well.
The Bing banquet arrives one week before the airing of PBS’ American Masters special Bing Crosby: Rediscovered. The film by director Robert Trachtenberg (American Masters’ Mel Brooks: Make a Noise) is narrated by Stanley Tucci, and features material from the Crosby family archives as well as interviews with the crooner’s wife Kathryn, daughter Mary, and sons Harry and Nathaniel, along with Tony Bennett and Michael Feinstein, record producer Ken Barnes, biographer Gary Giddins and writers Buz Kohan and Larry Grossman. Accordingly, the first release in the Crosby CD series is a soundtrack to accompany Rediscovered. The 22-track soundtrack features duets with Judy Garland (Irving Berlin’s “You’re Just in Love”), Frank Sinatra and Dean Martin (Guys and Dolls’ “The Oldest Established”), Les Paul (“It’s Been a Long, Long Time”), Maurice Chevalier (“I’m Glad I’m Not Young Anymore/I Wish I Were in Love Again”), Louis Armstrong (Cole Porter’s “Now You Has Jazz”) and Crosby’s Road co-star, Bob Hope (“Put It There, Pal”). It also promises to premiere previously unissued recordings.
Rediscovered is joined by a new anthology, Bing Sings the Irving Berlin Songbook. This compilation follows past releases dedicated to The Great American Songbook as a whole, the songs of Johnny Mercer, and songs associated with Frank Sinatra, and is drawn from familiar classics recorded by Crosby at Decca alongside rare and previously unissued recordings. This album features the first ever CD release of the posthumous 2012 Crosby duet with Michael Bublé on “White Christmas” as well as other duets with Les Paul, Connee Boswell, Eugenie Baird, Dick Powell, Trudy Erwin and Gary Crosby.
Two deluxe, newly-remastered reissues of vintage Decca albums round out the series as part of the Bing Crosby Archive Collection. Some Fine Old Chestnuts was Crosby’s second album for Decca, released in 1954 as a 10-inch LP with eight songs; the label later expanded the title to twelve songs for a 12-inch reissue. This 60th Anniversary Edition adds eleven previously unreleased songs for a total of 23 tracks; to the original group of chestnuts including “I Can’t Give You Anything But Love,” “After You’ve Gone” and “Somebody Loves Me,” this edition adds never-before-released Crosby versions of “Painting the Clouds with Sunshine,” “Bright Eyes” and “Sometimes I’m Happy” with Helen O’Connell plus alternates of “I Can’t Give You Anything But Love” and “After You’ve Gone.”
Songs I Wish I Had Sung the First Time Around was Crosby’s fourth album for Decca. The 1956 collection featured twelve standards such as “My Blue Heaven,” “April Showers,” “Memories are Made of This” and “Thanks for the Memory.” This reissue is bolstered with ten bonus tracks, nine of which are previously unreleased including never-before-released Crosby versions of “Thank Heaven for Little Girls,” “You’ll Never Know,” “’Deed I Do,” “A Kiss to Build a Dream On,” and a duet of “Heart of My Heart” with The Four Aces.
That’s not all coming up from Bing! Hit the jump for much more, including track listings and pre-order links! Read the rest of this entry »
Kritzerland Premieres Stereo Restoration of Jerry Goldsmith’s “Rio Conchos”
Today, Kritzerland announced its latest film score restoration, and its fourth title by the late, renowned composer Jerry Goldsmith (following Breakheart Pass, Poltergeist II and Alien Nation): it’s the score to 1964’s western Rio Conchos, a CinemaScope adventure directed by Gordon Douglas and starring Richard Boone of Have Gun – Will Travel, Stuart Whitman, Tony Franciosa. Edmund O’Brien and future football legend Jim Brown.
Based on the novel by Clair Huffaker (The Comancheros), Rio Conchos has Richard Boone as Lassiter, a former Confederate major in the wake of the Civil War seeking vengeance against the Apache after his wife and child are killed by “savages.” Despite some decidedly non-politically correct casting, including Tony Franciosa and Vito Scotti as Mexicans, the film is surprisingly forward-thinking in its depictions of discrimination as well as in its study of the effects of one’s obsession with revenge. Jerry Goldsmith supplied an exciting, vibrant and stirring score that compares favorably to the iconic western scores by such composers as Elmer Bernstein and Ennio Morricone. Goldsmith, of course, was no stranger to the western genre; his very first film, 1957’s Black Patch, fell into that category, and he would return to the genre in such future films as Stagecoach (1966), Hour of the Gun (1967), Bandolero! (1968) and Rio Lobo (1970). The composer’s career would be bookended when his final film, 2003’s Looney Tunes: Back in Action, also allowed him to call on his gifts for western scoring with its sequences parodying the genre.
Goldsmith’s score to Rio Conchos was previously available on CD from the late, lamented Film Score Monthly label in 2000. That edition was presented primarily in mono, with just five cues in stereo appended as bonus tracks. For Kritzerland’s reissue, film music guru Mike Matessino returned to the original elements and, thanks to improvements in technology, was able to perform a full stereo restoration with only three cues remaining in mono.
After the jump, we have more including the track listing and pre-order link! Read the rest of this entry »
ELP’s Keith Emerson Goes To The Movies With Box Set
In the midst of the usual catalogue activity for Emerson, Lake and Palmer, Cherry Red’s Esoteric Recordings imprint has a new treasure for fans of keyboardist Keith Emerson. The 3-CD box set Keith Emerson at the Movies collects Emerson’s scores for seven motion pictures originally released between 1980’s Inferno and 2004’s Godzilla: Final Wars. The set was originally released in 2005 on the Castle label, but has since gone out-of-print. This version features the same tracks, but adds new packaging and a fresh remastering.
Following the (first) break-up of Emerson, Lake and Palmer in 1979, Keith Emerson made his solo debut with the soundtrack to the Italian film Inferno, and the transition into the world of film scoring wasn’t much of a stretch for Emerson. With ELP, he had already been working on a widescreen canvas as a musical storyteller, incorporating orchestral and conceptual elements into the group’s brand of progressive rock. In Malcolm Dome’s fine essay accompanying At the Movies, Emerson recalls his first exposure to the power of the cinema, when his parents took him as a youngster to see Walt Disney’s Bambi. Then The Magnificent Seven, so memorably scored by Elmer Bernstein, opened his eyes (and ears) to the power of music on the big screen. Certain ELP compositions – such as “Tank” and “The Three Fates,” both from the group’s 1970 debut – were even conceived by Emerson as having “a very soundtrack type of appeal.”
After nearly landing assignments for such high-profile pictures as Chariots of Fire (he turned it down) and The Elephant Man (he “didn’t get the gig,” in his own words), Emerson landed his first scoring gig for Inferno. For the Dario Argento-directed horror film, Emerson enlisted conductor-arranger Godfrey Salmon who had worked with ELP on their 1977 American orchestral tour. The presentation here adds a track of “Inferno Extras.” Soon, he was able to bring his talents to American cinema, as well, nabbing the composer slot for the Sylvester Stallone/Rutger Hauer action film Nighthawks in 1981. He even performed a cover of The Spencer Davis Group’s “I’m a Man” at the request of his record label, taking lead vocals himself! This edition replicates the sequence of the long out-of-print LP version of the Nighthawks soundtrack. For the 1984 movie Best Revenge starring John Heard and The Band’s Levon Helm, Emerson provided a title song featuring Helm on vocals and Helm’s Band-mate, Garth Hudson, on accordion. Alas, the LP’s Levon Helm showcase track, “Straight Between the Eyes”, has been replaced here by “For Those Who Win.”
In addition to those pictures, Keith Emerson at the Movies also features his scores to two more Italian horror flicks – 1984’s Murderock and 1989’s La Chiesa (The Church) – and two Japanese films: 1983’s animated Harmagedon and 2004’s Godzilla: Final Wars.. Ben Wiseman has remastered all of the scores contained in this set produced by Mark Powell for Esoteric. Each disc is housed in the clamshell box in a paper sleeve.
After the jump, we have more, including the complete track listing and links to order! Read the rest of this entry »
A Bernstein Bouquet: Cherry Red’s él Label Reissues Elmer’s “Mockingbird” and “Brass”
In a career that placed him among the most legendary of film composers, Elmer Bernstein (1922-2004) penned the scores to more than 200 films in what seemed like every genre conceivable –comedies (Airplane!), dramas (Sweet Smell of Success), musicals (Thoroughly Modern Millie), fantasies (Ghostbusters) and of course, westerns (The Magnificent Seven). But among his most beloved scores is 1962’s Academy Award-nominated To Kill a Mockingbird. Cherry Red’s él imprint has paired the re-recorded soundtrack album, originally released on Ava Records, with Bernstein’s long out-of-print 1956 Decca album Blues and Brass – two things Bernstein certainly knew all about! The two-fer will arrive on September 15 in the U.K.!
Director Robert Mulligan made many inspired choices in his film adaptation of Harper Lee’s Pulitzer Prize-winning novel To Kill a Mockingbird (1960), but chief among them was selecting Elmer Bernstein to compose the score. Bernstein’s sensitive, multilayered score captured the essence of the rich cast of characters– the noble lawyer Atticus Finch (Gregory Peck), his children Scout and Jem (Mary Badham and Philip Alford), the unfairly accused Tom Robinson (Brock Peters), the misunderstood Boo Radley (Robert Duvall). The music of Mockingbird evoked Americana through the eyes of the children at the film’s heart, particularly via the subtle, gentle piano lines that recur throughout. But the dramatic score, one of Bernstein’s finest accomplishments, also encompasses tension and fear (“The Search for Boo,” “Tree Treasure”), pulse-pounding danger (“Children Attacked”), triumph (“Jem’s Discovery”) and stately beauty (“To Kill a Mockingbird,” the string-laden “Footsteps in the Dark”).
The 11-track album presentation was recorded by Bernstein for Ava Records, of which Bernstein was one of the founders alongside Fred Astaire, Jackie Mills and Thomas Wolf. Conducting his own score at United Recorders for credited producers Mills and Wolf, Bernstein employed many of the same players who actually performed on the original film soundtrack. The orchestrations of Hollywood vets Leo Shuken and Jack Hayes were used for the album, as well. Fans interested in this period of the prolific Bernstein’s career are advised to seek out Intrada’s recent 3-CD set The Ava Collection featuring all six of Bernstein’s LPs for the label. In addition, the Intrada release presents Mockingbird – and the other five albums – remastered for the first and only time from the original stereo session masters.
The él release, however, has been paired with the CD debut of Blues and Brass. With twelve smoky, seductive compositions composed, arranged, orchestrated and conducted by Bernstein and a stunning Saul Bass-designed cover (reprinted in the booklet of él’s new release), Blues and Brass was an extension of the hard-boiled jazz style utilized by Bernstein for his Academy Award-nominated score to 1955’s The Man with the Golden Arm. The West Coast “cool school” of jazzmen turned out in full force for this LP, with artists including Shelly Manne, Bud Shank, Maynard Ferguson, Andre Previn, Pete Candoli, Bill Holman, Dave Pell and Ted Nash all contributing. The original liner notes – reprinted in this reissue – cite the influence of Duke Ellington, Stan Kenton and Count Basie on these sophisticated, urbane “city blues.”
Hit the jump for more, including the complete track listing and pre-order links! Read the rest of this entry »
High Time: Henry Mancini’s Film Music Celebrated On 9-CD, 18-Score Box Set
It’s been a good year to be a fan of Henry Mancini. And it’s about to get even better!
The career of the composer, arranger and conductor – the rare artist for whom the word “legendary” is not only apt, but perhaps an understatement – has been recognized on disc in 2014 by labels including Varese Vintage, Vocalion, Intrada and Sony’s Legacy Recordings. Legacy previously marked the 50th anniversary of Mancini’s iconic music of The Pink Panther with a limited edition pink vinyl release for Record Store Day (this author’s top RSD pick!), and promised the release of a deluxe box set culled from Mancini’s long association with RCA Records and beyond. That box set has just been announced, continuing the celebration of what would have been the maestro’s 90th year. The Classic Soundtrack Collection, scheduled for November 19, features 18 of Mancini’s seminal soundtrack albums for RCA, Columbia and Epic Records on nine CDs, spanning the period between 1960’s High Time and 1978’s Who is Killing the Great Chefs of Europe? (That latter soundtrack received its first-ever CD reissue earlier this year from Varese.) Even better, bonus material – including Julie Andrews’ previously unreleased vocal version of “Nothing to Lose” from 1968’s The Party and songs from Andy Williams and Johnny Mathis – has been appended.
While eschewing Mancini’s television scores like Peter Gunn and Mr. Lucky as well as his numerous pop albums for RCA, The Classic Soundtrack Collection is the most comprehensive overview yet of the composer’s vintage scores. Many of Mancini’s most beloved themes can be heard here (“Moon River,” “Charade,” “Baby Elephant Walk,” “The Pink Panther”), and for many years, these soundtracks were the only available audio presentations of these scores. Mancini re-recorded his classic music for Breakfast at Tiffany’s, Charade, The Pink Panther and more in frequently swinging, pop-friendly LP packages that achieved incredible popularity in the 1960s; only in recent years have a number of his true original film soundtracks (including Tiffany’s, Charade and Hatari!) seen release. Mancini’s lyricists on these many albums include Johnny Mercer, Leslie Bricusse, Rod McKuen and Don Black.
In his career, Mancini received 20 Grammy Awards and four Academy Awards. A master of cinematic scoring, he could turn out expert work for thrillers, romances, dramas, adventures, noirs, westerns, and even science-fiction pictures. In fact, you’ll hear many of those styles on this box set, all filtered through Mancini’s melodic sensibility. But the idiom most associated with Mancini may be comedy. A full ten scores here represent the roughly 35-year collaboration between Henry Mancini and director-screenwriter Blake Edwards. The partnership of the versatile composer and the comic master endured until Mancini’s death. These soundtracks include all-time classics such as Breakfast at Tiffany’s and The Pink Panther, of course, but also the crime adventure Gunn (based on Peter Gunn), the zany Peter Sellers vehicle The Party, the Bing Crosby-starring college romp High Time, and the ambitious musical Darling Lili. The latter film, starring Edwards’ wife Julie Andrews, threatened to derail the Mancini/Edwards team, but the two men were far too in tune to let their collaboration languish for too long. For one of the most unusual works from the Edwards/Mancini team, look no further than the chilling Experiment in Terror. Its vivid score – filled with Mancini’s trademark sixties lounge sound yet with an undercurrent of tension – is included here in its RCA album presentation.
What can you expect to find on this new set? Hit the jump for a full list of included albums, complete rundown of the bonus material, and more! Read the rest of this entry »
Release Round-Up: Week of September 2
Willie Hutch, In Tune (Amazon U.S. / Amazon U.K.) / Willie Hutch, Midnight Dancer (Amazon U.S. / Amazon U.K.) / Esther Phillips, Alone Again, Naturally (Expanded Edition) (Amazon U.S. / Amazon U.K. ) /Ullanda McCullough, Ullanda McCullough/Watching You, Watching Me (Amazon U.S. / Amazon U.K.) / Ray Griff, The Entertainer – Greatest U.S. & Canadian Hits (Amazon U.S. / Amazon U.K.) / Rick Wakeman, Rick Wakeman’s Criminal Record (Amazon U.S. / Amazon U.K.) / The Ides of March, Vehicle (Expanded Edition) (Amazon U.S. / Amazon U.K.) / Grateful Dead, Dick’s Picks Vol. 16 – Fillmore Auditorium, San Francisco, CA 11/8/69 (Amazon U.S. / Amazon U.K. ) (all Real Gone Music)
Real Gone Music is kicking off September with classic soul, disco, country, prog rock, jazz-rock and more on this packed slate of eight titles!
George Benson, Breezin’ SACD (Audio Fidelity) (Amazon U.S. / Amazon U.K.)
Audio Fidelity makes a splash in the multi-channel audio arena with this hybrid SACD release featuring stereo and surround mixes of the guitar great’s pop breakthrough!
Big Star, # 1 Record and Radio City (Stax)
# 1 Record : Amazon U.S. / Amazon U.K.
Radio City: Amazon U.S. / Amazon U.K.
Concord has a pair of standalone reissues of Big Star’s first two albums with new liner notes from R.E.M.’s Mike Mills!
Jackie DeShannon, She Did It! The Songs of Jackie DeShannon, Volume 2 (Ace) (Amazon U.S. / Amazon U.K.)
Ace has a second volume filled with hits and rarities from the pen of the great Jackie DeShannon – including tracks from Olivia Newton-John, The Ronettes, The Righteous Brothers, Peter and Gordon, Rita Coolidge, Tammy Grimes, The Carpenters, Randy Edelman, and of course, Kim Carnes with the smash hit “Bette Davis Eyes” – plus an exclusive demo from Jackie herself! Look for Joe’s review coming soon!
Game Theory, Blaze of Glory (Omnivore) (Amazon U.S. / Amazon U.K.)
Omnivore has CD and vinyl reissues of the 1982 debut album from power pop/new wave band Game Theory, generously expanding the CD edition with fifteen bonus tracks – eleven of which are previously unissued! The label promises this will be the first in a series, so don’t miss out – this is the ground floor!
10cc, Ten Out of 10 and Windows in the Jungle (UMC)
10cc’s eighth and ninth albums get the deluxe treatment in the U.K.! The expanded Ten Out Of 10 features 7 bonus tracks including B-sides and live versions; Windows, 10cc’s first collaboration with Andrew Gold, adds seven bonuses including B-sides and tracks from the U.S. version of the album.
Ten Out of 10: Amazon U.S. / Amazon U.K.
Windows: Amazon U.S. / Amazon U.K.
Michel Legrand, The Other Side of Midnight: Original Music from the Motion Picture (Intrada)
Intrada is now shipping the CD premiere of composer Michel Legrand’s (The Thomas Crown Affair, The Umbrellas of Cherbourg) lush, atmospheric score to director Charles Jarrott’s (Lost Horizon) 1977 film based on Sidney Sheldon’s novel.
James Horner, Gorky Park: Original MGM Motion Picture Soundtrack (Intrada)
Also newly-available from Intrada: a newly expanded presentation of James Horner’s (Titanic, Braveheart) score to Michael Apted’s 1983 crime thriller. This edition features the complete score in true stereo for the first time, and a brace of bonus tracks!
Release Round-Up: Week of August 25
The Kinks, Lola Versus Powerman and the Moneygoround: Deluxe Edition (Sanctuary/BMG, 2014) (Amazon U.S. / Amazon U.K. )
The Kinks’ 1970 classic is expanded with a second album – 1971’s Percy – plus an array of bonus tracks (many previously unreleased) on a new 2-CD set!
Mary Poppins: Original Motion Picture Soundtrack – The Legacy Collection (Walt Disney Records) (Amazon U.S. / Amazon U.K. )
Walt Disney Records’ deluxe Legacy Collection unveils its second release – a supercalifragilisticexpialidocious 3-CD expansion of Mary Poppins that promises to be the most comprehensive presentation of the Sherman Brothers’ score yet!
Randy Bachman, Vinyl Tap Tour: Every Song Tells a Story (ILS)
Randy Bachman of Guess Who and Bachman Turner Overdrive renown, is “shakin’ all over” with this new release of his 2013 hometown concert at Winnipeg’s Pantages Playhouse Theatre! This greatest hits-centric set – featuring “Undun,” “No Time,” “Laughing,” “No Sugar Tonight,” “You Ain’t Seen Nothin’ Yet,” “Takin’ Care of Business” and more – updates a similarly-titled program of Bachman’s from over a decade ago, and melds music with Bachman’s stories behind the songs! It’s available in a DVD/CD set as well as a standalone CD. Features Bachman’s band including Marc LaFrance on drums and vocals, Brent Howard Knudsen on guitars and vocals, and Mick Dalla-Vee on bass and vocals.
CD/DVD: Amazon U.S. / Amazon U.K.
CD: Amazon U.S. / Amazon U.K.
Blu-ray: Amazon U.S. / Amazon U.K.
Esther Phillips, Black-Eyed Blues/Capricorn Princess (Soul Brother) (Amazon U.S. / Amazon U.K.)
Two of Esther Phillips’ CTI/Kudu LPs – including the long out-of-print Capricorn Princess – are combined on one CD from the U.K.’s Soul Brother label!
High Inergy – Turnin’ On / Switch – Switch (BBR)
High Inergy: Amazon U.S. / Amazon U.K.
Switch: Amazon U.S. / Amazon U.K.
Big Break continues its series of Motown reissues with 1977’s Turnin’ On from High Inergy and the self-titled 1978 set from Switch! Full rundowns of both titles are coming soon!
Dimitri Tiomkin, Wild is the Wind: Music from the Motion Picture (La-La Land)
La-La Land is now shipping its 2-CD expansion of the original soundtrack to the 1957 Hollywood drama, and this set features both the original film recordings composed by Dimitri Tiomkin and the re-recorded Columbia Records soundtrack release including the title song performed by Johnny Mathis!
The Criterion Collection: All That Jazz (Dual-Format BD/DVD Edition) (Amazon U.S. / Amazon U.K.)
The Criterion Collection has a lavish new edition of Bob Fosse’s 1979 film All That Jazz on tap! The deluxe BD/DVD edition includes a variety of special features illuminating just how the innovative director/choreographer/auteur turned the movie musical on its ear with the shocking, and shockingly autobiographical, motion picture.