Motown Rarities Uncovered on Vinyl Box, Digital Outtakes Set

Motown aficionados have a lot of fun stuff to dig through on a number of formats, with the recent release of a box set collecting 14 rare cuts on vinyl and a new, copyright law-busting compilation of 52 previously unavailable outtakes from some of the label’s biggest names.

Recently issued in the U.K., The Motown 7s Box: Rare and Unreleased Vinyl seems to take more of a tack about “tracks unreleased to vinyl” than “never-before-released tracks on vinyl.” Everything here has been made available in some way, shape or form, including rare studio cuts from Marvin Gaye, Stevie Wonder, The Supremes, The Four Tops and even David Ruffin, The Spinners and Kim Weston. But perhaps only one of them, Frank Wilson’s “Do I Love You (Indeed I Do),” ever made it to vinyl before CD. (That original single is, in fact, one of the rarest in the world.) Producer Richard Searling offers track-by-track liner notes on the box, though no official mastering information is supplied.

Meanwhile, digital retailers have started carrying Motown Unreleased 1963 another copyright-savvy compilation of Motown outtakes from five decades past. (Outside the U.S., copyright law governs that recordings not issued within 50 years lapse into public domain, prompting rights holders to quickly issue collections from Bob Dylan to, this week, The Beatles and The Beach Boys. A similar volume from Motown cropped up last year, too.)

While it’s open to interpretation as to what, if any, true finds exist on the set, many of Motown’s best are featured herein on recordings you’ve never heard before, from The Miracles, The Supremes (a cover of “Funny How Time Slips Away”!), Stevie Wonder (alternate and early takes of “Fingertips” and “Blowin’ in the Wind”), The Temptations and even lesser-known acts on the roster, including Labrenda Ben and The Contours.

After the jump, you’ll find order links and full specs on each of these unique sets.

Neither One of Us (Wants to Be the First to Say Goodbye): Final “The Complete Motown Singles” Volume Bows

They did it.

Nearly nine years after the first volume in Hip-O Select’s The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays.

The year 1972 marks, for many, the end of the “classic Motown” period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo artist away from The Supremes, while Smokey Robinson would part ways with The Miracles in 1972 – the same year both The Four Tops and Gladys Knight & The Pips would break off from the label. At the same time, though, several of the label’s acts were coming in to their own, from The Temptations’ psychedelic soul styles, the increasing independence and experimentation of Stevie Wonder and Marvin Gaye and even the shine of the spotlight on solo members of The Jackson 5, namely frontmen Michael and Jermaine.

Included in the 100 tracks across five discs are some choice rarities, including Marvin Gaye’s beautiful (but long-lost) holiday single, “I Want to Come Home for Christmas” b/w “Christmas in the City,” an unissued solo single from longtime label songwriter Valerie Simpson, a duet by G.C. Cameron and Willie Hutch that never made it to an album with Hutch’s vocal, and even rare sides by several pop acts who made their name away from the Motown roster, including Lesley Gore, Bobby Darin and Frankie Valli & The Four Seasons.

Packed, as always, with a bonus replica 7″ single (The Temptations’ classic “Papa Was a Rollin’ Stone”), The Complete Motown Singles Vol. 12B is loaded with notes and essays from Abdul “Duke” Fakir of The Four Tops, Susan Whitall of The Detroit News, journalist Bill Dahl and compilation producers Keith Hughes and Harry Weinger, who “contribute series postscripts that offer back stories of the Motown tape vault, session logs and tape cards.”

The Second Disc has, of course, spent most of its existence lightly prodding Harry, UMe’s vice-president of A&R, for information on the TCMS series; when we set up shop in 2010, the series had seemingly stalled at Vol. 11 the year before. Vols. 12A and 12B would not materialize until this year, though I certainly speak for both Joe and myself (not to mention countless readers and fans around the world) that the work has been well worth the wait.

On December 10, that wait is finally over. After the jump, you can pre-order your own copy of the set.

Where Were You When We Needed You: Latest Volume of “The Complete Motown Singles” Arrives in June

Let’s dispense with the “Get Ready” puns: after a four-year wait, Hip-O Select’s Complete Motown Singles series inches closer toward the finish line with Volume 12A: 1972.

This five-disc set includes every single side released by Motown during the first half of 1972, a time of transition for the company. Berry Gordy had already moved his Detroit-based media empire westward to Los Angeles, leaving some of his flagship groups in a transitional period. The Jackson 5 still had their hits, but not with the blinding intensity of their earliest years (though Michael still enjoyed hits off of his solo debut Got to Be There). Marvin Gaye released a one-off single, “You’re the Man,” in between two masterpieces (1971’s What’s Going On and 1973’s Let’s Get It On), while Stevie Wonder began his journey as a fully in-control adult artist with “Superwoman (Where Were You When I Needed You)” from Music of My Mind. Both Smokey Robinson & The Miracles and Martha & The Vandellas released their farewell singles in this era, while a new up-and-coming band named The Commodores released their first.

It was certainly a unique time there, and now, it’s coming home, The Complete Motown Singles-style. That means gorgeous book packaging with a bonus 45 (devoted MoWest’s The Blackberries, whose single “Somebody Up There” actually was never issued as a 45), multiple essays (including by Motown engineers Russ and Ralph Terrana, Susan Whitall of The Detroit News), and track-by-track notes by Bill Dahl and producers Keith Hughes and Harry Weinger.

The box ships from Select on May 31 and from all retailers June 11. Hit the jump for a full track list and Amazon pre-order link!

Review: Julio Iglesias, “1 – Greatest Hits: Deluxe Edition”

How to define Julio Iglesias?  Perhaps the iconic Spanish entertainer can be best summed up by the numbers.  In a career spanning well over 40 years, Iglesias has recorded 80 albums, sold 300 million records, and sung in 14 languages.  Now, Iglesias, who will turn 70 later this year, has been feted with the first American release of a new collection with a number in the title.  1 – Greatest Hits, already a multi-platinum seller in numerous Spanish-speaking territories, has arrived in the U.S. from Columbia Records and Legacy Recordings as a 2-CD standard edition and a 2-CD/1-DVD deluxe edition adding a 1990 concert from the Greek Theatre on DVD (88765 46961 2, 2013).  It covers a wide swath of Iglesias’ impressive career over 37 tracks on its two discs, but falls short of being a definitive hits survey, as numerous tracks have been re-recorded specifically for the collection.

In his brief liner note, Iglesias writes, “This has been a unique project in my life.  Being able to go back and sing songs from a time when technology hadn’t yet met the digital age.”   He isn’t the first artist to re-record his classic hits, and nor will he be the last.  But it’s the original tracks – well-recorded in the first place by producers including Iglesias’ longtime collaborator Ramon Arcusa – that are the most timeless here.  Iglesias’ voice, circa 2011 (when the lion’s share of the re-recordings were made), is still smooth and velvety if naturally somewhat deeper.  But arrangement-wise, it’s frequently “spot the difference” time with the new versions hewing closely to the style and tempo of the originals.  There are no notes or essays in the thin booklet explaining why songs were selected or what changes were made; there’s not even any indication as to the provenance of each track other than the date on the copyright line.  With no background or discographical information for these songs, it feels less like a career retrospective and more like a set aimed at a casual fan who won’t wonder whether “To All the Girls I’ve Loved Before” is the original recording or not.

Coincidental though it may be, it’s worth noting that 1 – Greatest Hits arrives on the same day as Paul Anka’s Duets, another mélange of new and old recordings.  Like 1, the Anka collection (reviewed here) offers duets with Frank Sinatra, Dolly Parton and Willie Nelson!  Hit the jump for more on Julio!

Release Round-Up: Week of March 12

Various Artists, Motown the Musical – Originals: The Classic Songs That Inspired the Broadway Show (Motown/UMe)

The Sound of Young America is now the sound of The Great White Way, with a new musical entering previews this week. This new compilation presents all the original versions of the songs that feature in the show!

1CD: Amazon U.S. / Amazon U.K.
2CD: Amazon U.S. / Amazon U.K.

TV Mania, Bored with Prozac and the Internet? (Tapemodern)

Completed by Duran Duran keyboardist Nick Rhodes and former band guitarist Warren Cuccurullo in the late ’90s and presumed lost until recently, this experimental concept disc offered some surprisingly trenchant social commentary on an increasingly wacky media culture. (MP3: Amazon U.S. / Amazon U.K.)

Jellyfish, Stack-a-Tracks (Omnivore)

Released last year as a Record Store Day/Black Friday exclusive, this 2CD set, featuring original, lead vocal-free mixes of the power pop legends’ Bellybutton and Spilt Milk, is now available for all audiences to enjoy. (Amazon U.S. / Amazon U.K.)

Jamiroquai, Emergency on Planet Earth / Return of the Space Cowboy / Travelling Without Moving: Deluxe Editions (Sony Music U.K.)

In honor of the 20th anniversary of the U.K. dance group’s first album, the first three Jamiroquai LPs have been remastered and expanded.

Emergency 2CD: Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S. (no pre-order link available at present)
Cowboy 2CD:  Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S.
Travelling 2CD:  Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S.

Paul Revere and the Raiders, Evolution to Revolution: 5 Classic Albums 1965-1967 (Raven)

Five of The Raiders’ classic Columbia LPs are put on two discs for the value-savvy collector. (Amazon U.S. / Amazon U.K.)

Andrews Sisters, Greatest Hits in Stereo/Great Golden Hits / Enoch Light and the Light Brigade, Provocative Percussion 3 & 4 / Ethel Merman, Her Greatest / Various Artists, Stars for a Summer Night (Sepia Recordings)

The latest vintage hits compilations from Sepia include some classic compilations from The Andrews Sisters and Ethel Merman and a great set of easy listening classics for summertime!

Andrews: Amazon U.S. / Amazon U.K.
Enoch: Amazon U.S. / Amazon U.K.
Ethel: Amazon U.S. / Amazon U.K.
Stars: Amazon U.S. / Amazon U.K.

Weekend Wround-Up: Barbra Streisand Joined by Bennett, Wonder, Krall on DVD and BD; Pixar Compiles More “Favorites”

On February 11, 2011, Barbra Streisand joined some illustrious company, including Bono, Brian Wilson, Aretha Franklin and her “You Don’t Bring Me Flowers” duet partner, Neil Diamond.  That was the evening Streisand was recognized as the MusiCares Person of the Year, following in the footsteps of those above-named artists.  Streisand was a natural candidate for the honor, as the National Academy of Recording Arts and Sciences annually bestows it upon an artist with significant artistic achievement in music and commitment to philanthropy.  Part of the MusiCares tradition finds that person being celebrated by a line-up of peers and younger talent, and so that evening, Streisand was joined in Los Angeles by Tony Bennett, Diana Krall, Barry Manilow, Stevie Wonder and others, to perform many of the songs she made famous throughout her career. On November 13, Shout Factory will release A MusiCares Tribute to Barbra Streisand on DVD, with a selection of the performances from the celebratory concert.

Diana Krall was in the producer’s chair for Streisand’s 2009 album Love is the Answer, and she opens the Blu-ray/DVD with a medley of three famous Streisand songs: “Down with Love,” “Get Happy,” and “Make Someone Happy.”  The first two, of course, were co-written by Harold Arlen, one of Streisand’s most admired composers.  Tony Bennett, who has performed with both Krall and Streisand in the past, performed a rendition of Charlie Chaplin’s “Smile” (the opening track of Streisand’s 2003 The Movie Album).  Barry Manilow offered his take on Andrew Lloyd Webber and Trevor Nunn’s “Memory” from the musical Cats; both Brooklyn natives released the song as a single and made the Billboard Hot 100 and Top 10 AC charts with it.  Stevie Wonder performed Jule Styne and Bob Merrill’s “People” from Funny Girl with Arturo Sandoval, and Jeff Beck offered a scorching “Come Rain or Come Shine” (another Arlen song) with LeAnn Rimes and BeBe Winans.  The younger set was represented not only by Rimes, but by Leona Lewis (“Somewhere” from West Side Story), Faith Hill (Stephen Sondheim’s “Send in the Clowns”) and a trio of stars from Glee (Lea Michele with Fanny Brice’s signature song, “My Man,” and Matthew Morrison and Kristin Chenoweth reprising their television duet of Bacharach and David’s “One Less Bell to Answer/A House is Not a Home” in Streisand’s arrangement).   Streisand herself brings the DVD to a close with performances of “The Windmills of Your Mind” and “The Promise (I’ll Never Say Goodbye).”

A MusiCares Tribute to Barbra Streisand is due for release on November 13 and follows Shout! Factory’s last MusiCares release celebrating Neil Young.  Pre-order links are currently not available, but we will add them as soon as possible!  You’ll find the complete track listing after the jump, down below!

Last week, Walt Disney Records quietly released a second volume of modern-day classics from Pixar’s animated films.  The new Disney-Pixar All-Time Favorites follows 2009’s Disney-Pixar Greatest, which brought the studio’s output up to date as of the Academy Award-winning Up.  In addition to revisiting some of the films represented on the first compilation with newly-compiled tracks, All-Time Favorites adds songs and score cues from Toy Story 3 (2010), Cars 2 (2011) and this year’s Brave.

Randy Newman is, of course, prominently featured, singing “I Will Go Sailing No More” from 1995’s Toy Story and “We Belong Together” from Toy Story 3, while his compositions are also sung by Riders in the Sky (“Woody’s Round-Up” from 1999’s Toy Story 2), the Gipsy Kings (the Spanish-language “You’ve Got a Friend in Me” from Toy Story 3).  Newman’s scores from A Bug’s Life (1998) and Monsters, Inc. (2001) are also excerpted.  Randy’s cousin Thomas Newman is represented via score excerpts from the just-about-to-be-re-released Finding Nemo (2003) and WALL-E (2008), while another frequent member of the Pixar team, Michael Giacchino, takes the spotlight for tracks from 2007’s Ratatouille, Cars 2 and 2004’s The Incredibles.  One song and one score cue appear from Brave: Julie Fowlis’ rendition of Alex Mandel’s “Into the Open Air,” and Patrick Doyle’s “In Her Heart.”

Disney-Pixar All-Time Favorites is available in stores now, and can be ordered after the jump!   You’ll also find the complete track listing there.

Within My World: Dave Clark’s “Time” Reissued, Features Freddie Mercury, Dionne Warwick, Julian Lennon, Cliff Richard, More

Today, London’s Dominion Theatre is home to We Will Rock You, a tongue-in-cheek “jukebox musical” featuring the music of Queen.  That show is currently celebrating its 10^th year at the Dominion, but even before the “Bohemian Rhapsody” chaps came to town, the Dominion was no stranger to mega-musicals from rock stars.  In 1986, Dave Clark of the Dave Clark Five put his name above the title of a lavish spectacle called Time.  Clark collaborated on the musical’s book and lyrics with David Soames; the music was provided by Jeff Daniels (not the actor of the same name).  Clark was also credited with “creating and devising” the elaborate stage production.  The April 1986 debut of the musical starred Cliff Richard as The Rock Star, and Sir Laurence Olivier, the latter appearing as a pre-filmed holographic giant head (!) named Akash.  Arlene Phillips (Starlight Express) contributed choreography along with director Larry Fuller (Evita, Merrily We Roll Along), and John Napier (Sunset Boulevard, Les Miserables) designed the massive production.

Time never received an original London Cast Recording, however, with Clark opting instead to release the show’s score as a star-filled, two-LP concept album prior to the London opening.  Cliff Richard, of course, was enlisted to perform on the album, along with a “Who’s Who” of pop, rock and soul including Freddie Mercury, Stevie Wonder, Nickolas Ashford and Valerie Simpson, Leo Sayer, Julian Lennon and the recently-reunited team of Dionne Warwick and Burt Bacharach.  Olivier appeared on the Time album, as well.  Close your eyes and picture the great actor intoning dialogue such as this:

Stand before me on the Sign of Infinity, all you of the Earth. With the granting of “The Law of Probenation” comes the application of change. I will give you the key. And with this knowledge, please realize, comes the responsibility of sharing it. I will show you the way: (It’s very simple). Throughout the Universe there is order: in the movement of the plane, in nature, and in the functioning of the human mind. A mind at is in its natural state of order is in harmony with the Universe, and such a mind is timeless. Your life is an expression of your mind. You are a creator of your own Universe, for as a human being you are “free to will” whatever state of being you desire through the use of your thoughts and words.  There is great Power there.  It can be a blessing or a curse…

Dave Clark has apparently never been comfortable with the compact disc, having refused nearly every offer to bring his storied DC5 catalogue to the format over the years.  A mere handful of official releases have materialized including Hollywood Records’ 1993 double-CD anthology The History of the Dave Clark Five, EMI U.K.’s shorter counterpart Glad All Over Again, and Universal’s 2010 The Hits.  He’s been more forthcoming with releases on iTunes, and now, the starry studio cast recording of Time is once more available.  For its belated 25^th anniversary, Time has joined the DC5 catalogue as available from that digital music provider.

There’s more in Time after the jump!

Higher Ground: Audio Fidelity Reissues Vintage Stevie Wonder, James Taylor on 24K Gold CD

For its April 3 release slate, the Audio Fidelity label is returning to the catalogues of two tried-and-true artists and label favorites.

Having tackled James Taylor’s second, fourth and fifth albums, Audio Fidelity fills the gap in Taylor’s Warner Bros. catalogue with the release of the singer/songwriter’s third LP, 1971’s Mud Slide Slim and the Blue Horizon.  Similarly, the label has given the remastered 24K Gold CD treatment to four of the five albums from Wonder’s “golden era” at Motown (1972-1976) and now Is turning its attention to the fifth of those records, 1973’s Innervisions.

After the breakthrough success of Taylor’s Sweet Baby James and its single “Fire and Rain,” the artist scored another major success with the April 1971 release of Mud Slide Slim.  Containing his only Billboard No. 1 hit, “You’ve Got a Friend,” the album itself made it all the way up the chart to No. 2…and was held off from the top spot, ironically, by Carole King’s Tapestry.  That album not only featured Carole King’s own version of her song “You’ve Got a Friend,” but prominently featured the participation of, you guessed it, James Taylor!  But there’s much more to Mud Slide Slim than just “You’ve Got a Friend.”  The album, produced by Peter Asher, also introduced another Top 40 hit, “Long Ago and Far Away,” and the much-covered ballad “You Can Close Your Eyes.”  Taylor’s longtime friend and guitarist Danny Kortchmar supplied one of the album’s tracks, “Machine Gun Kelly.”  Kortchmar joined Russ Kunkel, Leland Sklar, Joni Mitchell, Kate Taylor and Carole King among the album’s key personnel.  When the Grammy Awards rolled around, both King and Taylor were rewarded with trophies for “You’ve Got a Friend.”  For Audio Fidelity’s edition, Steve Hoffman has handled the remastering chores.

Hit the jump to explore Innervisions.  You’ll also find pre-order links and track listings for both titles.

Eight More ICON Sets for You to Briefly Consider

What you will see after the jump are eight more of Universal’s generic ICON titles, released this past Tuesday. There are two country acts, two Motown acts, two Motown compilations, one from Dean Martin and one from pop/rock band Fall Out Boy. A stranger collection you’ll rarely find. I’d give a halfhearted recommendation to the Motown ones if you want to spend a little money on someone who has the distinct displeasure of never having heard any Motown song, ever. If you have more money to spend, though, get a box set or something. You won’t regret it. Trust me.

Follow the jump for order links (the single-disc Motown Classics did not appear on Amazon; we’ve used a Barnes & Noble link instead.)

The Second Disc Buyers Guide: The 100 Greatest Reissues of All Time, Part 16 (#25-21)

We’re nearing the Top 20 of our 100 Greatest Reissues list, taking Rolling Stone‘s list of the greatest albums of all time and investigating their many pressings and expansions as the catalogue industry has grown. Today, journey to the past with a quintet of California rock heroes, one of rock-and-roll’s early pioneers and the once-and-always Mr. Dynamite!  Plus: a Beatle and a star of the Motown stable make intensely personal statements on their own!

25. Fleetwood Mac, Rumours (Warner Bros., 1977)

If any one record could be said to encapsulate an entire era, it might be Fleetwood Mac’s towering 1977 Rumours.  This is the album that turned a solid blues-rock band into the biggest pop giant of the decade, immortalizing the group’s internal strife and romantic intrigues in one made-for-radio package.  Rumours established Lindsey Buckingham as a writing and production force, although Rumours was very much a group effort for Stevie Nicks, Christine McVie, John McVie and Mick Fleetwood, as well.  Its four singles (Nicks’ “Dreams,” Christine McVie’s “Don’t Stop” and “You Make Loving Fun,” Buckingham’s “Go Your Own Way”) are as immortal today as the album itself, which sold over 40 million copies.  Taking in sex, drugs, and rock and roll with the idyllic California sun as the backdrop, Rumours remains one of the most successful LPs of all time.

Rumours was, of course, issued early in the CD age, arriving in 1984 (Warner Bros. 3010-2).  The label’s 2001 DVD-Audio issue “(9 48083-9) featured the album in advanced resolution surround sound as well as stereo, and added one track to the original 11-song line-up.  “Silver Springs,” a B-side of “Go Your Own Way,” replaced “Songbird” as the album’s sixth track, and “Songbird” was relegated to the 12^th slot.  In 2004, Warner Bros. and Rhino reissued Rumours as a remastered 2-CD set (R2 73882).  Disc 1 was dedicated to the album, with “Silver Springs” again added, this time in the slot between the reinstated “Songbird” (Track 6) and “The Chain” (Track 8).  Disc 2 premiered 11 roughs and outtakes, five demos and two jam sessions, making the most comprehensive edition yet of the album.  After a 2008 SHM-CD (Super High Material CD) edition from Warner Japan (WPCR-13249), that country’s label issued Rumours as an SHM-SACD in 2011 (WPCR-14171), making the long out-of-print surround mix available once again.

24. James Brown, Live at the Apollo (King, 1963)

Nobody could accuse James Brown of not having faith in himself.  When Brown approached King Records’ Syd Nathan about recording his upcoming October 1962 stand at the Apollo, Nathan balked.  Brown went ahead anyway, funding the record out of his own pocket.  Mr. Dynamite intuitively knew that his live performances transcended anything he was capable of turning out in the studio, thanks to the unbreakable, palpable rapport between performers and audience.  The vocal interplay is part and parcel of the magic of Live at the Apollo, as exciting a document of musical pandemonium as you’ll ever hear.  And Brown’s faith paid off; his performance with the Famous Flames was inducted into the Library of Congress’ National Recording Registry in 2004.

Live at the Apollo didn’t arrive on CD until 1990 (Polydor 843-479-2), and three years later it arrived as a Mobile Fidelity gold disc (UDCD 583, 1993).  In 2004, Universal revisited the album as B0001715-02, expanding it with four additional single alternates (“Think,” a shortened medley of “I Found Someone/Why Do You Do Me/I Want You So Bad,” “Lost Someone” and “I’ll Go Crazy”) and a deluxe 20-page booklet with new essays and photos.  For Brown and the Flames at their frenetic, electrifying best, this is the place to start.

Hit the jump for three shots of raw rock and soul!