Review: “A&M 50: The Anniversary Collection”

On its surface, it seems kind of crazy to make a compilation of tunes from A&M Records. There are plenty of labels with clearer narrative arcs: Columbia was a hotbed for melodic singer-songwriters in the ’60s and ’70s, from Dylan and Simon & Garfunkel to Springsteen and Billy Joel. Burgeoning soul fans started with Motown and graduated to Stax or Atlantic, depending on their region. ZTT was the place for avant-garde dance-pop/rock in the ’80s, much like Elektra was the source for dreamy West Coast folk-pop.

A&M, on the other hand, was an artist, trumpeter Herb Alpert, and a record promoter, Jerry Moss. Two guys working out of a garage. That’s the kind of narrative fit for Apple, not a label that facilitated everything from jazz-pop, British rock and New Wave to polished R&B and even a smidgen of grunge. In a weird way, the lack of narrative is almost a worthy narrative in and of itself – and it’s what makes A&M 50: The Anniversary Collection (A&M/UMe B0016884-02) a potentially vital compilation for your library.

And yet, the set misses the mark, obscuring that free-form narrative with a presentation that suggests uncertainty, as if this whole “A&M 50” venture was even worth it in the first place.

That’s not to say the set is bad. Remember, A&M doesn’t have the kind of market share a Motown might, so the deck is already stacked against the concept. But from a content perspective, A&M 50 excels. The three themed discs – “From AM to FM,” “A Mission to Rock” and “Soul, Jazz and More” – bring some sort of cohesion to the proceedings.

Disc One focuses mostly on the early years of the label, when Alpert’s Tijuana Brass, Sergio Mendes & Brasil ’66 and the Carpenters were the stars of the A&M roster. Gradually, while the demeanor and ideology of pop artists would change, going from earthy (Cat Stevens, Joan Baez) to ineffectual (The Captain & Tennille, Chris de Burgh) to a mix of both (Amy Grant, Suzanne Vega, Sheryl Crow), that devotion to pop hooks and inoffensive, of-the-moment production was always there.

Disc Two is where things get interesting. The (mostly British) rock scene A&M tapped into not only yielded some of the biggest hits on the label (The Police, Styx, Bryan Adams, Peter Frampton) but kept that smorgasbord mentality of A&M alive. This was a label that hosted guitar-heavy hitters like Procol Harum and Free alongside electronically influenced, wordplay-loving tunesmiths like Joe Jackson, Squeeze and Split Enz (all among the era’s most criminally underappreciated acts!). The two-song transition that closes this disc, Soundgarden‘s “Black Hole Sun” and Sting‘s “If You Love Somebody Set Them Free,” are whiplash-inducing in their dissimilarity, and easily the point where you might agree with this point of view – that variety was the whole point of A&M Records.

The third disc amps up the eclecticism even more. A&M wasn’t content to just give you “soul music.” There were your classics old (the Phil Spector-produced “Black Pearl” by Sonny Charles & The Checkmates, Ltd.) and new (a 1991 cover of The Main Ingredient’s “Everybody Plays the Fool” by Aaron Neville); real jazz (Jobim, Getz, Quincy Jones); some funky stuff (Billy Preston, The Brothers Johnson) and a few heaping helpings of poppy R&B (Jeffrey Osbourne, Janet Jackson, late-period Barry White). The disc earns its “and more” distinction by offering danceable tracks like “Crazay” by Jesse Johnson (formerly of The Time) and “Finally” by CeCe Peniston (unusually presented in its original album version, one of the few idiosyncratic decisions as far as which versions of songs appear on the compilation).

A&M 50 offers some fun discs, which is great. So what’s the problem? The set comes in a four-panel digipak, with a picture of Alpert and Moss and a brief essay (which nobody is credited with writing). The writer and producer credits are consigned to the inner panels, with little information outside of that. It’s very plain, and altogether a bit lacking. While a full-on box set approach might have been a tough sell, a double-sized digipak with a nicely-designed booklet should be less of a luxury and more of a commonality with sets like these.

Ultimately, it’s that lack of “luxury” which fails to elevate A&M 50 past a “Now That’s What I Call Three Sampler CDs from a Particular Label!” level. This was a fun idea that demanded better execution. Alpert and Moss may not have had a unifying goal when they founded that label out of their garage, but they had something worth showing off. It’s a shame that this concept didn’t quite get its due here.

A&M Records Celebrates Half-Century Mark with Three-Disc Compilation

Ask the most voracious of music trivia buffs what “A&M Records” stood for and they’ll tell you simply: Herb Alpert, noted jazz trumpeter and bandleader; and music promoter Jerry Moss, a duo who crafted the label from Alpert’s garage in 1962.

50 years later, with the upcoming release of the three-disc A&M 50: The Anniversary Collection, it’s clear that A&M stood for something else, too: one of the most intriguingly eclectic rosters in pop history, encompassing everything from jazz and modern R&B to New Wave and singer/songwriter pop. (There’s been a great amount of activity surrounding the label’s anniversary in Japan, like this compilation of Works by longtime A&M arranger Nick DeCaro.)

The three discs are rather cleverly themed: Disc 1, “From AM to FM,” chronicles some of the label’s earliest and most potent pop radio hits, from Alpert’s “The Lonely Bull” with The Tijuana Brass to the Carpenters’ beautiful “Close to You” all the way to Sheryl Crow’s inescapable “All I Wanna Do.” Things get great on Disc 2, “A Mission to Rock,” which features some of the best rock and New Wave acts of the ’70s and ’80s, including The Police, Squeeze, Joe Jackson, Split Enz, Styx, Free, Joe Cocker and many more. Disc 3 loops around to “Soul, Jazz and More,” showcasing the likes of Quincy Jones, Stan Getz, Gato Barbieri, Milton Nascimiento, The Brothers Johnson and Jeffrey Osborne. (All in all, the set covers roughly 30 years of works, with most of A&M’s output after the sale to PolyGram and break-up throughout Universal Music Group – overlooked.)

While there’s not a lot particularly rare on all three discs (save for some of the deep cuts on the ’70s side of things, including tracks from Alpert and Hugh Masekela as well as Alpert’s talented wife, Lani Hall), what does raise eyebrows are some song choices: “Roxanne,” not “Every Breath You Take,” is The Police’s entry, as “Caught Up in You” by 38 Special is included over “Hold On Loosely.” Minor quibbles aside, this looks to be a really fun keepsake of a deservedly-treasured label.

A&M 50 is out on August 28 and can be pre-ordered after the jump.

Release Round-Up: Week of November 21

Another Monday release date, ostensibly to get the jump on an abbreviated week with the Thanksgiving/Black Friday holiday! And it’s another big week, to be sure.

The Rolling Stones, Some Girls: Deluxe Edition (Rolling Stones/UMe)

Whether you think it’s the last truly great Stones album or not, it’s hard to deny that this is the biggest of the deluxe releases this week. (That super-deluxe edition, with a bonus DVD and vinyl, doesn’t disprove the notion, either.)

Bob Seger, Ultimate Hits: Rock and Roll Never Forgets (Capitol)

Seger’s Greatest Hits (1994) was the biggest selling catalogue album of the last decade. So it stands to reason that this two-disc set, boasting more than a few rare and unreleased classics, would do just as well, right?

Michael Jackson, Immortal (Epic)

Not only Michael’s greatest hits, but his best material, remixed and reimagined for the new Cirque du Soleil show. Shameless plug: a full review from me will be up, courtesy of our friends at Popblerd, later today. But I can tell you this – if you love Michael, and remember how much fun it was to lose yourself in Michael’s music, this one’s for you.

Rush, Sectors 1-3 (Mercury/UMe)

Three box sets of Rush’s entire discography for Mercury, from 1976 to 1987. Fifteen albums, five per box, with one of the albums in each box also included as a surround-sound DVD. (That part’s still kind of confusing to me, too.)

The Kinks, The Kinks in Mono (Sanctuary U.K.)

Ten discs of mono Kinks, includes their first seven albums and three discs of EP and single material. And I didn’t make a single Kinks “K” joke in there at all!

Lady Gaga, Born This Way: The Collection (Streamline/Kon Live/Interscope)

My pick for the best mainstream pop album of the year (although it’s quite further down the list of overall albums) is expanded with a new remix album and live DVD (also available separately, because Gaga is good to her little monsters like that).

The Grateful Dead, Dick’s Picks Vol. 34-36 (Real Gone)

More reissued gems from our new friends at Real Gone: the last three volumes of Dick’s Picks, originally released in 2005.

Warren Zevon, Bad Luck in Dancing School (Friday Music)

Long out of print, Zevon’s 1980 album is remastered and reissued on compact disc.

Styx, Pieces of Eight (Vinyl) (Friday Music)

All you renegades and blue collar men will love this vinyl reissue of the 1978 classic.

Ed Ames, Christmas with Ed Ames/Christmas is the Warmest Time of Year / David Rose, The David Rose Christmas Album (Real Gone)

Three adult contemporary classic holiday albums presented on two CDs.

Release Round-Up: Week of August 9

GQ, Two (Funkytowngrooves)

GQ’s 1980 Arista album gets the remastered treatment. (Amazon)

Jefferson Airplane, Red Octopus (Friday Music)

The 1975 effort from Paul Kantner, Marty Balin, Grace Slick and co. arrives on 180-gram vinyl with the mega-hit “Miracles” a highlight!  (Official site)

Evelyn “Champagne” King, Music Box (Funkytowngrooves)

King teams with T-Life for this groove-laden RCA set from 1979! (Amazon)

The Motels, Apocalypso (Omnivore)

The Motels’ lost album from 1981 finally surfaces, and Omnivore’s expanded edition boasts seven additional tracks!  Full story here.  (Amazon)

Mickey Newbury, An American Trilogy (Drag City)

Drag City compiles three albums from Mickey Newbury, the writer/arranger of Elvis Presley’s titanic “An American Trilogy.”  The box brings together Looks Like Rain, `Frisco Mabel Joy, and Heaven Help the Child, and adds one extra disc of bonus material.  (Amazon)

Original Broadway Cast, Say, Darling (Masterworks Broadway)

Jule Styne (Gypsy, Funny Girl) teamed with Betty Comden and Adolph Green (Singin’ in the Rain, On the Town) for this Broadway play about the writing of a Broadway musical.  Got that straight?  Either way, the score is fantastic fun!  Johnny Desmond stars.  Visit the official site of Masterworks Broadway here and our coverage of all of the label’s upcoming releases here.  (Digital-only)

Original Off-Broadway Cast, Ernest in Love (Masterworks Broadway)

This 1960 musical version of The Importance of Being Earnest features a score by lyricist Anne Croswell and composer Lee Pockriss, also the writer of Brian Hyland’s “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini,” Shelley Fabares’ “Johnny Angel” and The Cuff Links’ “Tracy.” (Digital-only)

Original Off-Broadway Cast, The Mad Show (Masterworks Broadway)

Linda Lavin and Jo Anne Worley are among the cast members in this 1966 revue based on Mad Magazine.  With talents like Joe Raposo (Sesame Street), Mary Rodgers and even Stephen Sondheim involved, however, it’s definitely Not Brand Eccch!  (Digital-only)

Original Off-Broadway Cast, The Nervous Set (Masterworks Broadway)

Here’s the off-Broadway musical that introduced the standards “Spring Can Really Hang You Up the Most” and “Ballad of the Sad Young Men.”  (Digital-only)

Original Off-Broadway Cast, Now is the Time For All Good Men (Masterworks Broadway)

This 1967 musical with a pop/rock sound reflects its Vietnam-era setting with a score by Nancy Ford and Gretchen Cryer.    Gretchen’s then-husband David Cryer starred.  (They are also the parents of Two and a Half Men’s Jon Cryer!) (Digital-only)

Original Studio Cast Recording, archy and mehitabel (Masterworks Broadway)

Columbia Records brought to life this 1954 musical based on Don Marquis’ beloved stories of the poetic cockroach archy and alley cat mehitabel, with songs by George Kleinsinger (Tubby the Tuba) and Joe Darion (Man of La Mancha).  Darion contributed to the musical’s book with a young writer named Mel Brooks!  Carol Channing and Eddie Bracken are the stars.  (Digital-only)

Leon Russell, Live in Japan (Omnivore)

The renaissance of The Master of Space and Time continues!  Omnivore’s release pairs a 1973 concert from Japan’s Budokan Hall with a 1971 gig at Texas’ Sam Houston Coliseum.  Our full story here.  (Amazon)

Styx, The Grand Illusion (Friday Music)

Friday Music remasters the original 1977 arena rock classic on 180-gram vinyl!  (Official site)

Various Artists, CTI Records 40th Anniversary series (CTI/Masterworks Jazz)

Four rare titles from the CTI jazz catalogue arrive in remastered editions: Airto’s Fingers; Jackie Cain and Roy Kral’s A Wilder Alias; Joe Farrell’s Outback; and Randy Weston’s Blue Moses. (Official site)

In Case You Missed It: A Full Spectrum of U.K. Compilations in May

The Spectrum family of labels in the U.K., which includes the catalogues of what Americans count toward Universal Music Group, have a few affordable compilations on the market in the coming month from a diverse crop of artists.

On May 23, the label will release compilations from Styx as well as both Fleetwood Mac and Rod Stewart. (The latter two artists, whose catalogues reside with Warner Music Group in the U.S., will focus on each act’s “early years.”) It’s also worth noting that Spectrum has released a few other similar compilations in recent months, including sets for Big Country, Stevie Wonder, Thin Lizzy and Shalamar (the last of which came with a bonus disc of 12″ remixes).

For completeness’ sake, we’ve provided track lists and order pages for all six of these sets, in case anyone wants to grab some copies. Read on after the jump!