Archive for the ‘Taj Mahal’ Category
Release Round-Up: Week of January 14
Bruce Springsteen, High Hopes (Columbia)
It’s a new album, but one assembled from songs and outtakes Bruce has been amassing for the last few years: we’ll take it (in the hope that this new album means Bruce is in a vault mood for the rest of the year)! (Amazon U.S. / Amazon U.K. – both with exclusive DVD of the entire Born in the U.S.A. album live on the Wrecking Ball tour)
Elvis Presley, The Movie Soundtracks (RCA/Sony Music U.K.)
Why should the States get all the fun? An import box set featuring 20 discs of Elvis’ film soundtracks (some great, others…a little different). (Amazon U.K. / Amazon U.S.)
Lone Justice, This is Lone Justice: The Vaught Tapes (Omnivore)
A spirited studio set cut two years before the band’s acclaimed debut album on Geffen Records. A must for rockabilly fans!
CD: Amazon U.S. / Amazon U.K.
LP: Amazon U.S. / Amazon U.K.
Mark Lanegan, Has God Seen My Shadow? An Anthology 1989-2011 (Light in the Attic)
A killer career-spanning compilation from the ex-Screaming Trees frontman, featuring a dozen unreleased tracks.
2CD: Amazon U.S. / Amazon U.K.
3LP: Amazon U.S. / Amazon U.K.
Lucinda Williams, Lucinda Williams: Deluxe Edition (Thirty Tigers)
First released on Rough Trade Records and long out of print, the album with some of Williams’ best known compositions (“Passionate Kisses,” “I Wanted to See You So Bad,” “Changed the Locks”) is expanded with not only the live bonus tracks from a previous remaster but another contemporaneous live show that’s never been released before.
2CD: Amazon U.S. / Amazon U.K.
LP: Amazon U.S. / Amazon U.K.
Li’l Abner: Original Motion Picture Soundtrack (Columbia/Sony Masterworks)
The long-unavailable soundtrack to the 1959 adaptation of the 1956 musical, featuring a song score by Johnny Mercer & Gene DePaul and arranged and conducted by Nelson Riddle, is finally released as an on-demand CD title. (CD-R/DD: My Play Direct)
Billy Paul, Feelin’ Good at the Cadillac Club (Big Break Records) / Dan Hartman, Relight My Fire: Expanded Edition / Sheryl Lee Ralph, In the Evening: Expanded Edition (Hot Shot Records)
The latest from BBR includes a reissue of Philadelphia soul legend Billy Paul’s debut (studio) album and two expanded titles from underrated greats Dan Hartman and Sheryl Lee Ralph.
Billy Paul: Amazon U.K. / Amazon U.S.
Dan Hartman: Amazon U.K. / Amazon U.S.
Sheryl Lee Ralph: Amazon U.K. / Amazon U.S.
John Baldry, Boogie Woogie: The Warner Bros. Recordings / Taj Mahal, Sing a Happy Song: The Complete Warner Bros. Recordings / John Sebastian, The Reprise Recordings / Crazy Horse, Scratchy: The Complete Reprise Recordings / Doug Sahm, The Genuine Texas Groover: The Complete Atlantic Recordings / The Blasters, The Slash Recordings / Danny O’Keefe, Classics / Hubert Laws, Carnegie Hall / The Chicago Theme / Crying Song / How to Beat the High Cost of Living (with Earl Klugh) / Say It with Silence (Wounded Bird)
We told you about Wounded Bird’s Rhino Handmade budget reissues yesterday, but there’s also a bunch of straight reissues from jazz flutist Hubert Laws due from the label today, too.
John Baldry: Amazon U.S. / Amazon U.K.
Taj Mahal: Amazon U.S. / Amazon U.K.
John Sebastian: Amazon U.S. / Amazon U.K.
Crazy Horse: Amazon U.S. / Amazon U.K.
Doug Sahm: Amazon U.S. / Amazon U.K.
The Blasters: Amazon U.S. / Amazon U.K.
Danny O’Keefe: Amazon U.S. / Amazon U.K.
Carnegie Hall: Amazon U.S. / Amazon U.K.
The Chicago Theme: Amazon U.S. / Amazon U.K.
Crying Song: Amazon U.S. / Amazon U.K.
How to Beat the High Cost of Living: Amazon U.S. / Amazon U.K.
Say It with Silence: Amazon U.S. / Amazon U.K.
Rhino Rediscovery: Wounded Bird to Reissue Handmade Titles As Budget Sets
Rhino Handmade is back! Sort of.
Reissue label Wounded Bird Records will release this week seven titles originally released on Warner Music’s boutique label in the early to mid-2000s. These sets were originally handsome vault-clearing exercises for a diverse crop of artists who were on the Warner, Atlantic or Reprise labels at some point in their careers, including works by Doug Sahm of Sir Douglas Quintet, blues legend Taj Mahal, rockabilly-punk outfit The Blasters, singer-songwriter Danny O’Keefe (“Good Time Charlie’s Got the Blues”), Crazy Horse (sans Neil Young), John Sebastian and bluesman Long John Baldry.
A few notes are in order for the discerning buyer: if you’ve bought titles by Wounded Bird in the past, you might know that the packaging is not what you might expect from a major boutique label. The liner notes and in-depth track information that graced these original releases is unfortunately gone. Also gone in some cases is actual repertoire: John Sebastian’s The Reprise Recordings (originally titled Faithful Virtue on Handmade) loses two live sets on the third disc, including Sebastian’s set at Woodstock and another performance at Winterland in 1969. Two tracks recorded by The Blasters for the cult soundtrack to the film Streets of Fire in 1984 are also left off the band’s otherwise-complete set.
But if there is an upside, it’s that Wounded Bird has gotten seven long-out-of-print titles onto CD for the first time in nearly a decade – and for those interested in the music above all, that can’t be a bad thing. All titles are available in the States this Tuesday; hit the jump for a full breakdown of each with order links!
Eric Clapton Goes to the “Crossroads” and Brings Friends On New CD, DVD, BD
Eric Clapton is big on giving back. The guitar god founded Antigua’s Crossroads Centre for the treatment of alcoholism and drug addiction in 1998, and in 2004, spearheaded the creation of the Crossroads Eric Clapton Guitar Festival to benefit the facility of the same name. Since that first ’04 fest, Crossroads Festivals have taken place every three years, in 2007, 2010 and 2013. Highlights from the 2013 shows, which took place on April 12 and 13 at New York’s famed Madison Square Garden, are now available on CD, DVD and Blu-ray Disc from Rhino.
Headlined of course by Clapton, the first Crossroads Festival was held in Dallas, Texas and endeavored to represent instrumentalists from the blues, rock, country and even jazz realms. The festival featured such diverse guitar greats as Jeff Beck, J.J. Cale, Bo Diddley, B.B. King, Pat Metheny, John McLaughlin and Carlos Santana as well as singer-songwriters like Vince Gill, Sheryl Crow, James Taylor and the up-and-coming John Mayer, as well as bands like Booker T and the MG’s, Styx and ZZ Top. The 2013 line-up welcomed back many artists who had played at that very first event (and subsequent ones) such as B.B. King, Booker T. Jones, Jeff Beck, John Mayer, Robert Randolph, Robert Cray, Vince Gill, Buddy Guy, Doyle Bramhall II, Jimmie Vaughan and David Hidalgo of Los Lobos. Other performers included Keith Richards, Earl Klugh, Gary Clark Jr., Keith Urban, Keb’ Mo’ and Taj Mahal.
The DVD and BD releases present 45 songs from both evenings of Crossroads 2013 in director Martyn Atkins’ concert film, playable in either stereo or 5.1 surround. The CD edition boasts 29 tracks on two discs. In all formats you’ll get Clapton’s performances of signature songs “Tears in Heaven,” “Sunshine of Your Love,” “Got to Get Better in a Little While” and some collaborations: “Lay Down Sally” with Gill, “Key to the Highway” with moonlighting Glimmer Twin Richards, “Why Does Love Got to Be So Bad” with the Allman Brothers Band, and “Gin House Blues” on which he accompanies Andy Fairweather-Low. The DVD/BD releases add Clapton’s “Crossroads,” “Spider Jiving” with Fairweather-Low, “Big Road Blues” with Kurt Rosenwinkel, “Everyday I Have the Blues” with B.B. King, Jimmie Vaughan and The Robert Cray Band, and Bob Dylan’s “I Shall Be Released” with The Band’s Robbie Robertson.
All-star duets are often among the most tantalizing aspects of benefit concert performances, and Crossroads 2013 is no exception. In addition to the previously mentioned Clapton duets, the Crossroads CD includes such collaborations as John Mayer and Keith Urban on The Beatles’ “Don’t Let Me Down,” Mayer and Doyle Bramhall II on “Change It,” Vince Gill with Albert Lee on “I Ain’t Living Long Like This,” Taj Mahal and Keb’ Mo’ on “Diving Duck Blues,” and a jam on the stone-cold Stax classic “Green Onions” with Booker T. Jones and Steve Cropper joined by Keb’ Mo’, Blake Mills, Matt “Guitar” Murphy and Albert Lee. Of course, there’s more on the DVD/BD such as the same group doing Jones’ “Born Under a Bad Sign,” Booker T and Cropper’s “Green Onions,” and Gill, Urban and Lee doing The Rolling Stones’ “Tumbling Dice.”
After the jump: more on Crossroads, including full track listings and order links for each format! Read the rest of this entry »
The Legacy of Record Store Day: Upcoming Exclusives Revealed From Sly, Willie, Miles, Taj, Aerosmith and More
It’s not quite the summertime yet, but Legacy Recordings has some hot fun planned for Record Store Day thanks to a diverse slate of releases from A (Aerosmith) to, well, S (Sly and the Family Stone)! April 20 is the date when Legacy will join 2013 Record Store Day Ambassador Jack White to celebrate not only those beloved black vinyl discs, but also the brick-and-mortar retail record store experience which we hold very dear at The Second Disc.
Titles for the sixth annual Record Store Day have already been announced from artists including Paul McCartney, Duran Duran and Hüsker Dü; we know that plenty more news is on the way, so stay tuned for more RSD scoops as they come! In the meantime, hit the jump to find out just what goodies Legacy has in store for you! Read the rest of this entry »
Take a Giant Step with “Complete Columbia Albums” of Taj Mahal
The Complete Columbia Albums of Taj Mahal, by the numbers: 13 albums, 15 CDs, 170 tracks. This all adds up to a mighty legacy worthy of the man’s namesake! The former Henry Saint Clair Fredericks, Jr. made his name as a blues renaissance man at Columbia Records with a string of well-received albums released between 1968 and 1976, and the new Complete Albums box set due in stores tomorrow (February 5) collects them all under one roof for the first time, plus two archival compilations.
Now 70 years old and still active as both a touring and recording artist, Taj Mahal’s recordings for Columbia are the cornerstone of his career. This expansive new box set from Legacy Recordings includes the albums Taj Mahal (1968), The Natch’l Blues (1968), Giant Step/De Ole Folks At Home (2 CDs, 1969), The Real Thing (live, 1971), Happy Just To Be Like I Am (1971), Recycling The Blues & Other Related Stuff (1972), Oooh So Good ’N Blues (1973), Mo’ Roots (1974), Music Keeps Me Together (1975), and Satisfied ’N Tickled Too (1976). The box set also finds room for the 1972 film soundtrack Sounder, the 1992 anthology Rising Sons Featuring Taj Mahal and Ry Cooder, and the 2012 2-CD set Hidden Treasures.
Columbia was, of course, the label where two-time Grammy winner Taj Mahal got his start. Born in New York but raised in Massachusetts, the young artist relocated to California in 1964 and soon formed The Rising Sons with another up-and-coming talent, Ry Cooder. A club sensation, the Rising Sons managed to release one single on Columbia, though an album of unreleased material produced by Terry Melcher (The Byrds, Paul Revere and the Raiders) escaped from the vaults on the 1992 compilation included in this new box. The eclectic music of The Rising Sons anticipated the catholic approach Taj Mahal would take as a solo artist; the band’s repertoire included Bob Dylan (“Walkin’ Down the Line”), Blind Willie McTell (“Statesboro Blues”) and even Carole King and Gerry Goffin (“Take a Giant Step”).
Though the group soon disbanded, Columbia kept tabs on Taj Mahal, and released his self-titled solo debut in 1968. The blues-oriented set featured compositions from McTell, Robert Johnson and Sleepy John Estes, and featured Cooder on rhythm guitar. Taj played lead guitar, slide guitar and handled vocals. More albums followed, with 1969’s half-acoustic, half-electric Giant Step/De Old Folks at Home a particular milestone. The album took half of its title from the Goffin and King song that was becoming a Taj Mahal signature tune, and also included material from The Band’s Garth Hudson and Robbie Robertson as well as Sonny Boy Williamson and Huddie Ledbetter on the electric side. The Giant Step side also featured one of Taj’s songs from the film The April Fools, likely the only movie in which his music shared the spotlight with that of Percy Faith, Burt Bacharach and Marvin Hamlisch! The acoustic volume primarily consisted of traditionals.
After the jump: we bring you up to date on Taj’s career, plus we’ve got an order link, full track listing and discography for all 15 discs in the new box! Read the rest of this entry »
Review: Taj Mahal, “The Hidden Treasures of Taj Mahal: 1969-1973”
Perhaps Henry Saint Clair Fredericks Jr. just didn’t have the right ring to it? Whatever the reason, the former Fredericks took the name of Taj Mahal after the palatial Indian mausoleum, and never looked back. The singer, songwriter, multi-instrumentalist and all-around renaissance bluesman had his first solo tenure with Columbia Records, from 1968 to 1976, and most of that period is addressed on the new 2-CD anthology The Hidden Treasures of Taj Mahal 1969-1973 (Columbia/Legacy 82876 82294 2, 2012). This set features two CDs of previously unreleased material, both live and in the studio. The first disc debuts studio recordings dating from 1969-1973, and the second disc premieres a full-length live concert, recorded April 18, 1970 at the legendary Royal Albert Hall in London between the releases of Giant Step/De Old Folks at Home (1969) and Happy to Be Just Like I Am (1971). And plans are already afoot for further projects from Mahal’s entire Columbia Records catalogue.
Disc One of Hidden Treasures compiles unreleased songs and alternate takes from four distinct sessions, each with its own musicians. These different bands bring out different qualities in Taj Mahal, the singer, and it’s a pleasure to hear, since his work as a vocalist is often overlooked in favor of his instrumental prowess. His singing is obviously blues-derived, as Mahal is one of the most influential figures in establishing the ongoing relevance of traditional acoustic blues. But he also takes in folk, country, gospel and world music influences, not to mention rock; after all, he played the Sunset Strip with Ry Cooder as a member of The Rising Sons in the heady, a-go-go days of the mid-sixties! All of these influences are evident on the twelve tracks here. That said, it’s easy to see why many of these rough performances didn’t see release initially, although that doesn’t diminish their value. This disc may not be an ideal introduction to Taj Mahal’s artistry, but it’s a gift to those familiar with his deep history.
We dive in right after the jump! Read the rest of this entry »
Release Round-Up: Week of August 21
KISS, Destroyer: Resurrected (Mercury/UMe)
The 1976 classic gets a new mix from original producer Bob Ezrin for its 35th anniversary. (It’s also available on vinyl, too!)
Taj Mahal, The Hidden Treasures of Taj Mahal (Columbia/Legacy)
Tomorrow may not be your day, but today certainly is if you’re a Taj Mahal fan: two discs of unreleased material – one of studio tracks, one from a 1970 show at the Royal Albert Hall.
Los Lobos, Kiko: 20th Anniversary Edition / Kiko Live (Shout! Factory)
Arguably the finest album from that band from east L.A., Kiko has been expanded with five unreleased bonus cuts and a separate CD/DVD or CD/Blu-Ray set featuring a 2006 performance of that record in its entirety.
Madness, Total Madness: All the Greatest Hits and More! (Salvo/Union Square)
A pretty simple, brand-new compilation with which you can acquaint yourself with one of everyone’s favorite U.K. ska bands.
Take A Giant Step: Taj Mahal Celebrates 70th Birthday With Release of “Hidden Treasures” From The Vaults
Today, May 17, 2012, Taj Mahal turns 70. Though the bluesman has reached a venerable age, he’s still some 289 years younger than his namesake structure in Agra, India. But the man born Henry Saint Clair Fredericks Jr. has packed in at least a couple lifetimes of breaking new musical ground. A singer, songwriter and multi-instrumentalist, Taj Mahal has fused traditional blues with rock, pop, jazz, folk and world music influences drawing on his own West Indian heritage and beyond. In celebration of Mahal’s birthday, Legacy Recordings is launching a new catalogue initiative for the artist which begins on August 21 with the release of The Hidden Treasures of Taj Mahal 1969-1973. This set features two CDs comprised entirely of unreleased finished material, both live and in the studio. The first disc debuts studio recordings from the period of 1967-1973, and the second disc premieres a full-length live concert, recorded April 18, 1970 at the legendary Royal Albert Hall in London. Plans are afoot for the entire Columbia Records catalogue of Taj Mahal to eventually see reissue in definitive editions.
Columbia was the label where two-time Grammy winner Taj Mahal got his start. Born in New York but raised in Massachusetts, he relocated to California in 1964 and soon formed The Rising Sons with another up-and-coming talent, Ry Cooder. A club sensation, the Rising Sons managed to release one single on Columbia, though an album of unreleased material produced by Terry Melcher (The Byrds, Paul Revere and the Raiders) escaped from the vaults years later. The eclectic music of The Rising Sons anticipated the catholic approach Taj Mahal would take as a solo artist; the band’s repertoire included Bob Dylan (“Walkin’ Down the Line”), Blind Willie McTell (“Statesboro Blues”) and even Carole King and Gerry Goffin (“Take a Giant Step”). Though the group soon disbanded, Columbia kept tabs on Taj Mahal, and released his self-titled solo debut in 1968. The blues-oriented set featured compositions from McTell, Robert Johnson and Sleepy John Estes, and featured Cooder on rhythm guitar. Taj played lead guitar, slide guitar and handled vocals. More albums followed, with 1969’s half-acoustic, half-electric Giant Step/De Old Folks at Home a particular milestone. The album took half of its title from the Goffin and King song that was becoming a Taj Mahal signature, and also included material from The Band’s Garth Hudson and Robbie Robertson as well as Sonny Boy Williamson and Huddie Ledbetter on the electric side. The acoustic volume primarily consisted of traditionals.
Taj Mahal played the Royal Albert Hall on a bill with Santana between Giant Step/De Old Folks at Home and 1971’s Happy to Be Just Like I Am. Taj Mahal remained with Columbia Records until 1976, writing more of his own material but frequently spicing his albums with songs from other musicians ranging from Mississippi John Hurt to Bob Marley and Chuck Berry! In 1976 he left Columbia for Warner Bros. Records, a sister label of Reprise Records, where Mahal’s old friend Ry Cooder had started his own solo career in 1970. Taj Mahal continues to perform and record today; his 2008 album Maestro celebrated his long career with guest spots from Los Lobos, Jack Johnson, Ziggy Marley and Ben Harper. Legacy’s 2005 The Essential Taj Mahal offered a retrospective of his career.
Hit the jump for more on Hidden Treasures, plus the full track listing! Read the rest of this entry »