Ace Is Twistin’ the Night Away with Sam Cooke Tribute, Motown Rarities and More

When it comes to rare soul, Ace Records never sleeps!  The label has recently released a compilation celebrating the career of Sam Cooke not as a singer but as a songwriter, along with collections dedicated to excavating the vaults of two great Detroit labels: Westbound Records, and of course, Motown!

Countless albums have anthologized the short but influential oeuvre of Sam Cooke, but Bring It on Home: Black America Sings Sam Cooke takes a different approach, featuring 24 versions of Cooke compositions recorded between 1959 and 1976, performed by some of the biggest African-American names in popular music.  Cooke (1931-1964) was a singer-songwriter before the term was in fashion, writing or co-writing 25 of his 35 R&B hits charted between 1957 and 1965 (not counting many of the B-sides which he also wrote).  Bring It on Home doubles as a “Who’s Who” of classic American soul, with artists from the Stax, Motown and Atlantic rosters among many others.

Many of Cooke’s most famous songs are here: the silky, chart-topping ballad “You Send Me” as performed by Percy Sledge in Muscle Shoals, “Shake” from Cooke disciple Otis Redding (who, like Cooke, died tragically young – but not before including renditions of Cooke songs on all but one of the studio albums released during his lifetime), “Cupid” from “Take a Letter, Maria” singer R.B. Greaves, “Wonderful World” from Johnny Nash of “I Can See Clearly Now,” and of course, “A Change is Gonna Come” from “Gimme Little Sign” vocalist Brenton Wood.  The title track, “Bring It On Home to Me,” is heard courtesy of Stax legend Eddie Floyd.  As a special treat, Ace has unearthed a previously unissued version of Theola Kilgore’s “answer song” to “Chain Gang” entitled “(Chain Gang) The Sound of My Man.”

A couple of tracks are drawn from the Motown stable including The Supremes ‘ ” (Ain’t That) Good News” from Diana, Mary and Flo’s 1965 We Remember Sam Cooke album, with Flo on a thunderous lead.  Smokey Robinson leads The Miracles on their 1964 version of “Dance What You Wanna.”  From the Stax Records family, Sam and Dave offer their first U.K. Pop hit, 1966’s “Sooth Me.”  A couple of tracks have been drawn from Sam Cooke’s own SAR label, too: Sam’s production of “Rome (Wasn’t Built in a Day)” by future Stax superstar Johnnie Taylor, and Johnnie Morisette’s “Meet Me at the Twistin’ Place,” also produced by Sam.  Mr. Cooke himself is heard on “That’s Heaven to Me” from his final session with The Soul Stirrers.  Other highlights include tracks from Lou Rawls (“Win Your Love”), Aretha Franklin (“Good Times”) and Little Anthony and the Imperials (“I’m Alright”), proving the breadth of Cooke’s versatility.  Tony Rounce has provided the track-by-track liner notes in the 16-page booklet, and Duncan Cowell has newly remastered all tracks.  Bring It on Home is a worthy addition to the series of Black America Sings, which also includes titles spotlighting the songs of Bob Dylan, John Lennon and Paul McCartney, Otis Redding, and Burt Bacharach and Hal David.

After the jump, we’re heading to Detroit!

Temptin’: SoulMusic Reissues The Temptations’ Atlantic Albums On One CD

When The Temptations departed Berry Gordy’s historic Motown label in 1977, the Motown roster was in the midst of dramatic change.  The Tempts followed in the footsteps of their onetime labelmates like The Four Tops, Gladys Knight and the Pips, The Spinners and even The Jackson 5, all of whom had departed Motown.  The Tempts – Otis Williams, Melvin Franklin, Richard Street, Glenn Leonard and newest recruit Louis Price – signed to R&B powerhouse label Atlantic, where they remained for two albums collected on one CD from Cherry Red’s SoulMusic Records imprint – Hear to Tempt You (1977) and Bare Back (1978).

Hear to Tempt You should have been a match made in soul Heaven, for it paired the great vocal group with three of the hottest musician-producers out of Philadelphia – Ronnie Baker, Norman Harris and Earl Young.  B-H-Y had helped shape The Sound of Philadelphia for Gamble and Huff’s Philadelphia International label before defecting to Salsoul and creating some of the greatest, most soulful disco records of all time.  At Atlantic, B-H-Y graced records by Blue Magic and The Trampps (of which drummer/vocalist Earl Young was a member), among others.  For The Temptations, B-H-Y provided nine original songs, working with their frequent collaborators T.G. Conway, Allan Felder and (future Temptation) Ron Tyson.  Tracks were laid down at Philly’s Sigma Sound with the A-team including Harris, Bobby Eli and T.J. Tindall on guitar, Ron Kersey on keyboards, Michael “Sugar Bear” Foreman on bass, Young and Keith Benson on drums, Larry Washington on congas and Don Renaldo with his Horns and Strings.  The vocals for Hear to Tempt You were laid down in Atlantic’s New York studios,  which might have been a sign; Glenn Leonard tells Kevin Goins in his exceptional essay that “It was clear that Atlantic really didn’t know what to with us once we were signed…the chemistry just wasn’t there with [B-H-Y].”  Despite showcasing those familiar Temptations harmonies on sweet, lush soul grooves – both uptempo dancers (“Think for Yourself,” “Read Between the Lines”) and inimitable Philly ballads (“Let’s Live in Peace,” “I Could Never Stop Loving You” – that compared favorably to B-H-Y’s other hit production work of the era, the LP only reached a peak of No. 38 on the R&B Top 40 Albums Chart, and No. 113 on the Top 200.

We have more after the jump including the complete track listing and order links!

What’s Going On: “Motown 25” Comes To DVD In New Box Set, Highlights DVDs

On the evening of March 25, 1983, the Pasadena Civic Auditorium was alive with the sound of music – the Sound of Young America, to be more specific.  Motown Records was celebrating its 25th anniversary, and producer Suzanne de Passe wasn’t pulling any stops.  “Once in a lifetime” was as overused in 1983 as it is today, but the galaxy of stars assembled by de Passe couldn’t be described any other way: Diana Ross and the Supremes, Marvin Gaye, Lionel Richie and the Commodores, Smokey Robinson and the Miracles, Stevie Wonder, Mary Wells, Martha Reeves, Junior Walker, The Temptations, The Four Tops, and the Jackson 5 were all there.  And the moment Michael Jackson broke out of the shadow of his brothers, once and for all, to show America the moonwalk, the evening billed as Motown: Yesterday, Today, Forever entered into the annals of history.  With host Richard Pryor presiding over reunion performances ranging from the warm (The Miracles) to the seemingly contentious (The Supremes), a Temps/Tops “battle of the bands” and even tribute performances from visiting stars like Adam Ant and Linda Ronstadt, Motown 25 was an event the likes of which wouldn’t be seen again.  The program aired on NBC-TV on May 16, 1983, and was subsequently issued on MGM/UA Home Video in 1991, but DVD release had eluded it…until now.  On September 30, the Emmy Award-winning Motown 25 will arrive from Time Life/StarVista (in conjunction with de Passe Jones Entertainment and Berry Gordy’s West Grand Media) in a variety of formats echoing Time Life’s lavish treatment of The Midnight Special and other titles.

The crown jewel of this campaign is the 6-DVD box set, which – in Time Life/StarVista tradition – will be an online exclusive at MOTOWN25DVDS.COM. It’s available there now for pre-order.  The release features an extended version of the show, with over 20 additional minutes not seen on the original broadcast, as well as a brand-new 5.1 surround sound mix. The 6-DVD set also includes nine newly-produced featurettes and additional bonus features including:

• “Signed, Sealed, Delivered – The Making of Motown 25,” which tells the behind-the-scenes story of the making of the program, and offers new insights into the rise of Motown and its roster of super stars
• “What’s Going On: Marvin Gaye”
• “Come and Get These Memories: Inside Hitsville”
• “Dancing In The Street: History of Motown”
• Rare footage of Marvin Gaye ad-libbing at the piano prior to a soulful version of “What’s Going On”
• Stevie Wonder rehearsal footage
• A two-part Motown 25 Performers Roundtable featuring Smokey Robinson and Duke Fakir (Four Tops), Otis Williams (The Temptations) and Executive Producer Suzanne de Passe, taped at the location of the original concert, the Pasadena Civic Auditorium
• A “Yesterday-Today-Forever” Production Roundtable with de Passe, Director/Producer Don Mischer and others
• Over 25 exclusive interviews with performers and crew, including Claudette Robinson (The Miracles), Martha Reeves (Martha and the Vandellas), Smokey Robinson, Nelson George, Gloria Jones, Adam Ant, Ashford and Simpson, Buz Kohan (Head Writer), David Goldberg (Executive in Charge of Production), Mickey Stevenson (Former Head of A&R/Songwriter), Jimmy Jam and Terry Lewis (Songwriters/Producers) and many more.

The box set, pictured above, is packaged with an exclusive 48-page booklet packed with information about the show and artists, production materials and never-before-scene photos from the production, essays on Motown performers, a copy of the original Motown 25 program, and more.

Two versions – a 3-DVD set and a single-disc release – will arrive to retail on September 30.  The 3-DVD set features the concert and over six hours of extras including four featurettes, the Marvin Gaye rehearsal footage, the Performer and Production Roundtables and more.  The single DVD features the newly-remastered concert and over one hour of bonus features.

About the only thing missing from this comprehensive campaign is an audio component, such as a new reissue of the 1983 version of the Grammy-nominated The Motown Story audio documentary or a first-time-ever actual soundtrack of the evening’s performances.  After the jump, we’ll break down the contents of each release for you!

Morales Preps the (Dance) Sound of Young America on “Club Motown”

Calling all ’80s Motown fans! Universal’s U.K. arm has issued a double disc set of 20 classic club mixes from the label, curated by noted remixer John Morales.

Motown of course crafted the sound of young America throughout the ’60s and created some deeply affecting funk and soul in the ’70s, but the ’80s was still a prolific time, thanks to popular R&B/dance acts including Rick James and DeBarge as well as established acts like The Temptations and Commodores frontman Lionel Richie. Morales and partner Sergio Munzibal, the “M+M” mixing team, turned many of those tracks into club hits, and Club Motown features some familiar hits as well as some mixes that were only ever released in Europe, for the likes of Michael Lovesmith or Bobby Nunn.

In addition to the classic vintage dance sides on Club Motown, Morales has completed work on six new “throwback” club mixes of tracks by Teena Marie, Diana Ross, Thelma Houston and more! A double 12″ single set, John Morales Presents Motown Divas, features some of these new mixes plus instrumentals in a vintage-style sleeve.

After the jump, you can check out the track lists for both sets and place your orders!

Review: Real Gone Offers Temptations From David Ruffin and Eddie Kendricks

Three recent releases from the team at Real Gone Music feature the solo music of David Ruffin and Eddie Kendricks, two-fifths of the original Temptations line-up. The label has reissued Ruffin’s first four albums on two single CDs, two to each CD, and has premiered Kendricks’ post-Motown LP Love Keys, for Atlantic Records, on CD.

David Ruffin had departed The Temptations after the April 1968 release of the Wish It Would Rain album, with Dennis Edwards officially joining the group onstage in July and on record in November for the joint effort Diana Ross & The Supremes Join the Temptations. Wish It Would Rain is considered to be the Temps’ final album squarely in the “classic Motown” bag, as producer Norman Whitfield steered them in a “psychedelic soul” direction with their next group-only album, Cloud Nine. The Sound of Young America, however, was abundant on Ruffin’s 1969 solo debut My Whole World Ended.

Its cover depicts an introspective-looking Ruffin, and though the album’s lyrics are filled with woeful tales – perhaps none more so than the bleak “I’ve Lost Everything I’ve Ever Loved” – it’s hardly a depressing or downbeat listen. There’s nary a straight ballad on the set, with grief-stricken lyrics usually set to mid- or uptempo melodies. It’s anchored by the No. 9 Pop/No. 2 R&B title track from a host of writers including Johnny Bristol, Jimmy Roach, Pam Sawyer and its producer, Harvey Fuqua. “My Whole World Ended” is a stunning piece of utterly despairing pop set to an irresistibly dramatic melody, which Ruffin sings as if his whole life depended upon it. Far from ending, the song augured a new beginning for the Temptation.

The numerous producers whose work was tapped to create the album – Johnny Bristol, Harvey Fuqua, Henry Cosby, Ivy Jo Hunter and George Gordy – all put Ruffin’s powerful, versatile voice front and center. Ruffin had a husky rasp that lent itself to expressions of pain and passion, whether crooning tenderly or reaching for his falsetto register for a well-placed shriek of anguish (as he does frequently). None of the songs on My Whole World Ended would have seemed like a radical departure from his lead vocals with The Temptations although the female backing vocals on a number of the tracks lent quite a different quality. Ruffin even engages in a bit of church-inspired call-and-response with the chorus on “World of Darkness.” Another atypical track is Bristol and Marv Johnson’s “My Love is Growing Stronger” with its unusual (for Motown, anyway) waltz tempo. “Everlasting Love” is a Motown spin on the Buzz Cason/Mac Gayden song that was a hit for Robert Knight (in 1967), Love Affair (in 1968), Carl Carlton (in 1974) – just to name a few of the artists who have had chart success with the driving melody! “Flower Child” is early Motown psychedelia, with a funky, Whitfield-style rhythm and a dirty electric guitar.

Follow-up album Feelin’ Good (which doesn’t have a cover of the Anthony Newley/Leslie Bricusse song of that title) again was the work of numerous producers, among them the returning Johnny Bristol, George Gordy and Henry Cosby plus Leonard Caston, Clay McMurray, Al Kent, Terry Johnson, Nickolas Ashford and Valarie Simpson, and even Berry Gordy. It arrived later in 1969, just months after its predecessor, with a freshly-minted cover of Jackie DeShannon’s hit “Put a Little Love in Your Heart,” one of the tracks here to subtly add a contemporary edge with sitar. Other tracks were actually recorded prior to sessions for Ruffin’s first album. Though there’s still plenty of Despair, Ruffin-Style, it’s a lighter listen than My Whole World Ended, too.

The boisterous and brassy “I Could Never Be President” (“…just as long as I’m lovin’ you!”) arrived at Motown from southern soul scribes “We Three,” a.k.a. Homer Banks, Bettye Crutcher and Raymond Jackson. Closer to home, Gladys Knight, her brother and Pip Merald Knight and Johnny Bristol penned “I Pray Everyday You Won’t Regret Leaving Me,” which sizzles thanks to Ruffin’s dynamic vocal on its shifting melody. He can’t top Marvin Gaye and Tammi Terrell’s recording of Ashford and Simpson’s “What You Gave Me” (which recalls “Ain’t No Mountain High Enough” in its melody and arrangement) but comes close on this sweet track.  Another Motown great, Smokey Robinson, co-wrote “The Letter.”

Despite the variety of material, Ruffin simply wasn’t capable of turning in a less-than-authentic vocal performance. Berry Gordy oversaw the full-tilt gospel of “I’m So Glad I Fell for You” with the choir (credited as The Hal Davis Singers) and the requisite organ; on the other end of the spectrum is a straightforward cover of Dave Mason’s “Feelin’ Alright” (why wasn’t that selected as the album’s title?) with the familiar piano part of the Joe Cocker recording. Oddly, a couple of tracks sound more like The Four Tops than The Temptations: Clay McMurray’s urgent “I Don’t Know Why I Love You” and Norma Toney, Albert Hamilton and William Garrett’s “One More Hurt.”

After the jump: a look at David Ruffin/Me ‘n’ Rock ‘n’ Roll are Here to Stay and Eddie Kendricks’ Love Keys!

Action, Action, Action! Real Gone’s April Release Schedule Announced

Second Disc HQ may be surrounded by layers of detestable snow, but a new release schedule from Real Gone Music is as good as any sunshine! (Plus, these titles are due in April, by which everything will have melted…WE HOPE.)

You’ve already read about two of the label’s new April releases courtesy of Joe’s post about Doris Day earlier today, but that’s not all they’re offering. A complete singles collection by Patti LaBelle and The Bluebells – featuring the three future members of LaBelle with future Supremes member Cindy Birdsong – is forthcoming, as are chronicles of The Ohio Express on Cameo Records, Vicki Lawrence (“The Night the Lights Went Out in Georgia”) on Bell, and a tempting reissue of Eddie Kendricks’ 1981 final solo LP, his only for Atlantic Records.

But we have to confess we’re a little excited about In Action: The Complete Columbia Sides and More, a new collection devoted to Keith Allison, an underrated rock legend who sat in with The Monkees on some of their best albums, and whose Columbia works were produced by Gary Usher, featuring songs written by Boyce & Hart (the iconic theme to TV series Where the Action Is), Neil Diamond and Mark Lindsay, who’d later recruit him into Paul Revere & The Raiders. In addition to being an airtight, rarity-packed set, we once again can reveal a Real Gone Music release has liner notes penned by our own Joe Marchese, featuring excerpts from a new interview with Keith himself!

So what are you waiting for? Full specs on all titles, including Jacksonville band Cowboy (a favorite of Duane Allman’s) and another Grateful Dead Dick’s Picks title, are after the jump, and all of them are released on April 1 (no foolin’!).

Motown Rarities Uncovered on Vinyl Box, Digital Outtakes Set

Motown aficionados have a lot of fun stuff to dig through on a number of formats, with the recent release of a box set collecting 14 rare cuts on vinyl and a new, copyright law-busting compilation of 52 previously unavailable outtakes from some of the label’s biggest names.

Recently issued in the U.K., The Motown 7s Box: Rare and Unreleased Vinyl seems to take more of a tack about “tracks unreleased to vinyl” than “never-before-released tracks on vinyl.” Everything here has been made available in some way, shape or form, including rare studio cuts from Marvin Gaye, Stevie Wonder, The Supremes, The Four Tops and even David Ruffin, The Spinners and Kim Weston. But perhaps only one of them, Frank Wilson’s “Do I Love You (Indeed I Do),” ever made it to vinyl before CD. (That original single is, in fact, one of the rarest in the world.) Producer Richard Searling offers track-by-track liner notes on the box, though no official mastering information is supplied.

Meanwhile, digital retailers have started carrying Motown Unreleased 1963 another copyright-savvy compilation of Motown outtakes from five decades past. (Outside the U.S., copyright law governs that recordings not issued within 50 years lapse into public domain, prompting rights holders to quickly issue collections from Bob Dylan to, this week, The Beatles and The Beach Boys. A similar volume from Motown cropped up last year, too.)

While it’s open to interpretation as to what, if any, true finds exist on the set, many of Motown’s best are featured herein on recordings you’ve never heard before, from The Miracles, The Supremes (a cover of “Funny How Time Slips Away”!), Stevie Wonder (alternate and early takes of “Fingertips” and “Blowin’ in the Wind”), The Temptations and even lesser-known acts on the roster, including Labrenda Ben and The Contours.

After the jump, you’ll find order links and full specs on each of these unique sets.

Neither One of Us (Wants to Be the First to Say Goodbye): Final “The Complete Motown Singles” Volume Bows

They did it.

Nearly nine years after the first volume in Hip-O Select’s The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays.

The year 1972 marks, for many, the end of the “classic Motown” period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo artist away from The Supremes, while Smokey Robinson would part ways with The Miracles in 1972 – the same year both The Four Tops and Gladys Knight & The Pips would break off from the label. At the same time, though, several of the label’s acts were coming in to their own, from The Temptations’ psychedelic soul styles, the increasing independence and experimentation of Stevie Wonder and Marvin Gaye and even the shine of the spotlight on solo members of The Jackson 5, namely frontmen Michael and Jermaine.

Included in the 100 tracks across five discs are some choice rarities, including Marvin Gaye’s beautiful (but long-lost) holiday single, “I Want to Come Home for Christmas” b/w “Christmas in the City,” an unissued solo single from longtime label songwriter Valerie Simpson, a duet by G.C. Cameron and Willie Hutch that never made it to an album with Hutch’s vocal, and even rare sides by several pop acts who made their name away from the Motown roster, including Lesley Gore, Bobby Darin and Frankie Valli & The Four Seasons.

Packed, as always, with a bonus replica 7″ single (The Temptations’ classic “Papa Was a Rollin’ Stone”), The Complete Motown Singles Vol. 12B is loaded with notes and essays from Abdul “Duke” Fakir of The Four Tops, Susan Whitall of The Detroit News, journalist Bill Dahl and compilation producers Keith Hughes and Harry Weinger, who “contribute series postscripts that offer back stories of the Motown tape vault, session logs and tape cards.”

The Second Disc has, of course, spent most of its existence lightly prodding Harry, UMe’s vice-president of A&R, for information on the TCMS series; when we set up shop in 2010, the series had seemingly stalled at Vol. 11 the year before. Vols. 12A and 12B would not materialize until this year, though I certainly speak for both Joe and myself (not to mention countless readers and fans around the world) that the work has been well worth the wait.

On December 10, that wait is finally over. After the jump, you can pre-order your own copy of the set.

Where Were You When We Needed You: Latest Volume of “The Complete Motown Singles” Arrives in June

Let’s dispense with the “Get Ready” puns: after a four-year wait, Hip-O Select’s Complete Motown Singles series inches closer toward the finish line with Volume 12A: 1972.

This five-disc set includes every single side released by Motown during the first half of 1972, a time of transition for the company. Berry Gordy had already moved his Detroit-based media empire westward to Los Angeles, leaving some of his flagship groups in a transitional period. The Jackson 5 still had their hits, but not with the blinding intensity of their earliest years (though Michael still enjoyed hits off of his solo debut Got to Be There). Marvin Gaye released a one-off single, “You’re the Man,” in between two masterpieces (1971’s What’s Going On and 1973’s Let’s Get It On), while Stevie Wonder began his journey as a fully in-control adult artist with “Superwoman (Where Were You When I Needed You)” from Music of My Mind. Both Smokey Robinson & The Miracles and Martha & The Vandellas released their farewell singles in this era, while a new up-and-coming band named The Commodores released their first.

It was certainly a unique time there, and now, it’s coming home, The Complete Motown Singles-style. That means gorgeous book packaging with a bonus 45 (devoted MoWest’s The Blackberries, whose single “Somebody Up There” actually was never issued as a 45), multiple essays (including by Motown engineers Russ and Ralph Terrana, Susan Whitall of The Detroit News), and track-by-track notes by Bill Dahl and producers Keith Hughes and Harry Weinger.

The box ships from Select on May 31 and from all retailers June 11. Hit the jump for a full track list and Amazon pre-order link!

Release Round-Up: Week of March 12

Various Artists, Motown the Musical – Originals: The Classic Songs That Inspired the Broadway Show (Motown/UMe)

The Sound of Young America is now the sound of The Great White Way, with a new musical entering previews this week. This new compilation presents all the original versions of the songs that feature in the show!

1CD: Amazon U.S. / Amazon U.K.
2CD: Amazon U.S. / Amazon U.K.

TV Mania, Bored with Prozac and the Internet? (Tapemodern)

Completed by Duran Duran keyboardist Nick Rhodes and former band guitarist Warren Cuccurullo in the late ’90s and presumed lost until recently, this experimental concept disc offered some surprisingly trenchant social commentary on an increasingly wacky media culture. (MP3: Amazon U.S. / Amazon U.K.)

Jellyfish, Stack-a-Tracks (Omnivore)

Released last year as a Record Store Day/Black Friday exclusive, this 2CD set, featuring original, lead vocal-free mixes of the power pop legends’ Bellybutton and Spilt Milk, is now available for all audiences to enjoy. (Amazon U.S. / Amazon U.K.)

Jamiroquai, Emergency on Planet Earth / Return of the Space Cowboy / Travelling Without Moving: Deluxe Editions (Sony Music U.K.)

In honor of the 20th anniversary of the U.K. dance group’s first album, the first three Jamiroquai LPs have been remastered and expanded.

Emergency 2CD: Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S. (no pre-order link available at present)
Cowboy 2CD:  Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S.
Travelling 2CD:  Amazon U.K. / Amazon U.S. :: 2LP: Amazon U.K. / Amazon U.S.

Paul Revere and the Raiders, Evolution to Revolution: 5 Classic Albums 1965-1967 (Raven)

Five of The Raiders’ classic Columbia LPs are put on two discs for the value-savvy collector. (Amazon U.S. / Amazon U.K.)

Andrews Sisters, Greatest Hits in Stereo/Great Golden Hits / Enoch Light and the Light Brigade, Provocative Percussion 3 & 4 / Ethel Merman, Her Greatest / Various Artists, Stars for a Summer Night (Sepia Recordings)

The latest vintage hits compilations from Sepia include some classic compilations from The Andrews Sisters and Ethel Merman and a great set of easy listening classics for summertime!

Andrews: Amazon U.S. / Amazon U.K.
Enoch: Amazon U.S. / Amazon U.K.
Ethel: Amazon U.S. / Amazon U.K.
Stars: Amazon U.S. / Amazon U.K.