Release Round-Up: Week of July 29

The Allman Brothers Band, The 1971 Fillmore East Recordings (Mercury/UMe)

The four shows in March 1971 that made up the band’s legendary breakthrough album are presented in full for the first time, along with the group’s closing set at the Fillmore East that following June. The Blu-ray version features the material in both stereo and 5.1 surround sound.

6CD: Amazon U.S. / Amazon U.K.
3-BD: Amazon U.S. / Amazon U.K.
4LP Highlights: Amazon U.S. / Amazon U.K.

Peggy Lipton, The Complete Ode Recordings / Gene Rains, Far Away Lands — The Exotic Music of Gene Rains /How to Stuff a Wild Bikini: Original Stereo Soundtrack / Cass Elliot, Don’t Call Me Mama Anymore Plus Rarities – Her Final Recordings / Dee Dee Warwick, The Complete Atco Recordings / The Shirelles, Happy and in Love/Shirelles / The Dream Academy, The Morning Lasted All Day — A Retrospective (Real Gone Music)

This diverse Real Gone set includes a compilation from underrated ’80s synthpop group The Dream Academy and recordings from Peggy Lipton, star of The Mod Squad; she covers the songs of Carole King, Laura Nyro, Brian Wilson and Tony Asher, Burt Bacharach and Hal David, and Jimmy Webb on this release, which has liner notes from our own Joe Marchese!

Peggy Lipton: Amazon U.S. / Amazon U.K.
Gene Rains: Amazon U.S. / Amazon U.K.
Wild Bikini: Amazon U.S. / Amazon U.K.
Cass Elliot: Amazon U.S. / Amazon U.K.
Dee Dee Warwick: Amazon U.S. / Amazon U.K.
The Shirelles: Amazon U.S. / Amazon U.K.
The Dream Academy: Amazon U.S. / Amazon U.K.

Deep Purple, Hard Road: The Mark 1 Studio Recordings 1968-1969 (Parlophone U.K.)

Deep Purple’s first three albums get the box set treatment with bonus tracks and stereo and mono mixes of the first two albums. (Amazon U.S. / Amazon U.K.)

James Brown, Get on Up: The James Brown Story – Original Motion Picture Soundtrack (Polydor/UMe)

In honor of the new film opening this week, Universal’s got a new JB compilation, naturally featuring a pair of unreleased live tracks from 1966. (Amazon U.S. / Amazon U.K.)

Eric Clapton and Friends, The Breeze (An Appreciation of J.J. Cale) (Bushbranch/Surfdog)

The legendary bluesman and some famous friends (Tom Petty, Willie Nelson, Mark Knopfler, John Mayer) pay tribute to the late blues singer-songwriter on this new album.

Standard Edition: Amazon U.S. / Amazon U.K.
2CD Box Set: Surfdog Records
4LP: Surfdog Records

L.C. Cooke, The Complete SAR Records Recordings (ABKCO)

This anthology collects the complete recordings of L.C. Cooke for his older brother Sam’s SAR Records label, including one complete shelved album produced and largely written by Sam, plus alternate takes, unreleased tracks, session chatter and bonus recordings from the Checker and Destination labels!  Musicians include Bobby and Cecil Womack, Billy Preston and “Pink Panther” saxophonist Plas Johnson! (Amazon U.S. / Amazon U.K.)

Silver Convention, Get Up and Boogie: Expanded Edition / Marilyn McCoo and Billy Davis Jr., I Hope We Get to Love in Time: Expanded Edition / Phyllis Nelson, Move Closer (Big Break Records)

Big Break has three more R&B classics arriving on CD this week  including the first post-5th Dimension album from Marilyn McCoo and Billy Davis Jr. featuring their smash “You Don’t Have to Be a Star (To Be in My Show).”

Silver Convention: Amazon U.S. / Amazon U.K.
Marilyn & Billy: Amazon U.S. / Amazon U.K.
Phyllis Nelson: Amazon U.S. / Amazon U.K.

Van Dyke Parks, Super Chief (Yep Roc)

Yep Roc reissues Van Dyke Parks’ 2013 “orchestral fantasy” on standalone CD (previously only available as part of a Record Store Day vinyl package) for the first time! (Amazon U.S. / Amazon U.K.)

Various Artists, Guardians of the Galaxy: Original Motion Picture Soundtrack/Awesome Mix Vol. 1 (Hollywood Records)

Here’s the only collection approved for listening by The Star Lord! This indeed-awesome all-catalogue mix includes vintage cuts from The Jackson 5, The Raspberries, David Bowie, The Runaways, Blue Swede, Rupert Holmes and more – all but one of which (Norman Greenbaum’s immortal “Spirit in the Sky”) play key roles in the Marvel blockbuster-to-be! Also available as part of a 2CD or 2LP deluxe edition also including the film’s orchestral score by Tyler Bates!

CD: Amazon U.S. / Amazon U.K.
2CD: Amazon U.S. / Amazon U.K.
2LP: Amazon U.S. / Amazon U.K.

*NSYNC, The Essential *NSYNC (Jive/Legacy)

This two-disc set from the late ’90s/early ’00s boy band lives up to its name for fans, featuring all the great hits (“Bye Bye Bye,” “Tearin’ Up My Heart,” “Pop”) plus a myriad of rarities from compilations, soundtracks and international pressings. (Amazon U.S. / Amazon U.K.)

Various Artists, Ghostbusters: Original Soundtrack Album (Arista/Legacy)

A sequel of sorts to the Record Store Day single co-produced by our own Mike Duquette, this is a straight reissue of the original soundtrack, newly remastered for vinyl. (Amazon U.S. / Amazon U.K.)

The Second Disc’s Record Store Day 2014 Must-Haves

If you’ve been following these pages for the past few weeks, you’ve likely noticed an awful lot of coverage about Record Store Day!  Well, the day is nearly here!   Tomorrow, Saturday, April 21, music fans and collectors will flock to their local independent record stores to celebrate both the sounds on those round black platters and the very concept of shopping in a physical retail environment. To many of us, both are a way of life.  We’re doubly excited this year because one special title was co-produced by our very own Mike D.: Legacy Recordings’ Ecto-Green glow-in-the-dark vinyl single containing four versions of Ray Parker Jr.’s “Ghostbusters.”

Each year around this time, we here at Second Disc HQ take a few moments to count down the titles to which we’re most looking forward to picking up! I’ll take my turn first, and then after the jump, you’ll find my colleague’s picks for some of the finest offerings you might find at your local retailer! And after you’ve picked up your share of these special collectibles, don’t hesitate to browse the regular racks, too…there’s likely even more treasure awaiting you.

You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list right here, and please share your RSD 2014 experiences with us below. Don’t forget to click on the Record Store Day tag below, too, to access all of our RSD ’14 coverage.  Happy Hunting!

1. Henry Mancini and His Orchestra, The Pink Panther LP (RCA/Legacy Recordings)

On April 16, 2014, the great composer/conductor Henry Mancini would have turned 90.  To mark the occasion, the all-new HenryMancini.com was launched, and Legacy announced plans for a yearlong celebration of the maestro’s enduring, engaging ouevre.  The label has major plans including an 11-CD box set of Mancini’s soundtracks as well as a newly-curated retrospective, but the festivities kick off on Saturday with the release on eye-catching pink vinyl of Mancini’s original album of music from Blake Edwards’ all-time classic comedy caper The Pink Panther.

This soundtrack album (slated for expansion later this year for the movie’s 50th anniversary) was, as per Mancini’s custom, a re-recording of the film’s major themes for the record-buying audience. In addition to the now-famous, sly ‘n’ slinky title theme with saxophone by Plas Johnson (which went Top 40 as a single; the soundtrack itself went Top 10), other highlights of the score include “It Had Better Be Tonight,” an Italian-style love song recently covered by Michael Bublé and performed in the film by Fran Jeffries (and on disc by Mancini’s chorus), and “Something for Sellers,” a great example of Mancini’s feel for what we today think of as lounge music.  Mancini’s “The Pink Panther” is currently the single most-streamed song in the entire Sony Music catalogue – a testament to the ongoing power of the gifted composer Henry Mancini.

2. Randy Newman, Randy Newman (Mono LP) (Rhino)

Prior to the release of 1968’s self-titled debut, Randy Newman was a staff songwriter for Los Angeles’ Metric Music, a West Coast answer to the Brill Building where he worked alongside the likes of Jackie DeShannon honing his skills.  The back of the LP, now being reissued for RSD in its original mono edition, read: “Randy Newman creates something new under the sun!” And while intended ironically (irony being one of Newman’s favorite weapons, always at the ready!), it wasn’t far from the truth. Produced by his childhood friend Lenny Waronker and quirky wunderkind Van Dyke Parks, Randy Newman featured some scathing social commentary sheathed in large, gorgeous orchestrations by the composer himself. Even this early on, it was evident that Randy learned something from his uncles, Lionel and Alfred Newman, two of the most illustrious composers in Hollywood history. The young Newman was the rare talent equally gifted in both melody and lyrics. “Davy the Fat Boy” and “So Long, Dad” are uncomfortably hysterical, while “Love Story” plainly tells the story of a couple from marriage to death, playing checkers all day in a Florida nursing home. Newman’s unique humor was already in full bloom, to wit this exchange from “Love Story”: “We’ll have a kid/Or maybe we’ll rent one, He’s got to be straight/We don’t want a bent one.” All of these songs were delivered in his off-hand, growl of a drawl, providing a contrast to the beautiful arrangements. When Randy Newman turned serious, the results were heartbreaking and simple (though far from simplistic): “Living Without You” or the oft-covered “I Think It’s Going to Rain Today,” which managed to be both cynical and achingly sad. A major new talent had arrived.

3. Bob Wills and His Texas Playboys, Transcriptions (Real Gone Music)

Vintage music from the pre-rock-and-roll era gets an airing on Record Store Day thanks to releases such as this one, along with other key releases from Omnivore Recordings and Blue Note Records.  Here, Real Gone Music unearths 10 tracks from the King of Western Swing, four of which will remain exclusive to this vinyl release.  These have been drawn from the more than 200 songs recorded by Wills for Tiffany Music, Inc. which remained under lock and key for years.  (Wills recorded a total of almost 400 songs for Tiffany in 1946 and 1947.)  This remastered release has been painstakingly designed after an original transcription disc.  The vinyl is housed inside a replica package in the style of the actual mailers in which Tiffany discs were sent to radio stations in the 1940s – with “pre-distressed” trompe l’oeil wrinkles and wear on the record jacket and a cutaway hole infront showing the vintage Tiffany logo on the vinyl label, whichcontinues the Tiffany numbering system of assigning a recordnumber to each side. Furthering this tremendous attention to detail, the back cover also presents vintagegraphics from the period, and the records are pressed in the style of some of the original discs on 150-gram red vinyl. This release precedes Real Gone’s upcoming 2-CD set drawn from Wills’ Tiffany Transcriptions, and tracks include such songs as Cole Porter’s “Don’t Fence Me In” and Johnny Mercer’s “I’m an Old Cowhand.”  Count me in!

4. Various Artists, Live from High Fidelity: The Best of the Podcast Performances (Omnivore)

It wasn’t easy to choose from Omnivore Recordings’ great slate, including rare music from late legends Hank Williams and Jaco Pastorius, but Live from High Fidelity encapsulates the label’s dedication to preserving great music from all eras and genres.  This 14-track translucent green vinyl release is drawn a podcast hosted by L.A.’s High Fidelity Records, and features contributions from some TSD favorites like Sam Phillips, Rhett Miller of The Old 97’s, members of Spain, and most especially, appearing for the second time on this small list, Mr. Van Dyke Parks.  It’s about time podcast performances went physical, isn’t it?

5. Ronnie Spector and the E Street Band, “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go” / Eric Carmen, “Brand New Year (Alternate Mix)” b/w “Starting Over (Live 1976)” singles (Legacy)

Two of Legacy’s 7-inch singles caught our fancy this year.  The label has followed up this year’s Playlist: The Very Best of Ronnie Spector with a replica 45 of “Say Goodbye to Hollywood” b/w “Baby Please Don’t Go,” on which the former Ronette is backed by none other than Bruce Springsteen and the E Street Band.  Arranged and produced by a certain Mr. Van Zandt – that’s Little Steven now, and Sugar Miami Steve circa this single’s original release – these 1977 sides are blazing rock-and-roll at its finest.  Billy Joel’s A-side was a stunning Phil Spector homage in its original recording; with Ronnie on lead and Clarence Clemons honking on the sax, it became transcendent.  Eric Carmen’s new “Brand New Day” also arrives on vinyl in a previously unreleased alternate mix supporting The Essential Eric Carmen, on which the song first appeared. Featuring Carmen supported by Jeffrey Foskett, Darian Sahanaja, Nick Walusko and Mike D’Amico of Brian Wilson’s band, this 2013 composition is vintage Carmen – lush, gorgeous and memorably melodic.  You won’t want to miss these.

Honorable Mentions go to Rhino’s first-ever U.S. release of Fleetwood Mac’s 1970 single “Dragonfly” b/w “Purple Dancer” and its excavation of the 1968 LP The Birthday Party from Jeff Lynne’s psych-pop pre-ELO band The Idle Race; plus Legacy’s painstakingly-recreated stereo LP of “King of Cool” Dean Martin’s romantic long-player Dream with Dean on which he’s joined by a quartet for his most intimate jazz stylings; and Sundazed’s vinyl debut of two tracks by The Sunrays, the band that Murry Wilson intended to groom in the style of his former charges The Beach Boys.  Murry’s own song “Won’t You Tell Me” features the legendary L.A. Wrecking Crew, and the band’s Rick Henn supplies new liner notes for this 45!

After the jump: take it away, Mr. Duquette!

Give ‘Em a Spin: The Second Disc’s Essential Back to Black Friday 2013 Release Guide

Another year…another Black Friday. Yes, it’s that time of year again in which consumers start off the holiday shopping season on a mad, frenetic note. This year is another one in which numerous big-box retailers in the U.S. have made headlines by blackening Thursday, or Thanksgiving Day itself, by sales starting on the holiday. So many might give thanks that the folks behind Record Store Day are waiting until the traditional Friday to release their twice-yearly slate of exclusive releases.

As usual, many top artists are represented, from Bob Dylan to U2, with titles aimed coming from both the new and catalogue ends of the spectrum. With that in mind, Mike and I have once again selected our picks for the crème de la crème of titles being released this Friday. Don’t hesitate to head over and drop by your local independent record store, and don’t fear the crowds. With everybody at the mall, the Black Friday RSD event is usually a bit more manageable than the April festivities. You can find a full list of RSD Back to Black Friday exclusives (and a list of participating shops) here.

Without further ado, we’ll kick things off with five of Joe’s favorite slabs of vinyl due on Friday…

Nilsson, Sessions 1967-1975: Rarities from the RCA Albums Collection (RCA/Legacy)

Let’s go ahead and say it: 2013 has been The Year of Nilsson. Legacy’s well-curated sampler The Essential Nilsson whetted appetites for its crown jewel box set The RCA Albums Collection, and that landmark collection was followed by the first-ever CD reissue of Flash Harry on Varese Vintage. Now, Legacy caps off this yearlong celebration with the 180-gram vinyl release of a Nilsson album that never was. Sessions 1967-1975, adorned with Steve Stanley’s wonderful original artwork created for the box set, features twelve of the best Nilsson tracks you might not have known – and won’t soon forget. An alternate of “One” (“…is the loneliest number you’ll ever know”) and a demo of “Coconut” sit alongside John Lennon’s “Isolation” and Stephen Sondheim’s “Marry Me a Little” on this remarkable distillation of a singular musical life. To vinyl collectors who already own the box, Sessions is a fine complement. To those who don’t…you’re in for a treat. Doctor’s Orders: Put the lime in the coconut and call me in the morning.

Van Dyke Parks, “Come to the Sunshine” b/w “Farther Along” 7-inch single (Sundazed)

Musical iconoclast (and close pal and collaborator of Harry Nilsson) Van Dyke Parks returns with a replica 45 of his 1966 single, originally on the MGM label. “Come to the Sunshine” has proved a rallying cry for the sunshine pop genre, covered by artists including Harpers Bizarre – who included it as the very first track on their debut album. One part jazz, one part vaudeville, one part psychedelia and all- infectious, the intricately arranged “Come to the Sunshine” is packaged by the Sundazed crew in a new sleeve with a period photo of Parks and new liner notes from California pop historian Domenic Priore.

Ernie Kovacs, A Percy Dovetonsils Christmas (Omnivore)

Omnivore has our candidate for the wackiest release of the Christmas season – or is that the Christmath theathon? Yes, everyone’s favorite lisping poet is back. And if Ernie Kovacs’ kooky creation isn’t your favorite lisping poet, he might well be once you take a chance on A Percy Dovetonsils Christmas. “The Night Before Christmas on New York’s Fashionable East Side” is a most unique Christmas Eve tale, and it’s joined on this festive vinyl 10-inch picture disc by five more of Dovetonsils’ rather refined poems. Grab your smoking jacket (zebra pattern not required) and your glasses (painted-on eyeballs optional, as well) and rest in your easy chair with some of the strangest – and most strangely enjoyable – odes you’ll hear this holiday season.

The Doors, Curated by Record Store Day (Elektra/Rhino)

This 180-gram LP offers eight rare studio and live tracks from Jim, Ray, Robby and John including four mono mixes (“Break on Through,” “Soul Kitchen,” “Moonlight Drive” and “When the Music’s Over”) plus the LP version of “Love Street,” “The Unknown Soldier” from the Hollywood Bowl in 1968, “Roadhouse Blues” from New York’s Felt Forum in 1970, and “Five to One” from Boston, also 1970. All tracks have been remastered by Bruce Botnick, and surviving Doors Robby Krieger and John Densmore have hand-written the track listing on the artwork.

Roy Orbison, The Monument Vinyl Box (Legacy)

Here, then, is a Monumental 4-LP box for a Monumental artist. The Big O immortalized such heartbreakingly dramatic mini-operas as “Only the Lonely,” “Crying,” “Running Scared” and “Blue Bayou,” all of which you’ll hear on the first three LPs in this new vinyl box set: Lonely and Blue, Crying and In Dreams. The fourth LP is a wholly new creation: an Oh! Pretty Woman album featuring the title track, “Ooby Dooby,” “Claudette,” and other tracks handpicked by Orbison’s sons. This one will sure look great under the tree – wrapped in some pretty paper, of course.

After the jump: Mike selects his five picks for Back to Black Friday!

The Second Disc’s Record Store Day 2013 Essential Releases

Raise your hand if you’ll be joining 2013 Ambassador Jack White tomorrow to celebrate Record Store Day 2013!  Yes, on Saturday, April 20, independent record stores everywhere will offer an eclectic roster of limited edition releases of all kinds – most on vinyl, but some on CD, too.  As usual, the labels participating in RSD ’13 have a number of surprises on the way, previewing future releases, revisiting past titles and even curating completely new packages.  As is our tradition here, we’re taking the occasion to count down the titles to which we’re most looking forward! I’ll take my turn first, and then after the jump, you’ll find Mike’s picks for some of the finest offerings you might find at your local independent retailer!  Around these parts, of course, every day is Record Store Day – so, after you’ve picked up your share of the year’s collectible releases, don’t forget to browse the regular racks, too…you never know what you might find!

You’ll find more information and a link to a downloadable PDF of the complete Record Store Day list here, and please share your RSD 2013 experiences with us below. Happy Hunting!

1.            Miles Davis, ‘Round About Midnight / Milestones / Someday My Prince Will Come (Columbia/Legacy)

Last year, the team at Legacy feted the famous trumpeter with Forever Miles, which collected rare sides recorded between 1956 and 1970.  This year, Davis is the recipient of three 180-gram mono vinyl reissues from his classic early Columbia Records period.  1956’s ‘Round About Midnight, Davis’ label debut, showcases the artist at the epoch of his hard bop period.  His Quintet includes John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums and Paul Chambers on bass.  Davis’ muted horn makes magic on Thelonious Monk’s “’Round Midnight,” which remained in his book for years, and breathes new life into “Bye Bye Blackbird.”  For 1958’s Milestones, Davis foreshadowed the modal jazz breakthrough of the following year’s Kind of Blue with his title track as well as with another Monk composition, “Straight, No Chaser.”  The sextet recording adds Cannonball Adderley to the lineup on alto saxophone.  Milestones marked the final time Jones, Garland and Chambers would play on a Davis album.  Lastly, 1961’s Someday My Prince Will Come blended Davis originals (tributes to producer Teo Macero, Columbia President Goddard Lieberson and wife Frances) with standards including a blazingly reworked title tune from Walt Disney’s Snow White and the Seven Dwarfs.  Though credited to the Miles Davis Sextet, only “Someday” featured all six players – Davis, Chambers, Hank Mobley and John Coltrane on tenor sax, Wynton Kelly on piano, and Jimmy Cobb on drums.  Coltrane made a cameo on tenor on “Teo” (dedicated to Macero) with Mobley playing the instrument on the album’s other songs.

These three LPs remain among Davis’ finest accomplishments.  With crispness and clarity, they pack quite a punch in their original mono sound.  Legacy has lovingly recreated the original artwork for each individually numbered release.  There’s still quite a thrill in holding these objets d’art from a master at the top of his game, restlessly conquering each stylistic shift even as he planted the seeds for the next revolution in jazz.  These small group records, which alternated with the big-band sessions teaming Davis with arranger Gil Evans, shouldn’t be missed.

2.            Van Dyke Parks, Song Cycle (Reprise/Rhino)

Composer, arranger, producer, singer, musician, actor, author, historian, raconteur and bon vivant: Van Dyke Parks has carved out a niche in popular music truly unlike any other.  The renaissance man comes to RSD 2013 both with a new release (Super Chief: Music for the Silver Screen) and a 180-gram mono vinyl reissue of his solo LP debut, 1968’s Song Cycle.  As produced by the great record man Lenny Waronker, Song Cycle was a natural progression from the modular songwriting of Parks’ storied collaboration with Brian Wilson, SMiLE.  Creative, offbeat, and altogether unencumbered by any notions of conventionality, Song Cycle took in Parks’ varied originals along with compositions from Randy Newman and Donovan.  The cinematic, orchestral tour de force is played by a stellar cast of musicians including Wrecking Crew pros Hal Blaine, Tommy Tedesco, Lyle Ritz, Earl Palmer, Jim Gordon and Jay Migliori, plus Newman and The Beau Brummels’ Ron Elliott.  A kaleidoscopic journey through California pop, Song Cycle retains its power to surprise and enchant, and those hearing it for the first time in mono will be in for a mind-expanding treat.

3.            Paul McCartney and Wings, Maybe I’m Amazed (Hear Music)

Last year, Macca used the annual Record Store Day campaign to preview his deluxe Archive Collection release of 1971’s Ram with a vinyl replica single of “Another Day” b/w “Oh Woman, Oh Why.” This year, the RSD reissue of the 12” “Maybe I’m Amazed” live EP previews this year’s Archive presentation of Wings Over America.   As on the original 12” release, Side One includes “Maybe” in full and edited versions in mono, and Side Two presents the full and edited versions in stereo.  When “Maybe I’m Amazed” first appeared on 1970’s McCartney, a lush standout on a rather spare collection of homemade songs, it quickly gained popularity, but McCartney declined to officially release it as a single. It wasn’t until the 1976 live version from Wings Over America came along that McCartney relented. His ode to the lovely Linda then scaled the charts to No. 10 in the United States and No. 28 in the United Kingdom.

And Hear Music’s replica “Maybe I’m Amazed” isn’t the only offering this year to excite Beatlefans.  Universal Music is collecting three vintage Ringo Starr singles in a lift-top box.  Ringo’s Singles Collection includes 7-inch editions of “Photograph” b/w “Down and Out,” “It Don’t Come Easy” b/w “Early 1970,” and “(It’s All Down To) Goodnight Vienna” b/w “Oo-Wee.”  All singles are packaged in replicas of their original artwork!

4.            Old 97’s with Waylon Jennings (Omnivore)

Omnivore’s 2012 reissue of 1997’s Too Far To Care from Old 97’s added more than a disc’s worth of bonus tracks from the Rhett Miller-fronted alt-country band, and now the group returns to Omnivore with more previously unreleased goodies. And they’ve brought along a guest: the late, great Waylon Jennings.  Way back in 1996, Jennings joined Ken Bethea, Murry Hammond, Rhett Miller and Philip Peeples in Nashville to cut two tracks. Yet “Iron Road” and “The Other Shoe,” the two songs completed by Jennings and the 97’s, never saw the light of day…until now.  This RSD-exclusive release offers the Jennings/97’s collaborations plus the band’s demos of “Visiting Hours” (a live version of which appeared on 2011’s The Grand Theater Vol. 2) and “Fireflies” (re-recorded by Rhett Miller for his 2006 album The Believer). All four songs will be available as a double yellow vinyl 7-inch release, housed in a gatefold sleeve with art from Jon Langford and even liner notes from Rhett Miller! The package also includes a download card, offering digital files of the four tracks.  For an opportunity to hear an iconic talent paired with some of his most authentic heirs, Old 97’s with Waylon Jennings is a rare pleasure, indeed.

5.            Jimi Hendrix, Hey Joe b/w Stone Free (Experience Hendrix/Legacy)

Jimi Hendrix isn’t one to be left out – so he’s joined the “back to mono” revolution, as well, with Legacy’s individually numbered reissue of The Jimi Hendrix Experience’s debut U.K. single!  This 45 features the explosive trio of Hendrix, Noel Redding and Mitch Mitchell, backed by the trio of British songbirds The Breakaways.  Originally released in December 1966, “Hey Joe” rose to No. 6 on the U.K. chart; the U.S. release failed to chart, replacing “Stone Free” with B-side “51st Anniversary.”  This single represents the ground floor of Hendrix’s blazing, all-too-short career, and makes a fine companion to Legacy’s recent mono LP reissues of the U.S. and U.K. editions of the 1967 debut LP Are You Experienced.

Honorable Mentions: Frank Zappa’s “I’m the Slime/Montana” 7-inch (Zappa Records/Universal) is newly remastered from the original 1973 analog source.  “I’m the Slime” is presented in a single edit, and “Montana” is a 2013 edit with 25 additional seconds.  Grateful Dead’s Rare Cuts and Oddities 1966 compiles, well, rare cuts and oddities from that year in early Dead history!  Originally released on CD in 2005, it’s making its vinyl debut on two 180-gram platters for RSD!

After the jump: Mike has another five titles for ya!

Goin’ For High Coin: Harpers Bizarre’s “Anything Goes” Returns in Expanded Mono Edition

In olden days, a glimpse of stocking was looked on as something shocking!  Now heaven knows, anything goes…Good authors, too, who once knew better words now only use four-letter words writing prose!  Anything goes!

When Cole Porter wrote “Anything Goes” in 1934, could he have had any idea that his commentary would prove just as relevant more than thirty years later, and indeed, even today?  In 1967, three years after the esteemed songsmith’s passing, the members of Harpers Bizarre unleashed their second album onto the world, choosing Porter’s song for its title track.  In the year of the Summer of Love, producer Lenny Waronker’s “subversive choirboys”  made waves by reaching back, with the album cover trumpeting “ANYTHING GOES: Including ‘Chattanooga Choo Choo!”  That latter-named Mack Gordon/Harry Warren standard – Billboard‘s first-ever gold disc in Glenn Miller’s rendition – was recent compared to “Anything Goes,” having been written in 1941.  Well, now was then, and then is Now, with Now Sounds’ just-released Deluxe Expanded Mono Edition of Anything Goes (CRNOW 31)!

For their sophomore effort, the members of Harpers Bizarre looked to reprise the success of their first album but with some crucial differences.  For starters, two original band compositions were included, both from Dick Scoppettone and Ted Templeman: “Hey, You in the Crowd” and “Virginia City.”  Van Dyke Parks, whose “Come to the Sunshine” both opened and set the tone for Harpers’ debut LP Feelin’ Groovy, instead closed Anything Goes with “High Coin.”  One of Parks’ most-covered and most adaptable songs, it’s also been performed by singers as diverse as Bobby Vee and Jackie DeShannon.  In reissue producer Steve Stanley’s new liner notes, Lenny Waronker recalls Parks actually singing on the track, too: “Van Dyke and Ted really did the vocals because I think Dick was off in the service.  I love that song, and it’s how I was introduced to Van Dyke.”  Waronker couldn’t believe that Parks was a member of the younger generation when he composed the song: “It sounds like it comes from another time!”  Harpers Bizarre’s otherworldly vocals lend a memorable new dimension to the song.

That look at nostalgia through the somewhat ironic eyes of youth served Harpers Bizarre well.  In addition to the title track (piano by Van Dyke Parks and arrangement by Harry Nilsson’s close collaborator Perry Botkin Jr.!), Cole Porter’s songbook was also tapped for “Two Little Babes in the Wood,” not one of the urbane composer’s most famous songs.  The 1924 tune was written by Porter for The Greenwich Village Follies of 1924 and has likely received its widest airing to date on Anything Goes!  Porter himself is even heard on the album via a vintage recording, warbling his own “Anything Goes” on the introductory track’s mock radio broadcast and on a later reprise!  More recent, but still belonging to another generation, was Sammy Cahn and Jimmy Van Heusen’s “Pocketful of Miracles,” written for Frank Capra’s 1961 film of the same name.  Frank Sinatra was slated to star in the film when he clashed with the studio over the script; Glenn Ford took over, but Sinatra still popularized his pallies’ jaunty, Academy Award-nominated song.  Even Edith Piaf was paid homage via a cover of her 1959 chanson “Milord.”

Hit the jump for more Harpers, including the complete track listing, discography and order link!

Come to the Sunshine: Now Sounds Expands, Remasters Harpers Bizarre’s “Feelin’ Groovy”

Leon Russell might have been reluctant to return to his pop music roots when producer Lenny Waronker invited him to sit in the arranger’s chair for Harpers Bizarre’s 1967 debut album.  But in retrospect, a Master of Time and Space must have been involved in any LP that listed among its credits Randy Newman, Van Dyke Parks, Paul Simon, Richard Rodgers and Sergei Prokofiev!  The California quintet’s Feelin’ Groovy long-player is still one of the boldest, most imaginative and most fun debut albums of all time, and it’s getting the red carpet treatment from the fine folks at Now Sounds!  The Deluxe Expanded Mono Edition of Feelin’ Groovy expands the original 10-band album to a packed 26 tracks.  And what a groovy complement of bonuses they are: instrumentals, single mixes, and seven tracks from the band’s earlier incarnation, The Tikis!

At the time The Tikis (a.k.a. Dick Yount, Eddie James, John Petersen, Dick Scoppettone and Ted Templeman) found themselves on the roster of Warner Bros. Records, the young turks running the water tower were making Burbank the place to be.  Under the direction of Mo Ostin, Joe Smith and Lenny Waronker, Warner Bros. was establishing a hip, young identity.  The label that had begun in 1958 with Tab Hunter and Jack “Just the facts, ma’am” Webb on the roster was now expanding its ranks to include The Tokens (It’s a Happening World!), The Everly Brothers, The Association, The Beau Brummels and The Grateful Dead.  Like The Tikis, The Beau Brummels came to Warner via the label’s acquisition of the Bay Area-based Autumn Records, and Tikis member John Petersen was himself an ex-Brummel.  And the embryonic Dead had actually shared stages in the past with The Tikis.   In this fertile, creative atmosphere, producer Waronker keenly matched artist to song when he offered the soon-to-be Harpers Bizarre a completely original reworking of Paul Simon’s “The 59^th Street Bridge Song.”  Wordsmith and arranger Van Dyke Parks recalls being the one who renamed the band for a counterculture audience that wouldn’t accept the square-sounding Tikis!  Harpers Bizarre was then born.

In Simon and Garfunkel’s original version, the song is casual (almost tossed-off), low-key and completely charming.  In the arrangement crafted by Waronker and master orchestrator Leon Russell, “The 59^th Street Bridge Song” became an ambitious pocket symphony, complete with choir and baroque instrumental interlude.  Perhaps even more impressive is the fact that this big reworking retained the innocent, carefree spirit of the original.  In reissue producer Steve Stanley’s compelling liner notes, Waronker recounts Russell winning him over with his intricate charts for instruments unusual to the typical AM single. Unsurprisingly, the musicians of the Los Angeles Wrecking Crew were deployed in full force, including Russell himself on piano, Glen Campbell on guitar, Hal Blaine on drums, and other names that should be familiar to those reading this, like Joe Osborn, Carol Kaye and Lyle Ritz (bass) and Mike Deasy, Al Casey and Tommy Tedesco (guitar).  “The 59^th Street Bridge Song (Feelin’ Groovy)” b/w “Lost My Live Today” (a Tikis track that is, of course, included here) made it all the way to the Top 15 on the pop charts.

Though it gives the album its title, the song is just the tip of the iceberg here.  Hit the jump for much more, including the complete track listing with discography!

BREAKING NEWS! Good, Good, Good Vibrations: The Beach Boys’ “SMiLE” Arrives November 1

Surf’s up.

At long last, we can finally announce that SMiLE is coming to a shop near you.  On November 1, Capitol Records will release The Beach Boys’ 1967 lost masterwork as The SMiLE Sessions in three editions: a 5-CD/2-LP/2 7-inch single box (yes, 9 discs!), a slimmer 2-CD version and a 2-LP set.  Where to start?  First, I recommend digging that artwork at your left.  Has it settled in that this set is becoming a reality?  Good.  Read on, friends.

The saga of SMiLE, 2011, was becoming as convoluted as that of SMiLE, 1967, beginning with an ill-timed leak from Beach Boy Al Jardine in February that led to a hasty retraction.  A little more than a month after Jardine’s initial statement, Capitol Records finally confirmed what everybody already expected, that SMiLE was finally on the way.  Not even Mrs. O’Leary’s cow could cause this hotly-anticipated project celebrating The Beach Boys’ 50^th anniversary to go up in flames.  Well, it’s taken a few months, but pre-orders are finally being accepted at Amazon.com (see below) for all three editions, and we’ve got track listings and a wealth of details on every release including the box set!

If you’re one of those waiting to SMiLE this November, hit the jump for full specifications on all three versions, plus a condensed history of “the greatest lost album in rock history,” one that has finally been found.

Review: The Beau Brummels, “Bradley’s Barn: Expanded Edition”

Before Abbey Road or Caribou, The Beau Brummels immortalized a famous recording studio as the title of Bradley’s Barn, their 1968 album for Warner Bros. Records.  The San Francisco pop-rock outfit had travelled to Nashville, Tennessee to record at Owen Bradley’s storied venue at roughly the same time their contemporaries, The Byrds, were on the other side of town cutting Sweetheart of the Rodeo.   Though the “Mr. Tambourine Man” and “Turn! Turn! Turn!” hitmakers beat the Brummels to the punch with a release date of a few months earlier, Bradley’s Barn made similar strides in defining the sound of what would become known as “country-rock.”  Finally, Bradley’s can be put in perspective with the release of Rhino Handmade’s lavish tribute to what may be the Brummels’ finest LP.  Housed in a sturdy hardbound book, the expanded Bradley’s Barn (RHM2 524919) makes the case for a band that ultimately looked forward by looking back.

Strictly speaking, however, this wasn’t the Bay Area-vs.-the-British-Invasion band of “Laugh, Laugh” and “Just a Little” fame.  That lineup of Ron Elliott, Sal Valentino, Dec Mulligan, Ron Meagher and John Petersen had scaled the heights of fame (and even were immortalized in animated form as The Beau Brummelstones on The Flintstones!) before dissolving, bit by bit, after those early glory days.  Meagher departed during sessions for the psychedelia-tinged Triangle in 1967, leaving Valentino and Elliott as the architects of Bradley’s Barn.  The third major influence was that of producer Lenny Waronker, who was building the rosters of Warner Bros. and Reprise in A&R while spearheading the careers of artists like Randy Newman and Harper’s Bizarre, a founding member of which was the Beau Brummels’ John Petersen.  After producing Triangle, Waronker hit on the notion that Elliott and Valentino should record in Nashville.  (He says he was partially inspired by Dylan’s travels there – but then, who wasn’t?)  Other acts had a similar “back-to-the-land” trajectory after experimenting in psychedelia, some spurred on by the success of The Band’s first album, released in July 1968.  But a country-rock synthesis was long ingrained in The Brummels, as could be heard on their 1965 cut “Dream On” and even on Triangle with its Merle Travis cover, “Nine Pound Hammer.”  Bradley’s brought those tendencies to the fore.  But the sophisticated Waronker didn’t equate country with simplicity; instead, he envisioned a “guitar orchestra” that would still push the sonic envelope while embracing the best that the Nashville sound had to offer.

Hit the jump to join us down at Bradley’s Barn!

Sit Down I Think It’s Van Dyke Parks: Music Man’s “Arrangements” Arrive on CD

Forgive the hyperbole, but there’s nobody quite like Van Dyke Parks.  Composer, arranger, producer, singer, musician, actor, author, raconteur, Parks is one-of-a-kind.  Known for his dazzling, sometimes oblique wordplay, and sheer musical invention, Parks has contributed production, arrangements and songs to an incredible number of renowned artists over the years, often blazing new trails while harnessing his vast knowledge of popular music.  For the first time, the renaissance man’s work as a multi-hyphenate is being collected.  Fifteen tracks are being compiled for September 20 release by the artist’s own label, Bananastan, as Arrangements, Volume 1.

Arrangements is drawn primarily from the catalogue of Warner Bros./Reprise, where Parks toiled as artist, producer, arranger and A&R man, often working closely with his good friend Lenny Waronker.  While at Warner Bros., Parks lent his considerable skills to Randy Newman, The Beau Brummels, The Mojo Men, Ry Cooder, Little Feat, and others.  Still, these names just scratch the surface.  Consider some of his other musical cohorts: The Byrds, Tim Buckley, Harry Nilsson, U2, The Everly Brothers, Carly Simon, Gordon Lightfoot, and Cher.  Parks’ work isn’t exclusive, though, to classic artists.  He’s lent his expertise to a younger generation of musicians including Rufus Wainwright, Joanna Newsom, Silverchair, Inara George and Fiona Apple.

Did I forget something?  Oh, yeah.  Parks also was the co-architect of The Beach Boys’ SMiLE, playing lyrical foil and inspiration to Brian Wilson’s limitlessly creative composer.  (Though Capitol Records has been quiet in recent months, plans are still afoot to finally release that legendary lost album later this year.)  Though Arrangements spotlights some of his favorite collaborations, Parks has also included a number of his own performances, making a collection of material, both familiar and tantalizingly rare, that is a veritable tour of American music.  (The emphasis, however, is not on cuts from Parks’ solo albums, but rather singles and rarities.  Anybody who’s read this far shouldn’t hesitate to explore 1968’s Song Cycle – in many ways a further exploration of the modular songwriting employed on SMiLE – and his other offbeat solo confections for some of the wildest, most devilishly creative music out there.)

Hit the jump to find out just which Arrangements have been included, plus discography and pre-order links!